I had a meeting in LA in which they took a really overstuffed hour and a half. It was as close to old Hollywood as I remembered it in the last 20 years.

I am not a long-run actor. I admire actors who can do that.

I'd forgotten I'd done the anime called Spirited Away, the English version of a Japanese film.

High school music teachers... nobody makes a living off it.

Very often when I go in to meet for movies or pilots, I'm put on videotape. I hate the notion that that tape is going to sit on a shelf and never get better.

Kids now are so used to surround sound and the power in theater speakers, that the concert hall is a disappointment to them.

I've played Lear three times, I would love to do it again.

Something happens to us all when we experience something as a unit that doesn't occur when we're on our couches or holding our little portable DVD players.

Every time I hear, Cut. Print, something cold and electrical goes off in my head, because I'm never going to change that film.

It's rare to be treated like a friend you haven't met in a Hollywood meeting.

It's really important to stay engaged and involved in the character.

You hear the same work by different orchestras, different conductors, violinists, pianists, singers, and slowly, the work reveals itself and begins to live deeper in you.

I will never master this craft. Orchestras are very, very forthcoming with me.

If it's right and true, it's listened to and accommodated.

Family means no one gets left behind or forgotten.

Because I don't take money, I'll go anywhere and do a benefit concert with almost any orchestra.

People are nice enough, but you can hear the giant tick of the second hand. People are so harried.

I love pulling people into concert halls who might not otherwise go and getting their ears tuned.

What we have to get clear to kids is that when you offer your stillness and open yourself to the experience of music, it pays you back more than you give.

A lot affects the outcome. It boils down to scheduling and the commitment of the network.

Very often, I don't make it through moments of recording because it is genuinely funny and absolutely ridiculous that a 60-year-old grown man is making these noises.

My father, who died a few years ago, was a good, simple, very honest man. His faith and affection for his family was just unassailable, without question.

Writing is hard work. Generating stories that catch people's attention and holding it are very difficult.

I had a meeting in LA in which they took a really overstuffed hour and a half. It was as close to old Hollywood as I remembered it in the last 20 years.

We lament the speed of our society and the lack of depth and the nature of disposable information.

There are a couple of roles I haven't played that I want to. I would love to play Shiloh.

I am certainly not a mainstream religious man.

In television you go in with this operating system that it is a crapshoot.

When something really extreme happens, you have to find a way to embrace that and include it in how you think about the character. Sometimes it's not easy.

Fun can happen on the interior. Nobody knows about it, but there are fireworks going on inside your spirit when you hear a great orchestra playing great music.

The ebulliently sharp mind of 'White Christmas' director Walter Bobbie made me tremble and strive in the same breath. The deceptively 'simple' dialogue of David Ives, asking every actor to just. say. it. Float it on the breeze; it doesn't need 'explanation,' just energy and truth.

We all respect sincerity in our friends and acquaintances, but Hollywood is willing to pay for it.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

I've always thought John Travolta is one of the greatest movie stars Hollywood has ever produced.

It could be my downfall, but I don't think it is - Hollywood is run on perception, and if you stray off the path of what you want to do with your career, it's suicide.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

Growing up in Hollywood it seemed like every kid was the child of some star. We had no idea that other people would think we were special, because there was no other lifestyle to compare it to.

I remember having to take detours around the Hollywood sign to avoid having to see this grotesque poster of myself on Sunset Boulevard.

Hollywood is kind of a bad world.

It's so crazy in Hollywood.

I don't think I ever understood Hollywood.

I came across awful characters when I got some kind of status and came to Hollywood. Then you have directors trying to sleep with you, assuming that you will do things because of the way you dress.

Hollywood is sexist and age-ist, and that covers all the bases, I guess.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

Hollywood today is all about being consistent. All thinking in mainstream film business takes place in one box.

Everyone is treating it like a Hollywood story. In Madison, it's a neighborhood story.

Hollywood is what you make it; you have to choose company with care because you become what they are.

Hollywood is a world all its own.