I think of myself as a writer who happens to be doing his writing as an anthropologist.

I don't write drafts. I write from the beginning to the end, and when it's finished, it's done.

People keep asking how anthropology is different from sociology, and everybody gets nervous.

I've written a lot of books which are written from the moon - the view from nowhere.

Anthropology never has had a distinct subject matter, and because it doesn't have a real method, there's a great deal of anxiety over what it is.

Younger anthropologists have the notion that anthropology is too diverse. The number of things done under the name of anthropology is just infinite; you can do anything and call it anthropology.

I never leave a sentence or a paragraph until I'm satisfied with it.

I don't think things are moving toward an omega point; I think they're moving toward more diversity.

Two people have been really liberating in my mind; one is Wittgenstein and the other is Burke. I read Burke before he was a secular saint, before everyone was reading him.

I don't have the notion that everybody has to write in some single academic style.

I don't feel that an atmosphere of debate and total disagreement and argument is such a bad thing. It makes for a vital and alive field.

Anthropology in general has always been fairly hospitable to female scholars, and even to feminist scholars.

Most anthropologists are doing straightforward ethnography, and should.

My instincts are always against people who want to fasten some sort of hegemony onto things.

Has feminism made us all more conscious? I think it has. Feminist critiques of anthropological masculine bias have been quite important, and they have increased my sensitivity to that kind of issue.

I've often been accused of making anthropology into literature, but anthropology is also field research. Writing is central to it.

I think feminism has had a major impact on anthropology.

I'm an inveterate fox and not a hedgehog, so I always think you should try everything.

If I remember correctly, a writer is someone who wants to convey information. Language or writing is a code.

Gender consciousness has become involved in almost every intellectual field: history, literature, science, anthropology. There's been an extraordinary advance.

Meaning is socially, historically, and rhetorically constructed.

We're getting closer to our nature.

It's always amusing to look at how something early in the 20th century was written in anthropology and how it's written now. There's been an enormous shift in how it's done, but yet you can't put your finger on someone who actually did it.

I was trained in the '50s as a New Critic. I remember what literature was like before the New Critics, when people stood up and talked about Shelley's soul and such things.

I think what's known about neurology is still scattered and uncertain.

I think the American university system still seems to be the best system in the world.

The North African mule talks always of his mother's brother, the horse, but never of his father, the donkey, in favor of others supposedly more reputable.

I think of myself as a writer who happens to be doing his writing as an anthropologist.

I agree with Chomsky in almost nothing. When it comes to innate structures and so on, I'm very skeptical.

If there's ever a place where you can't argue that you can put the facts over here and the text over there and see if they fit, it is surely in anthropology.

The way in which mathematicians and physicists and historians talk is quite different, and what a physicist means by physical intuition and what a mathematician means by beauty or elegance are things worth thinking about.

I'm writing a review of three books on feminism and science, and it's about social constructionism. So I would say I'm a social constructionist, whatever that means.

I do think the attempt to raise consciousness has succeeded. People are very aware of gender concerns now.

I had a hard time convincing students that they were going to North Africa to understand the North Africans, not to understand themselves.

We need to think more about the nature of rhetoric in anthropology. There isn't a body of knowledge and thought to fall back on in this regard.

I think the perception of there being a deep gulf between science and the humanities is false.

The point of literary criticism in anthropology is not to replace research, but to find out how it is that we are persuasive.

Gender consciousness has become involved in almost every intellectual field history literature science anthropology. Theres been an extraordinary advance.

Arnold Bennett was a writer I admired. He was actually taking notes at his father's deathbed.

The good parts of a book may be only something a writer is lucky enough to overhear or it may be the wreck of his whole damn life and one is as good as the other.

For a country to have a great writer is like having another government. That's why no regime has ever loved great writers, only minor ones.

I'm a writer who likes to be influenced.

In relation to a writer, most readers believe in the Double Standard: they may be unfaithful to him as often as they like, but he must never, never be unfaithful to them.

A true critic ought to dwell upon excellencies rather than imperfections, to discover the concealed beauties of a writer, and communicate to the world such things as are worth their observation.

A writer may tell me that he thinks man will ultimately become an ostrich. I cannot properly contradict him.

The most important training, though, is to experience life as a writer, questioning everything, inventing multiple explanations for everything. If you do that, all the other things will come; if you don't, there's no hope for you.

It is not often that someone comes along who is a true friend and a good writer.

Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there.

It's essential not to have an ideology, not to be a member of a political party. While the writer can have certain political views, he has to be careful not to have his hands tied.