What Tim does is, he calls me and sends me the script. And then he sends me a drawing, an illustration of his image of me as the character. It's so great.

The son has always felt like he was a footnote in one of the stories the father tells. The father is an amazing storyteller and one of the tales that he tells is how he met his wife.

It's fun to be on the edge. I think you do your best work when you take chances, when you're not safe, when you're not in the middle of the road, at least for me, anyway.

We did 'Erin Brockovich,' we did 'Man on the Moon,' we did 'Living Out Loud,' but now I'm going to keep going.

I didn't do it because of the underlying greed that's prevailing, but it is about greed, doing the right thing at the right time using your clout when you have it and what for and what reason.

So we see Edward as a young man on the road and he meets a giant and he brings the giant to a circus where he meets a Miss Calloway. He sees the woman of his dreams and I am the only one who knows who she is.

It's a first for me. It's my first nude scene.

It's just an ice bucket with a bottle in it. The two flute glasses are little tray. I got to shut the curtains. I'm in my boxer shorts and shirt. I'm going to take a bath and go to bed. But I want to shut the blinds so it's really dark in the room.

This big part flies off on the floor. The other part goes like this and lands in my foot! Standing up! It's standing in my foot! Right in the side of my foot. The flute glass. I think I'm like in one of my own pictures.

I'll tell you one thing, it's a cruel, cruel world.

I'm shooting in Brooklyn, we've got all kinds of crap going on, and I'm all alone now in a big hotel suite that you can't believe the size of it and a thing sticks in my foot and I just think it's the funniest thing that's ever happened to me.

I lay on the ground, but then I can't reach - I don't want to take my foot out of the tub - but I've got to call somebody because I've got to get a band-aid or something to stop the bleeding.

What Tim does is, he calls me and sends me the script. And then he sends me a drawing, an illustration of his image of me as the character. It's so great.

So, you pick this stuff here and this stuff there and then you see things in certain ways and you start visualizing and thank God I get the chance to do this. It's really the greatest thing in the whole wide world.

I developed that for a long time. I also developed 'Sugar Sweet Science' at New Line and that didn't happen. That was a boxing movie. And between all that there were a couple of other things.

I don't know. I think it's funny! I think it's funny! I go, what? It's so absurd. I'm alone.

I'm always studying and I've been doing it for a long time now.

Well, you know, I feel like it's about a lot of things. The reason that I made it was because I thought it was really funny and unique and just a different genre.

What you do with it and things like that, but I basically chose this after I read it because I thought it was different and funny and unique and dark - things that I like to do.

There are two dilemmas that rattle the human skull: How do you hang on to someone who won't stay? And how do you get rid of someone who won't go?

Of course I've got lawyers. They are like nuclear weapons, I've got em 'cause everyone else has. But as soon as you use them they screw everything up.

In this movie, you have all the things you love from Tim. All the magic and the whimsy and the surreal, but he also has a fantastic story of a father and son that really gets under your skin.

I am self-centred. I just adore myself.

I don't look ahead. I'm right here with you. It's a good way to be.

I've been to the Leaning Tower of Pisa. It's a tower, and it's leaning. You look at it, but nothing happens, so then you look for someplace to get a sandwich.

Jersey is always with me. I was one of the lucky ones. Asbury Park is just the greatest place in the world to spend your childhood.

People come into your lives who you have a good time with, and time goes by and you still have a good time with them and you do stupid stuff with them. To me, that's life.

We did 'Erin Brockovich', we did 'Man on the Moon', we did 'Living Out Loud', but now I'm going to keep going.

A tree falls the way it leans. Be careful the way you lean.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

Character is power; it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.