On the other hand when you are someone who records their own songs you are basically stuck writing for one voice and for one style that can stifle you a bit. It's a real trade off.

She could only write with him at night and she was wasting her days just sitting around. So he thought I could write with her during the day. And that was Carole King.

There is the great creative part of it. The writing is the best part.

That's what it is every time you walk into the room to write with someone new. It's like, oh god I have to take my clothes off 'my creative clothes' and let them see all of my flaws.

But I'm someone who the more afraid I am, the more I want to do it to get the fear over with.

My nature is to be linear, and when I'm not, I feel really proud of myself.

We were very fortunate to have been on the scene when we were.

Even when I think I'm writing really young, they say it's too mature.

The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer/songwriter, or find a singer to develop.

You just have to believe in yourself when you've got something, and just keep pounding on the door, because if you pound long enough, somebody is going to open it.

We wrote what sounded good to us and hoped it would find a home.

A lot of guys spend their lives saying no because it's an easier way to keep your job.

I wanted to write for Broadway.

We are the yin and the yang of the creative process.

We all have fertile creative periods and times when we can't figure out how we ever did it.

That first writing session, what Dan Hill calls a creative blind date, is always a real challenge, and you bring that back to your partner when you return to writing with them.

Actually I was writing with people that didn't get records.

I can't seem to write young enough anymore.

Sharing a triumph with someone you love is an incredible high.

We have gone through some difficult times like everyone else and perhaps our working together and respecting each other's abilities, in addition to that little thing called love, helped us survive.

Barry and I were in the middle of building a house, and I was in the midst of having a nervous breakdown, because that's what you do when you build a house.

Although I like the work I've done in the past, I like what I'm writing now even more.

It was kind of like songwriter's boot camp. You had to produce. You had to produce fast. You had to learn.

You made a lot of mistakes, and you wrote a lot of crap. But it was all part of the learning process.

Barry is an incredible singer. He's even gotten better through the years.

The main reason he wanted to be a recording artist was because it gives you much more freedom in your writing. You only have to please the artist and the artist is you so you can be more daring and experimental.

On the other hand when you are someone who records their own songs you are basically stuck writing for one voice and for one style that can stifle you a bit. It's a real trade off.

I started recording because I was always complaining about the records that I was getting of my songs. At least if I did them and messed them up, I wouldn't have anyone else to blame.

Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.

The things in my songs are the edited highlights of my life. I don't go seeking out strange sexual experiences every day of the week.

The way you look for songs, you find yourself looking for little signals and clues about life and how things are.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

It's part of the calling to at least do a few songs in the show that give people some hope. There's so much hurt in this world and... music is such a great healing balm and a great way to forget your troubles.

Again, I say I will be glad to tell what songs I have ever sung, because singing is my business.

My vocal ability is very limited, but I'm fortunate in that I can write the songs around my vocal limitations.

I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.

When I heard his first songs, Dylan was answering certain questions that I had all my life been asking myself.

The bands that wrote the big, heroic rock songs - I really wanted to make a record like that.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.

All my songs are where I am.

That's what I like to do, I like to make songs.

We would turn everything into songs in those days.

Sometimes, but the year I lived in France I started to write songs.

Writing songs has a therapeutic effect, and it either kills off love or wins the heart of the lover.

I had deeper, more reflective songs on the first album.

I don't think you need a record deal to write songs. You don't need any other reason than you want to do it. It's a far cry from why some people do music today. They make it to order, which is pretty horrible.

The process depends on the situation, and I don't think there are any two songs that have gone exactly the same way... well, actually, that's not true.

I didn't want my last chapter to be the guy who sits at the piano and sings love songs.