I grew up in Seattle, but I always knew I wanted to leave.

My father is a practicing criminal law attorney in the Seattle area.

My book is traditional. It runs counter to the post-modern spirit.

I write because something inner and unconscious forces me to. That is the first compulsion. The second is one of ethical and moral duty. I feel responsible to tell stories that inspire readers to consider more deeply who they are.

Fiction is socially meaningful.

At one level you're condemned to the voice you have. But within those confines, you have a certain amount of freedom to range among your possible voices.

I think of myself as a really happy person.

Don Quixote is one that comes to mind in comparison to mine, in that they both involve journeys undertaken by older men. That is unusual, because generally the hero of a journey story is very young.

I have relaxed into my persona as an author, although I used to fight that.

The real question is: How do you react? What do you do next? Evade responsibilities? Bury yourself in work? What do you do? All three of my novels take up that question, although none gives an answer.

Cities produce in me melancholy or a tension I don't need.

There's a certain nostalgia and romance in a place you left.

I was born in Washington State and have lived here for 42 plus years.

It's a brooding melancholy that haunts me.

What sustains me is to be with my family and to write.

What some people interpret as brooding melancholy is serenity. I don't feel required to grasp all the time.

Hemingway said the only way to write about a place is to leave it.

Time made me change. I gradually woke up to the realization that this is who I am, an author, a public figure, and I couldn't just hide in my study, tapping away at the keyboard and pretend that I didn't have a role to play beyond stringing words together.

I was aware that there is an expectation that writers inevitably falter at this stage, that they fail to live up to the promise of their first successful book, that the next book never pleases the way the prior one did. It simply increased my sense of being challenged.

I think you have an obligation to share what you know as a writer.

I have traveled the entire state and spent a lot of time out of doors. So I have known the landscape of the Columbia Basin for quite a while, and I have had this strong feeling about it for many years.

I'm not an urban person.

I was totally absorbed in the real world, the politics, the history, the news, and I just couldn't find my way into the fictional world... When I finally could return to writing the novel, it was in fits and starts.

I'm interested in themes that endure from generation to generation.

Even though I may not intend it when I set out to write the book, these places just emerge as major players in what I'm doing, almost as if they are insisting on it.

Writing became an obsessive compulsive habit but I had almost no money so I thought about being an urban firefighter and having lots of free time in which to write or becoming an English teacher and thinking about books and writers on a daily basis. That swayed me.

I grew up in Seattle, but I always knew I wanted to leave.

When it comes time to sit down and write the next book, you're deathly afraid that you're not up to the task. That was certainly the case with me after Snow Falling on Cedars.

It doesn't matter who you are, how many awards you've won, how popular you are, or how much critical acclaim you've had.

I often heard about his cases and I often sat in on his trials. In the late 1960s when I was growing up I wanted to be a crusader like him but I didn't want to wear a suit and commute.

I became paralyzed as an artist with writer's block.

Everybody has a world, and that world is completely hidden until we begin to inquire. As soon as we do, that entire world opens to us and yields itself. And you see how full and complex it is.

When I went to college I took a creative writing class and decided in a week to be a writer.

Post-modernism is dead because it didn't address human needs.

Accident ruled every corner of the universe except the chambers of the human heart.

I liked 35 and in both my novels that is the age of the lead characters. I tried making them my age but they just seemed to keep moaning about stuff.

To love is to receive a glimpse of heaven.

Most people travel with a good book, but I also keep my agenda with me; I'll flip through the pages and take a few moments to organize my life a little - I rarely get the time to do this normally.

Principles are what people have instead of God.

I was born in Nizhny Novgorod to a very poor family and unfortunately my father and mother separated when I was very little.

Even philosophers will praise war as ennobling mankind, forgetting the Greek who said: 'War is bad in that it begets more evil than it kills.'

I normally eat everything under the sun, but once a year, for a whole month, I eat nothing but fruits, vegetables, nuts, and lean fish, and I feel great!

As you get older, you're not afraid of doubt. Doubt isn't running the show. You take out all the self-agonizing.

I think generally, in life, I try to always ensure that there are periodic moments where I do venture out of my comfort zone, because that's what keeps you alive. That's what keeps you from getting stale.

Independence doesn't mean you decide the way you want.

The brevity of human life gives a melancholy to the profession of the architect.

If you want peace, you don't talk to your friends. You talk to your enemies.

Old Etonians are the most charming people in the world. It's not just the analytic ability and the great education; there is a really easy confidence to them that draws people to them and makes their passage though the world a little easier.

I think my greatest moments in life are family moments, births and marriages.