I'm not a comic book guy at all.

When I go to movies I generally want to be taken to another world.

I couldn't sleep one night and I was sitting in my office and I realized that I was an independent filmmaker.

I'm not a comic book guy at all.

There's always been a lot of pressure and tension on the line. If 'Pi' didn't work out, I have no idea what my career would be. I don't think I would have gotten another shot at it. If 'Requiem for a Dream' didn't work out, they would have called me a 'one-hit wonder with a sophomore slump'.

Animators have to live life 24 times as long as we do - every 24 frames of a second.

I had some big ups and downs when I was in my 20s and the one thing I learned was, no matter how low it gets, something good will come along - something always comes out of that dark period.

As filmmakers, we can show where a person's mind goes, as opposed to theater, which is more to sit back and watch it.

I try to live my life where I end up at a point where I have no regrets. So I try to choose the road that I have the most passion on because then you can never really blame yourself for making the wrong choices. You can always say you're following your passion.

Turning 30 was when my parents both got cancer and were fighting it and beat it, but their mortality started to get to me. Everything wasn't as hunky-dory like it was.

These wrestlers aren't organized. They have no union, no pension and no insurance. You meet wrestler after wrestler who sold out Madison Square Garden ten years ago, basically running on fumes today. There's a lot of drama there.

I was a TV junkie as a kid. I am the Sesame Street generation.

Casting ethnic characters is a very hard thing to do, but it's important. It's also interesting.

I think video games and that stuff should be as violent as possible, but age-appropriate. It should be realistic. When it's not realistic you run into kids running around shooting people and not realizing the consequences.

I hope that Requiem is better than Pi. I hope that Pi is better than my student films, and I'm hoping that I'm getting better as I get older.

Right after I did 'The Fountain,' I wanted to go make a documentary or something that was less constructed - more natural. I was searching for a project, and sniffing around, 'The Wrestler' fit right in.

Comic books and graphic novels are a great medium. It's incredibly underused.

I've always wanted to introduce hip-hop filmmaking to film. There's hip-hop art, dance, music, but there really isn't hip-hop film. So I was trying to do that.

I only want to work with actors that really get it and make it work. I didn't want it to be a star-driven thing anymore.

At the end of Requiem all I wanted to do was get a DV camera and just do a small film. But then the hunger comes back.

To me, watching a movie is like going to an amusement park. My worst fear is making a film that people don't think is a good ride.

I'm Godless. I've had to make my God, and my God is narrative filmmaking.

I'd like to do a lot of different stuff. I think it's important as a creative person to keep challenging yourself and keep doing new stuff. If you end up trying to repeat yourself it's death. It just becomes boring and takes the passion out of it. You gotta find stories and characters that you really want to hang out with.

If you ask any person on this crew what they think of Hugh Jackman they'll admit they've never seen anything like it. I'll give him an emotional note and he'll hit it every time.

Now there is so much expertise and brainpower it's hard to be at the cutting edge of what's cool and not do something that's totally geeky.

Classical scores go up and down; they're kind of hysterical in a way. And movie scores are much more - they just drive and move forward, and they build and can't go up and down at that same speed. It's a big job to turn that into something that pushes the movie along.

I grew up in a family with two very strong women, my mother and my older sister, and they were big influences on my life.

I grew up in a family with two very strong women, my mother and my older sister, and they were big influences on my life. I've spent a life loving women, and studying them as much as I can, or am allowed to.

I spent about a year and a half doing technical post work on 'The Fountain'. Although I do like the process, I think my favorite part of filmmaking is the actors.

I think it's important as a filmmaker, as any person working in the arts, that you've got to try new stuff and challenge yourself and take chances.

I wasn't a big fan of social anthropology. And, luckily, that created room for me to work in visual arts because I sort of ignored my requirements. I think I was attracted to social anthropology because I liked to travel and was always interested in far-off places.

I've spent a life loving women and studying them as much as I can, or am allowed to.

It would be nice to make a movie that other people want to make, because every one of these movies, I basically have to find the only company in the world that's willing to make it, and it's always a big challenge. I end up spending a tremendous amount of energy and time trying to get money to make these movies and it's exhausting.

You hear stories about directors using manipulation to get actors to do certain things, but I think when you're working with professional actors, it's all about trust. They can do anything you want, it's just a matter of them understanding what you're looking for, and the reason why.

Now there is so much expertise and brainpower its hard to be at the cutting edge of whats cool and not do something thats totally geeky.

As filmmakers we can show where a persons mind goes as opposed to theater which is more to sit back and watch it.

Being on top of the world doesn't mean anything unless you know what it's like to be at the bottom.

I'd love to go back to Broadway if there was a place for me there. I would absolutely go back; it's just a part of me.

The most useful truths are always universal, and unconnected with accidents and customs.

In England, your life is your life.

The Greek gods had personalities like those of humans and struggled with one another for position and power. They did not love humans although some had favorites and did not ask to be loved by them. They did not impose codes of behavior. They expected respect and honor but coud act contrary to human needs and desires.

Tattooed across NASCAR drivers' jumpsuits and over every square inch of their cars are the logos of the companies sponsoring the teams, underwriting the costs, paying their salaries. Everyone can see who the drivers represent and who is footing the bill.

There's one born every minute

The nation that leads the clean energy economy will be the nation that leads the global economy.

In this business, I don't know how you can have a plan or how you can orchestrate anything. But I've been lucky with my choices. I'm very strong-willed, so I've been able to stick with it. I'm lucky there.

In the old days they, the promoters, wanted more and more from me. They wanted me to jump or spill my blood and break my bones. Every time they wanted me to jump further, and further, and further. Hell, they thought my bike had wings.

Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.

I just find the people I want to work with and put it all together, and it's a lot of hard work, and all kinds of catastrophes happen, but I don't really get too much resistance. But when you make a movie, it seems like there's nothing but resistance. It's kind of a miracle that any movie ever gets made.

A man without honor is worse than dead.