In early draft it never satisfied me, and that was when it clicked into place and it went so well as a diary.

I think explicit love scenes are a turn off unless it's the kind you read with one hand.

There is no doubt that it is more difficult to read and more difficult to write but I still manage.

Once I've got the first draft down on paper then I do five or six more drafts, the last two of which will be polishing drafts. The ones in between will flesh out the characters and maybe I'll check my research.

I stopped this one about two months before federation and I want the next one to be more political. It will deal with the formation of white Australian policy and things like that.

I have an editor in my head, that's why I can't read Harry Potter, because Rowling is such a lousy writer.

There's a hell of a lot of horny people out there who are not being gratified in the way they should be.

My husband says it is very good that I have very tiny feet, because they're easier to get in my mouth.

My fictitious characters will take the bit between their teeth and gallop off and do something that I hadn't counted on. However, I always insist on dragging them back to the straight and narrow.

The Labour Party of today has fits of horrors of the very thought of somebody like me might saying that they bought in white Australia. But I believe they did.

It's a woman's book but I think the men will read it too.

The lovely thing about being forty is that you can appreciate twenty-five-year-old men more.

In The Touch, the love scenes are the same as they were in The Thorn Birds or anything else I've ever written. I find a way of saying that either it was heaven or hell but in a way that still leaves room for the reader to use their own imagination.

It's a dead give away of an inexperienced writer if every character speaks with the same voice.

I want to know what they look like, their height, and colouring, physique and speech pattens.

In early draft it never satisfied me, and that was when it clicked into place and it went so well as a diary.

She told fortunes for a living. It's a wacky book and was great fun to write. It is very much a look at what life was like for women in Australia in the 1960's.

I am writing a sequel to The Touch because I want to further explore the Chinese question that I have raised. There will be more about that in a sequel.

How frightening that one person could mean so much so many things.

It is crystal clear to me that if Arabs put down a draft resolution blaming Israel for the recent earthquake in Iran it would probably have a majority, the U.S. would veto it and Britain and France would abstain.

Maybe the answer to Selective Service is to start everyone off in the army and draft them for civilian life as needed.

The following year, after I had prepared my draft, the Conference of the Interparliamentary Union at The Hague decided to set up a special commission to study the problem seriously.

This does make me very very careful, particularly in the second draft, to get it right, because you do feel that somebody in the future who may be extremely important for everybody, is going to have me behind them, and this is a responsibility, a huge one.

Rather than waiting to restore fiscal responsibility after we pass legislation, we must work to ensure we remain committed to it as we draft legislation.

Back then I said to myself 'screw football.' Actually I just took part in this camp as there was nothing better for me to do. They also didn't draft me because they thought I was too wild and undisciplined.

I don't fiddle or edit or change while I'm going through that first draft.

I've never shown anybody a draft of anything.

After I've sent my revised draft to my agent and editor, they suggest more improvement sand again, this revision phase can take anywhere from a few hours to a few months.

Generally I finish a first draft in 2-6 months, then I set it aside for a while so that when I come back to it I can read it with fresh eyes and figure out how to improve it.

The Iraq war was fought by one-half of one percent of us. And unless we were part of that small group or had a relative who was, we went about our lives as usual most of the time: no draft, no new taxes, no changes. Not so for the small group who fought the war and their families.

I was a pitcher, shortstop and outfielder, and the Yankees tried to sign me out of high school as a first-round draft pick in 1981. I turned them down to go to college.

I don't have any respect at all for the scum-bags who went to Canada to avoid the draft or to avoid doing their fair share.

In the original draft I was 27 and Peter was 55 in the script. That's not the same as a guy in his 40s and a dad in the end of his 70s. It's a different point in both our lives.

Not until the final draft do I force myself to remember that I'm going to have to think about how it will affect other people.

Conservatives truly love America and support the armed forces, while liberals are unpatriotic draft dodgers.

I remember the day I found out my draft status. I was really floored and kind of staggered around in a daze. It just hadn't occurred to me that I could end up in Vietnam.

The Indians could not undertake any widespread cultivation of the plains not only because they lacked iron tools but also because they had no draft animals.

For me the writing, when I'm going to direct it myself, is really just the first draft, and I don't change it very much; I only change it on average about two lines per movie.

Once I've got the first draft down on paper then I do five or six more drafts, the last two of which will be polishing drafts. The ones in between will flesh out the characters and maybe I'll check my research.

In the draft plan, we're looking at recycling 20 percent of our garbage by 2010.

The draft is white people sending black people to fight yellow people to protect the country they stole from red people.

So I'm going to tell you, it's going to be a good year. There are good players all over this country, and it is our job as a scouting department to find them, draft them, sign them, develop them, and help us to continue to win championships. So it's going to be a good year.

When I'm my own editor, there's very little difference between the first draft and the final. I write what feels right to begin with. I rarely make any major changes.

Fox came to us with the concept for ICE AGE and they came to us with the first draft of the script. They also gave us a mandate to make it into a comedy from what was previously a rather dramatic action concept.

No one uses a ribbon typewriter any more, but your final draft is not the time to try to wring a few more sheets out of your inkjet cartridge.

Even the draft dodgers are not pursued and hounded. They are here on our streets, most of them... unless they are breaking Canadian laws .. are getting American dollars from Ma and Pa at home to spend here.

I try to write everyday. I do that much better over here than when I'm teaching. I always rewrite, usually fairly close-on which is to say first draft, then put it aside for 24 hours then more drafts.

I want to warn anyone who sees the Peace Corps as an alternative to the draft that life may well be easier at Fort Dix or at apost in Germany than it will be with us.

I have never written anything in one draft, not even a grocery list, although I have heard from friends that this is actually possible.