It seems like bluegrass people have more great stories to tell than other musicians.

I wish I was a little more gregarious and outgoing.

I choose to express myself.

Strats are my favorite electric guitars, and I've got quite a collection.

I had gone full-on folkie; I'd had it with bands.

I never going to satisfy everybody, so I decided to satisfy myself.

I wanted to pay tribute to my musical influences: Buffalo Springfield, Lightfoot, the Beatles, the Hollies.

My dad was vehemently opposed to electric guitars. He did not look on that kind of music as legitimate in any way.

I had never done TV. I think it's a foolish medium for, most rock 'n roll music. Nobody ever comes off well on TV.

I love to rock 'n roll. But my finest suit, of all the things I do, is as a songwriter.

I may quit the music business someday, but never the music.

MTV didn't call. I guess I wasn't hip and groovy enough.

It was so much fun playing simple American bluegrass. I got to meet Doc Watson.

I love home. I'll stay up there for days on end, I won't even go down the driveway to look for the mail.

I was blessed with a gift. It's a gift and a curse. It never ends.

I always try to give my songs as gifts.

Now is the only thing that exists.

You're successful if you can get one person to pick it up and put it on the turntable and go, Wow, thanks for writing that!

It was quite a shot in the head to do the album and then have it shot down by nonmusical idiots.

I love the subtlety and tonal range of the acoustic guitar.

Coming out of college with a degree in fine arts and painting isn't worth much any more.

I love to laugh, it's my main thing. I love to abuse the English language.

My upbringing made me think that real legitimate music is written, not heard.

My life is as an artist, not an entertainer. I don't consider myself an entertainer, but I can do that thing when I want to.

It seems like bluegrass people have more great stories to tell than other musicians.

My grandfather gave me my first guitar, an old acoustic with palm trees and dancing girls painted on it.

A simple smile, a tender touch, speaks the true language of love.

We drank a toast to innocence, we drank a toast to now. And tried to reach beyond the emptiness, but neither one knew how.

That's Tommy, this great producer who comes in contact with people and must have a mental library of personnel who are great for this and great for that, and he brought this whole group of musicians to the project that I'd never worked with before.

Every musical movement that is big enough has to produce some good musicians who wouldn't have had the incentive to start playing without it.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

We were brash young fellows'. I was always hanging with the older crowd anyway. The musicians were the Hip Cats, and I was hanging with them anyway. I Just started out real early.

You can have all sorts of relationships, but there's something with musicians working together where you can have relationship that can just continue to grow in a beautiful way.

Most musicians count at the beginning, and never count and talk to their musicians after that. They only talk to them at the end of the song. But I would count with them and talk.

It's my fault in many cases because I don't initiate the contact to talk with a lot of other musicians.

Musician jokes are a kind of joke that usually have to do with how much money someone makes. Musicians are always starving, so they're really mean to each other about who makes what.

What 'jazz' means to me is the worst kind of working conditions, the worst in cultural prejudice. The term 'jazz' has come to mean the abuse and exploitation of black musicians.

We wanted to guide the musicians, so we could create our own sound. We would never let the band just go in and play the chord sheets. We were very focused on what we had in mind for these productions.

I don't take compliments very easily. I think most musicians suffer from low self-esteem to some extent.

I'm always going to get more of a charge playing Chicago than I will Duluth or some place like that. Just because of the history and the people there are way more knowledgeable than a lot of other cities. It's an amazing music scene with some great bands and great musicians.

Watch MTV and you can see what the music scene is like in England. The Spice Girls? Not a lot of creativity in the commercial area. There are still great musicians in England, but not a lot being heard that much.

Success breeds volume, and it's just amazing how many young writers, artists, and musicians there are in town.

At the art college in Edinburgh someone arranged for some London groups to come up and play. I was in a supporting band, with Bernie Green I think. Derek Bailey was one of the visiting musicians. He seemed to like my playing and asked me to come down to London.

Out of doing all that experimentation with sound I decided I wanted to do it with live musicians. To take repetition, take music fragments and make it live. Musicians would be able to play it and create this kind of abstract fabric of sound.

But, I would be naive not to recognize the number of musicians who tell me they have been influenced by me and sight me - as well as Alex and Neil - as a musician who has been a positive influence on their playing.

We're not spokespeople, we're musicians.

I was afraid the other musicians might want to present themselves too much, though I see in the coverage I've received of the album that the musicians got wonderful reviews for their contributions and abilities. I think the four musicians played freely within my limits.