I try to find what is closest to me in the character. There's many sides to personality, but it's a matter of, do you entertain those specific areas of your personality, or are you afraid to entertain them?

In LA, too many people want to go the quickest route from A to B. Method acting offers them that.

What motivates me in art is the ugly and beautiful nature of the truth. It has to be truthful and honest, even if it is ugly and grotesque.

I like good stories. Quality products and character are what's important. Even if the script isn't that strong, if I challenge myself with a great character, I'll go for it.

I pitched a storyline, and as far as I know it's been picked up. It's for the third and final episode I'm contracted to do. But I can't give any spoilers.

I got to do a whole slew of TV movies playing the bad guy, including an episode of Smallville. That would never have happened if I hadn't done the Stand.

Even though I was theatrically trained, learning to develop a character was an awesome experience.

I have my ethics and morals. I have my anchor point of what is right and wrong in real life, but I'm not afraid to entertain any and every aspect of personality in relationship to creating a character.

It is a Modern day, and these times need Modern solutions to Modern problems.

Stargate by far is the top of the pile when it comes to Sci-Fi. The quality is great. They have really good writers, production design, lighting, wardrobe.

Every role varies greatly, just as emotions vary greatly.

I've done a number of readings at poetry lounges in Vancouver and Los Angeles. I've compiled a book of poetry that's completed, and two others I'm working on.

I try to find what is closest to me in the character. There's many sides to personality, but it's a matter of, do you entertain those specific areas of your personality, or are you afraid to entertain them?

I have not thought too much about the psychology or life of the character Jonas in some time.

I very rarely get nervous as an actor. Very rarely.

I decided I'd never do a series again, but I was offered a pilot for a series through Eddy Murphy Productions, and that was the gig that got me Parker Lewis.

I had the benefit of experiencing a hundred times more than the average kid. I don't look back with regret at all. It was the best life ever.

Never let life impede on your ability to manifest your dreams. Dig deeper into your dreams and deeper into yourself and believe that anything is possible, and make it happen.

My favorite episode of Stargate? All of them! My favorite episode of Parker Lewis? All of them!

It's all about creating a back story for the character and developing emotional responses that are true to life in relation to the character. It isn't necessary to live a tragic life to create from that place.

I'd just gotten into Los Angeles from Texas, where I live, and the phone rang and it was the guy calling about the Willie Nelson video. I was totally excited about it.

Emmanuel Lewis was amazing to work with. I'll love that guy to the end of time.

I did private study for about a month, five days a week, six hours a day. I came to understand the character in ways that I never would've previous to that. I was so innocent in respect to ways of creating characters.

It has given me an insight into what it's like as an actor to come into a show in the middle of a production and fit into a group that's already established.

Art is about expressing the true nature of the human spirit in whatever way one wishes to express it. If it is honest, it is beautiful. If it is not honest, it is obvious.

There were time when I was into method acting that I did have moments of residual character emotions, because the method bases your emotional responses as a character on emotional experiences from your real life.

I can't sing. Definitely no ambition in that area.

It would be far to general a statement to try and describe the daily life of an actor in Hollywood, but I am quite certain that cappucinos have something to do with it.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

Character is power; it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.