I heard the various terms of abuse at school and probably indulged them in the way you do as a kid.

I want to direct but I think I'd be bloody awful and I don't want to produce but I think I'd be a very good producer because if I believed in something I'd be able to protect it.

On The Others, very atmospheric and probably mysterious is how I would say it felt to be on the set. It felt just a little uneasy, the atmosphere that we were trying to capture.

I went being unemployed for three years to being the lead in a British feature in the days when we only made two a year, 1990. It was ridiculous really.

I don't like to watch playback. But being on the set, watching the way the camera is being moved and the way the light is being used, you do get an idea of it.

I love my accent, I thought it was useful in Gone In 60 Seconds because the standard villain is upper class or Cockney. My Northern accent would be an odd clash opposite Nic Cage.

My parents always knew I was hopeless at everything else, I was fortunate in that I was backed all the way. I came to it late and only because I thought there'd be loads of women and drinking!

I used my instincts. It's very easy to imagine how you'd feel, actually. I just had to tell the narrative.

I had bags of energy as a kid.

I heard the various terms of abuse at school and probably indulged them in the way you do as a kid.

I only ever worked on interiors, and an interior is an interior. I don't know what they did about exteriors.

I wasn't always such a great fan of Shakespeare, mind you. I can guess we all at one time had it rammed down our necks at school, which tends to take the edge off it.

I don't see a lot of films. I'm quite choosy, but there's certain films that stick out.

I got a tiny part in a play, auditioned for another one and got that as well. Not only that, the first finished on the Saturday and the other started on the Monday which is like an actor's dream!

Theatre is expensive to go to. I certainly felt when I was growing up that theatre wasn't for us. Theatre still has that stigma to it. A lot of people feel intimidated and underrepresented in theatre.

Television, although It's in steep decline, still occasionally gives voices to people who don't have voices.

Rather than disliking theatre, I've expressed a preference for television because it tends to deal in its small way much more with issues and is able to reach a broader church of people than theatre.

I think theatre is by far the most rewarding experience for an actor. You get 4 weeks to rehearse your character and then at 7:30 pm you start acting and nobody stops you, acting with your entire soul.

We like to think that our parents made a decision to bring us into the world.

I care more about telly because it made me an actor and there's a much more immediate response to TV. You can address the political or cultural fabric of your country.

The person who gives you your first job is so important in any industry.

Often as a child you see someone with a learning disability or Down's Syndrome and my mum and dad were always very quick to explain exactly what was going on and to be in their own way inclusive and welcoming.

It can be very difficult to trace your birth parents.

We all need a firm sense of identity.

I think the themes of belonging and parentage and love are obviously universal.

Jacobean plays, before Shakespeare, were particularly visceral.

The money is better in films and television. But in terms of acting, theatre is more rewarding.

What goes down on film is different to what you see with the naked eye.

I've never been up with the times, always been slightly out of step.

Any horror element is as much psychological as special effects.

I know exactly where I've come from, I know exactly who my mum and dad are.

I had to help to coax the performances and I really enjoyed that extra responsibility.

Lots of middle class people are running around pretending to be Cockney.

Many times I've sat with a camera and another actor and seen all their fears and insecurities and struggles. You want to support them and help them as much as you can.

I think film and television are really a director's medium, whereas theatre is the actor's medium.

The film is about Joe discovering who his mother and father are and his relationship with them, and the identity crisis he goes through once he finds out who his parents are.

Twelve years on sets watching directors, I've taken a bit from everybody and rejected a lot.

I love Dead Ringers. A democratic set, the work was taken seriously.

Power without abuse loses its charm.

I would certainly choose my jobs depending on the actions of the character. I won't do anything that has to do with child abuse or women's abuse.

We expect teachers to handle teenage pregnancy, substance abuse, and the failings of the family. Then we expect them to educate our children.

What 'jazz' means to me is the worst kind of working conditions, the worst in cultural prejudice. The term 'jazz' has come to mean the abuse and exploitation of black musicians.

I want people to realize that the domestic abuse charges happened in 1989. I didn't meet any of them until 1993.

Terrorism is in good part an effective government propaganda; it serves to deflect attention from governmental abuse toward a mostly imagined, highly dangerous outside enemy.

So at the end of the day, our number 1 goal, our top priority, is to motivate American youngsters to reject the abuse of illegal drugs, tobacco and alcohol. All three of them are illegal behaviors.

The U.S. government has in recent years fought what it termed wars against AIDs, drug abuse, poverty, illiteracy and terrorism. Each of those wars has budgets, legislation, offices, officials, letterhead - everything necessary in a bureaucracy to tell you something is real.

Rape, mutilation, abuse, and theft are the natural outcome of a world in which force rules, in which human beings are objects.

By finding waste and abuse in entitlement programs, and eliminating it, we can ensure that the funds that are put into these programs go to the people that need them the most.

Somebody said to me this morning, 'To what do you attribute your longevity?' I don't know. I mean, I couldn't have planned my life out better. By all accounts I should be dead! The abuse I put my body through: the drugs, the alcohol, the lifestyle I've lived the last 30 years!