What I tried to do is deliver movies that have worked for me more than once.

I have the normal complement of anxieties, neuroses, psychoses and whatever else - but I'm absolutely nothing special.

It is great good health to believe, as the Hindus do, that there are 33 million gods and goddesses in the world. It is great good health to want to understand one's dreams. It is great good health to desire the ambiguous and paradoxical.

My imagination is my polestar; I steer by that.

I'm a great dog fanatic. My own dog died a little while ago and I take it very personally when things die - it's a major offence.

What I tried to do is deliver movies that have worked for me more than once.

Be regular and orderly in your life, that you may be violent and original in your work.

Nothing ever begins. There is no first moment; no single word or place from which this or any other story springs.

Gather experience... Look at what you should not look at. A feeling of anxiety is the sure and certain evidence that you should do this.

You can plan to be brave - it's even better if you just try to be brave.

All I've ever wanted to do is darken the day and brighten the night.

As for theatre, there's ups and downs to everything. Theatre is ephemeral. But that is part of its charm because you can always say the production was better than it was.

Books should make somebody look at how they feel, be honest with themselves.

For a writer, and particularly a writer of my genre, which is the fantastical, I think that it's to my advantage to feel remote from and disconnected from the world of deal making.

I certainly knew from an early age... how to tell stories; how to create pictures in other people's heads.

I don't feel there's any reason to apologise for having a wicked imagination. I think it's important as a maker of fantasy and of horror.

I don't like PG-13 horror movies. I think they're a contradiction in terms.

I don't take accusations of selling out lightly.

I firmly believe that a story is only as good as the villain.

I love meeting people who've read my books. The prime reason to be on the planet is to make things I can show to other people: paintings, books, movies.

I remember when I watched 'Hellraiser' with my mother. She cried when she saw my name in the opening credits, and I had to tell her that that was the happiest she was going to be for the next two hours.

I'm not the expert on the great gameplay. I come in for the character design, monsters, atmosphere. I'm not the technician.

I've got deeper journeys to take. Metaphysical journeys. Journeys to see Christ. Shaman journeys. It's what I've been elected by God to do.

My life is in the art that I make, and I'm very happy with it.

One of the things I'm trying to do over and over again in my books is create new mythologies, create new ways to understand the complexity of the world. I think what mythology does is impress upon chaotic experience the patterns, hierarchies and shapes which allow us to interpret the chaos and make fresh sense of it.

Some people think that horror films are some sort of second class filmmaking, and the only way to bypass that thinking is being proud of the fact that we do it.

Though I respect hugely the effort and the care and the beauty of games, I want to be working with people who want to create the 'War & Peace' of games, the 'Citizen Kane' of games, and not just be warming up George Romero.

Any fool can be happy. It takes a man with real heart to make beauty out of the stuff that makes us weep.

Everybody is a book of blood wherever were opened were red.

Im a great dog fanatic. My own dog died a little while ago and I take it very personally when things die its a major offence.

You just have to trust your own madness.

The sun rose like a stripper, keeping its glory well covered by cloud till it seemed there'd be no show at all.

Superman is, after all, an alien life form. He is simply the acceptable face of invading realities.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.

My mom took me to see Carnal Knowledge and The Wild Bunch and all these kind of movies when I was a kid.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

I enjoy about 1 out of 100 movies, it's about the same proportion to books published that I care to read.

Sure, 'Twilight' is really huge right now and everybody's freaking out over it, but it will go away soon and I will be back to doing what I'm used to doing: weird little movies that nobody sees.

There are many kinds of movies in Hong Kong. Some are commercial and others are more artistic.

Making movies is eating candy. It's a very expensive candy, so you value when you can do it. So when you can do it twice at once, it's like, you know, a kid in a candy store!

It just proves good movies don't need 100 million dollars to be good.

In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

When I go to movies I generally want to be taken to another world.

There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific.

You can make movies for a select audience, but you have to market it to them.You can make movies for a select audience, but you have to market it to them.