It's often wrong to write for specific actors because one ends up using what is least interesting about them, their mannerisms and habits. I prefer not to write for specific people.

I brought the film like a flower to the world.

I remember an article, I can't recall who by, it was after the fall of the Berlin Wall, which said that now the Wall was down, there could be no more class war. Only someone with money could ever say such a thing.

First I went to the Sorbonne to do my licence en lettres, but I also started to study law.

A woman is subject matter enough.

I love mirrors. They let one pass through the surface of things.

It's often wrong to write for specific actors because one ends up using what is least interesting about them, their mannerisms and habits. I prefer not to write for specific people.

Some colors are very difficult to render, and you must compensate to get the color you want on the screen.

My father wanted me to be a pharmacist like himself. He had been a doctor, but he no longer believed in medicine; so he became a pharmacist, but he believed in that hardly more.

As far as I was concerned, either I was a homosexual or I wasn't, so making films would change nothing.

Laying tracks gives you freedom without being too obvious.

I'm not pessimistic about people in general, but only about the way they live.

A woman confronting men is a proper subject, it is inexhaustible.

There's one thing which I hate about color films... people who use up a lot of their despairing producer's money by working in the laboratory to bring out the dominant hues, or to make color films where there isn't any color.

I'm not wild about hand-held shots.

I like making black and white films in natural surroundings, but I much prefer shooting a color film inside a studio where the colors are easier to control.

I wanted to make a film about stupid people that was very vulgar and deeply stupid. From that moment on I can hardly be reproached for making a film that is about stupid people.

Films with a message just make me laugh.

I am a Communist, certainly, but that doesn't mean I have to make films about the wheat harvest.

Stupidity is infinitely more fascinating that intelligence. Intelligence has its limits while stupidity has none.

There is no new wave, only the sea.

To observe a profoundly stupid individual can be very enriching, and that's why we should never feel contempt for them.

We live in an era where pizzas show up faster than the police.

You have to accept the fact that sometimes you are the pigeon, and sometimes you are the statue.

You make a film to distract people, to interest them, perhaps to make them think, perhaps to help them be a little less naive, a little better than they were.

Some colors are very difficult to render and you must compensate to get the color you want on the screen.

I remember an article, I can’t recall who by, it was after the fall of the Berlin Wall, which said that now the Wall was down, there could be no more class war. Only someone with money could ever say such a thing.

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.

What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

I've seen many actors go awry by making the wrong choices early on.

Actors are able to trick themselves into treating anything as if it's fantastic. It's a kind of madness really.

David Cronenberg knows what we actors do as artists.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

I'm not in the business of becoming famous. And that's the advice I give to younger aspiring actors. Work onstage and do the little roles. In the end it's not important to be seen. It's important to do. There's a lot of disappointment in this business, but my family keeps me grounded.

Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.

Comedians are not usually actors, but imitations of actors.

I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.

I've worked with a lot of really fine actors, both on stage and on screen. The level of their game lifts me up and brings the level of my game up to theirs. Always. It's like a constant upgrade.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

There's a constant flow of child actors. It's kind of funny to watch the new crew come through. I think, You poor little things. You're going to have to struggle for a long time.

I'll miss the relationships I have built with these actors. I'll miss the devotion we have to this work. Over this length of time, the tendency is to think it will never end.

After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.

An actors' tribute to me is in his work.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

This friend of mine said he was surprised to find that - I don't think it's quite a majority - a bigger percentage of actors are introverts than extroverts. It was a big surprise to him. Now, I know me, and I'll do anything if I'm playing a character. Or anything that's true to the character, anyway. But in real life I'm a little more withdrawn.

Plastic surgery and breast implants are fine for people who want that, if it makes them feel better about who they are. But, it makes these people, actors especially, fantasy figures for a fantasy world. Acting is about being real being honest.

When on the set of a film, you have to play natural for entire scenes in a very unnatural environment. You have to express emotions and interact with other actors and also use your voice.

If you watch the show and the characters don't look at each other while they're talking, the actors probably aren't getting along.