One of the things that makes Wittgenstein a real artist to me is that he realized that no conclusion could be more horrible than solipsism.

The reader becomes God, for all textual purposes. I see your eyes glazing over, so I'll hush.

We're kind of wishing some parents would come back. And of course we're uneasy about the fact that we wish they'd come back - I mean, what's wrong with us?

Rap's conscious response to the poverty and oppression of U.S. blacks is like some hideous parody of sixties black pride.

I just think that fiction that isn't exploring what it means to be human today isn't art.

The interesting thing is why we're so desperate for this anesthetic against loneliness.

The problem is that once the rules of art are debunked, and once the unpleasant realities the irony diagnoses are revealed and diagnosed, "then" what do we do?

It seems important to find ways of reminding ourselves that most "familiarity" is meditated and delusive.

For these cultures, getting rid of the pain without addressing the deeper cause would be like shutting off a fire alarm while the fire's still going.

Fiction's about what it is to be a human being.

It looks like you can write a minimalist piece without much bleeding. And you can. But not a good one.

One of the things that makes Wittgenstein a real artist to me is that he realized that no conclusion could be more horrible than solipsism.

Nuclear weapons and TV have simply intensified the consequences of our tendencies, upped the stakes.

The other half is to dramatize the fact that we still "are" human beings, now. Or can be.

It can become an exercise in trying to get the reader to like and admire you instead of an exercise in creative art.

We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life "outside" the story changes the story.

I often think I can see it in myself and in other young writers, this desperate desire to please coupled with a kind of hostility to the reader.

TV's "real" agenda is to be "liked," because if you like what you're seeing, you'll stay tuned. TV is completely unabashed about this; it's its sole raison.

To be willing to sort of die in order to move the reader, somehow. Even now I'm scared about how sappy this'll look in print, saying this.

The great thing about irony is that it splits things apart, gets up above them so we can see the flaws and hypocrisies and duplicates.

This might be one way to start talking about differences between the early postmodern writers of the fifties and sixties and their contemporary descendants.

This diagnosis can be done in about two lines. It doesn't engage anybody.

This is so American, man: either make something your God and cosmos and then worship it, or else kill it.

This is nourishing, redemptive; we become less alone inside.

What TV is extremely good at - and realize that this is "all it does" - is discerning what large numbers of people think they want, and supplying it.

I think TV promulgates the idea that good art is just art which makes people like and depend on the vehicle that brings them the art.

Pleasure becomes a value, a teleological end in itself. It's probably more Western than U.S. per se.

It seems important to find ways of reminding ourselves that most 'familiarity' is meditated and delusive.

TV's 'real' agenda is to be 'liked,' because if you like what you're seeing, you'll stay tuned. TV is completely unabashed about this; it's its sole raison.

The other half is to dramatize the fact that we still 'are' human beings, now. Or can be.

The problem is that once the rules of art are debunked, and once the unpleasant realities the irony diagnoses are revealed and diagnosed, 'then' what do we do?

We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life 'outside' the story changes the story.

What TV is extremely good at - and realize that this is 'all it does' - is discerning what large numbers of people think they want, and supplying it.

You will become way less concerned with what other people think of you when you realize how seldom they do.

Everything takes time. Bees have to move very fast to stay still.

You have decided being scared is caused mostly by thinking.

Entertainment provides relief. Art provokes engagement.

Ideally each piece of arts its own unique object and its evaluations always present tense.

Fictions about what it is to be a human being.

Good fictions job is to comfort the disturbed and disturb the comfortable.

The man who knows his limitations, has none.

When a solipsist dies, everything goes with him.

Try to learn to let what is unfair teach you.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

I'm inspired by nature. Other artist's work is important for developing my perception.

There is only one position for an artist anywhere; and that is upright.