Writers, all the good ones, are Natural Born Liars.

There's a flipside to this; if you as an individual have the right to live on your own terms, you must have the right to both succeed and fail on them.

Writers, all the good ones, are Natural Born Liars.

If there is a substantial difference between a gay couple and a childless heterosexual couple, I'm unable to see it.

So, we, as human beings, live in a very imprecise world. A world where our perceptions of reality are far more important than actual reality.

An attempt to write nothing but characterization will soon bog down; I for one don't want to have somebody tell me about someone else.

There are, believe it or not, good politicians.

Before Watergate and Viet Nam, the American public, as a whole, believed everything it was told, and since then it doesn't believe anything, and both of those extremes hurt us because they prevent us from recognizing the truth.

Actors are good liars; writers are good liars with good memories.

It's your body and your life and you have an absolute right to do with it as you choose.

Well, the future of the Internet is... Reality.

You want to balance the budget in this country? We change the salary structure for Congress and the President. Every year they don't balance the budget, we don't pay them.

There's no way for me to know, but my best guess, as it must be for everyone, is that other people are pretty much like me.

The universe is not fair and it is never going to be fair.

To write well you must be willing to go naked into the world.

What the power structure is afraid of is that we're going to learn to recognize the truth when we hear it.

It's very strange writing science fiction in a world that moves as fast as ours does.

The welfare system in the United States is vile.

If a liberal political philosophy stands for anything, and I am no longer sure it does, then it must mean that we are committed to the leveling of the playing field for everyone.

The most interesting thing about the idea of money is that it makes it possible to measure something in previous ages we couldn't be sure about, and that something is power.

You can have data without information, but you cannot have information without data.

Plot and character are virtually the same thing.

There is virtually nothing I wouldn't be willing to do, to try and make sure that children have a fair shake in life.

The reason Ronald Reagan gets slammed for having so badly exacerbated the problem of deficit spending is that he so plainly deserves it.

The federal debt in this country is principally of Republican design.

As a fiscal conservative, I think that our government should pay for itself.

Our species is on the verge of changes that will fundamentally alter what it means to be human... and we are the people driving that change.

We are reinventing the world. We've set the ball spinning with little concern for where and how it's going to stop.

I'm a liberal where children are concerned, a libertarian where adults are concerned - and thinking very seriously about running for the House of Representatives, for whatever that's worth.

Police do not belong in war zones.

It's obvious, but perhaps worth saying, that happiness has virtually nothing to do with the state of your intellect.

For a country to have a great writer is like having another government. That's why no regime has ever loved great writers, only minor ones.

I belong to a specific category of writers, those who speak and write in a language different from that of their parents.

I think ethnic and regional labels are insulting to writers and really put restrictions on them. People don't think your work is quite as universal.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

It is certain, indeed, that the sacred writers were apt to make great allowances for people with empty stomachs, and though I am well aware that the present profane ones think this very reprehensible, I venture to agree with the sacred writers.

I have always noticed that in portraits of really great writers the mouth is always firmly closed.

Our job as writers and thinkers in the time is how to bring about the occasions that let people have that first-person experience - or the metaphoric experience that allows them to see human continuity as opposed to total threat, total willingness to do violence.

That has to remain the principal reason for doing it, doesn't it? I know it's possible to write for money, and many very good writers have done so. But for me, it has to remain the principal thing that I actually want to do the writing.

You need the words, you need the script, you need the material, you need the commitment, you need the passion, it's like we depend on writers, we depend on producers, directors depend on us and once things are in the divine order as they happen.

Apart from a few simple principles, the sound and rhythm of English prose seem to me matters where both writers and readers should trust not so much to rules as to their ears.

Remember Graham Green's dictum that childhood is the bank balance of the writer? I think that all writers feel alienated. Most of us go back to an alienated childhood in some way or another. I know that I do.

A writer should get as much education as possible, but just going to school is not enough; if it were, all owners of doctorates would be inspired writers.

There's a certain possessiveness of writers sometimes.

Writers are too neurotic to ever be happy.

I was notified on July 17 to be ready to start August 7 for an October air date. When we reached the screen we did not have a single segment ready. It was done so fast the writers never got a chance to know what it was all about.

There are some fine books and essays about that. Lewis Hyde has written about alcoholism and poets and the role that society gives its writers - encouraging them to die.

What makes me furious, not just because we're in an interview, but I don't like when writers take your words and put them somewhere else, in the wrong context in their own article about you.

Women writers have been told, forever, that our stories were not valuable. Not as valuable as men's stories about wars, business, power.