I'm sort of an experimenter; I thought it'd be interesting to play around and see what's there.

I'm very much looking forward to my 30-40 years of acting, and, as I get older, I'm really looking forward to some of the roles that are out there to play.

It's a great counter to doing the soap because it's a comedy. It's real physical comedy.

It's an addictive thing. It's not so much I like to go win, but it's a rush.

Taking employment out of the country - now that's taking away jobs. These shows employ a lot of people: production, post-production, music supervisors, camera people. A hundred people or more.

We need a space program because we need explorers. Its in our souls.

Yeah, I think if I were to go again, I'd try to go more on gut feelings and stick with it. I was on to Frederique. I found clues for everything, I found tons of stuff.

I'm sort of an experimenter; I thought it'd be interesting to play around and see what's there.

If we stop exploring space, we're going to lose the same part of us that found vaccines and penicillin, the part that searches for cures to cancer and AIDS.

I saw the excitement, going to different places, being able to explore emotion in a healthy way.

I love to entertain, I love to make people laugh, cry, and move them, perhaps moving them in their lives.

Well, acting was just in me and I tried to avoid it. I didn't want to do what my parents did, you know?

There's nothing like coming home here, having the day off or morning off and going surfing. In Orlando I don't know what I would do.

I have to say, though, it's a little strange doing both because Durant is very straight and stern and austere.

I'd like to direct some, act in some of them, and produce.

In daytime, they're doing 50-60 pages a day, whereas nighttime, you do seven or eight.

It's not so much I like to go win, but it's a rush. A horrible gut wrenching thing, but it's exciting.

They sent me some tapes of the original Mole and I thought it was pretty intriguing. I'm sort of an experimenter; I thought it'd be interesting to play around and see what's there. It was fun. Turned out to be good.

'Rust' really started with the passing of my dad, and me really looking back inward to my self about where I stand with all things on a faith/religious/spiritual level. And it's really put me on this interesting road and very educational, I might add, road back to understanding the role of faith in God and Christ in my life.

I always choose to remember the moment that was the best of Jeanne Cooper - those photos where she's in that wild dress triumphantly hoisting up the Emmy the night she finally won the damn thing. She was so proud, so happy.

I don't have a bunch of mates. I don't have a man cave. My wife and I, we are each other's best friend.

Most everything I do on a creative level is beyond the fame and money. I sort of work as an actor... and take care of my family and mouths to feed and all of that. I don't really care about fame, but our business means money sometimes and financial success, which I can pass on to my family.

Most kids have an innate feeling of the sense of God and spirit. But either we forget about it over time, or we're scared away from it.

My dad had a stroke. It's one of those life-changing events. It was right around the time I was turning 40. We were doing 'L.A. Law,' and I got this call that my dad was in Rome and had had a stroke. I want to stress that it wasn't a huge stroke, but it was enough to provide a serious wake-up call.

My mom was the center of my support system, that place I always went to talk things through, whether I was feeling joy or fear. She was always there with a huge, open heart and the best advice.

When you walk away from God, and you walk away from Christ, you're basically uprooting the very foundations of being. So I don't think there is an easy way to do that. Even for the guy who becomes an atheist out of it, it's messy. It ain't pretty.

You can't just take an aspirin and sit around and have 12 donuts and think, 'I took my aspirin so I'm not going to have a heart attack.' It's really important each person take personal responsibility for their health. You can't keep thinking that someone else is going to take care of it. You have to be part of the solution.

Theres nothing like coming home here having the day off or morning off and going surfing. In Orlando I dont know what I would do.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.

Never play anything that don't sound right. You might not make any money, but at least you won't get hostile with yourself.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

Genius is not a possession of the limited few, but exists in some degree in everyone. Where there is natural growth, a full and free play of faculties, genius will manifest itself.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

If Davis Cup was a little bit less or once every two years, I would be more inclined to play. But the way it is now, it is too much tennis for me.

I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.

If you watch a game, it's fun. If you play it, it's recreation. If you work at it, it's golf.

You have to like the characters you play.

Good directors say, Here's where the play is. They stand by the heart of the matter. Some of them stand beside it.

The value of music is to be able to play one note at the right time in the right way.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

Well, I play Jews and parrots. Parrots are how I've branched out.

We just have to get it going and play hard every time out.

Art is an expression of who you are. Parts that I play are my sculptures.

There is an audience for every play; it's just that sometimes it can't wait long enough to find it.