Cynthia Ozick

When something does not insist on being noticed, when we aren't grabbed by the collar or struck on the skull by a presence or an event, we take for granted the very things that most deserve our gratitude.

I don't like to read contemporary fiction while writing - I need a sense of isolation, a kind of silence, and I don't want a jumble of other people's voices or visions getting in my way. Nineteenth-century voices don't create static in that silence.

No one can teach writing, but classes may stimulate the urge to write. If you are born a writer, you will inevitably and helplessly write. A born writer has self-knowledge. Read, read, read. And if you are a fiction writer, don't confine yourself to reading fiction. Every writer is first a wide reader.

After a certain number of years, our faces become our biographies.

The novelist's intuition for the sacred differs from the translator's interrogation of the sacred.

Very bright teeth as big and orderly as piano keys.

An essay is a thing of the imagination. If there is information in an essay, it is by-the-by, and if there is an opinion, one need not trust it for the long run. A genuine essay rarely has an educational, polemical, or sociopolitical use; it is the movement of a free mind at play.

To say that such-and-such a circumstance is 'Kafkaesque' is to admit to the denigration of an imagination that has burned a hole in what we take to be modernism - even in what we take to be the ordinary fabric and intent of language. Nothing is like 'The Hunger Artist.' Nothing is like 'The Metamorphosis.'

I wanted to use what I was, to be what I was born to be - not to have a 'career', but to be that straightforward obvious unmistakable animal, a writer.

I think a fictional invention grows according to its own development, not the author's. Characters in fiction are not simply as alive as you and me, they are more alive. Becky Sharp, Elizabeth Bennett, and Don Quixote may not outlive the burning out of the sun, but they will certainly outlive the brief candle of our lives.

I'm a fiction writer, and I do write essays, but I am not a poet. And I absolutely reject the phrase 'woman writer' as anti-feminist. I wrote an essay about this as far back as 1977, at the height of the neo-feminist movement.

Time heals all things but one: Time.

Awe consumes any brand that ignites it.

People often ask how I can reject the phrase 'woman writer' and not reject the phrase 'Jewish writer' - a preposterous question. 'Jewish' is a category of civilization, culture, and intellect, and 'woman' is a category of anatomy and physiology.

Sometimes writing has to be forced. In starting out, the shape and timbre and texture of what is to come is an uncertain chimera shimmering from behind a veil. You must not wait, loiter, dilly-dally. You must force your way painfully through.

In 1952, I had gone to England on a literary pilgrimage, but what I also saw, even at that distance from the blitz, were bombed-out ruins and an enervated society, while the continent was still, psychologically, in the grip of its recent atrocities.

There was a period... when I used to say, with as much ferocity as I could muster, 'I hate Henry James, and I wish he was dead.' Influence is perdition.

I had the idea in my twenties that a writer could immediately become the late Henry James. Henry James himself had to mature. Even Saul Bellow did.

An article can be timely, topical, engaged in the issues and personalities of the moment; it is likely to be stale within the month. In five years, it may have acquired the quaint aura of a rotary phone. An article is usually Siamese-twinned to its date of birth.

Early in the 1990s, I flew alone in a dandelion-yellow, single-engine, 180-horsepower Piper Cherokee from Westchester County Airport in New York westward to the Rocky Mountains, landing and refuelling a good many times in middle-sized cities and towns along the way.

In saying what is obvious, never choose cunning. Yelling works better.

The engineering is secondary to the vision.

We often take for granted the very things that most deserve our gratitude.

Profound subject matter can be encompassed in small space - for proof, look at any sonnet by Shakespeare!

In books, as in life, there are no second chances. On second thought: it's the next work, still to be written, that offers the second chance.

In an essay, you have the outcome in your pocket before you set out on your journey, and very rarely do you make an intellectual or psychological discovery. But when you write fiction, you don't know where you are going - sometimes down to the last paragraph - and that is the pleasure of it.

Traveling is seeing; it is the implicit that we travel by.

Hebrew in America has a bemusing past. The Puritans, out of scriptural piety, once dreamed of establishing Hebrew as the national language.

Auden is a poet - no, the poet - of unembarrassed intellect. Ideas are his emotions, emotions are his ideas.

The Hebrew Bible has long been the world's possession, and those who come to it by any means, through whatever language, are equals in ownership, and may not be denied the intimacy of their spiritual claim.

My first encounter with James was when I was seventeen. My brother brought home from the public library a science fiction anthology, which included 'The Beast in the Jungle.' It swept me away. I had a strange, somewhat uncanny feeling that it was the story of my life.

I think about fanaticism - oblivion awaits, especially for minor writers, so you have to be a fanatic; you have to be a crank to keep going, but on the other hand, what else would you do with the rest of your life? You gotta do something.