Sometimes the archaism of the language when it's spoken is why we are all in love with the Irish today.

Still, language is resilient, and poetry when it is pressured simply goes underground.

PC stuff just lowers the general acceptance of good work and replaces it with bogus poetry that celebrates values that in themselves are probably quite worthy.

From reading a previous answer, you know that I consider all those aspects to be part of American cultural myth and thus they figure into good American poetry, whether the poet is aware of what he is doing or not.

I definitely wish to distinguish American poetry from British or other English language poetry.

I don't like political poetry, and I don't write it. If this question was pointing towards that, I think it is missing the point of the American tradition, which is always apolitical, even when the poetry comes out of politically active writers.

American poets celebrate their bodies, very specifically, as Whitman did.

American poetry, like American painting, is always personal with an emphasis on the individuality of the poet.

Other people have noticed more of an evolution than I have and so I'll try to tell you where I'm coming from and also relate it to what I think other people perceive.

But I am not political in the current events sense, and I have never wanted anyone to read my poetry that way.

I'm passing on a tradition of which I am part. There's a long line of poets who went before me, and I'm another one, and I'm hoping to pass that on to other younger, or newer, poets than myself.

My poems are almost all written as Diane. I don't have any problems with that, and if other women choose to identify with this, I think that's terrific.

I have always wanted what I have now come to call the voice of personal narrative. That has always been the appealing voice in poetry. It started for me lyrically in Shakespeare's sonnets.

I'm perfectly happy when I look out at an audience and it's all women. I always think it's kind of odd, but then, more women than men, I think, read and write poetry.

I am not political as a person.

High and low culture come together in all Post Modern art, and American poetry is not excluded from this.

Distinctly American poetry is usually written in the context of one's geographic landscape, sometimes out of one's cultural myths, and often with reference to gender and race or ethnic origins.

Because, in fact, women, feminists, do read my poetry, and they read it often with the power of their political interpretation. I don't care; that's what poetry is supposed to do.

I think that's what poetry does. It allows people to come together and identify with a common thing that is outside of themselves, but which they identify with from the interior.

I do not read newspapers. I do not watch television. I am not interested in current events, although I will occasionally discuss them if other people want to discuss them.

I think I'm a very good reader of poetry, but obviously, like everybody, I have a set of criteria for reading poems, and I'm not shy about presenting them, so if people ask for my critical response to a poem, I tell them what works and why, and what doesn't work and why.

One, I have a wonderful publisher, Black Sparrow Press; as long as they exist, they will keep me in print. And they claim they sell very respectable numbers of my books, so I guess, and it's true, every place I go, my books are in libraries and on bookshelves.

I think one of the things that language poets are very involved with is getting away from conventional ideas of beauty, because those ideas contain a certain attitude toward women, certain attitudes toward sex, certain attitudes toward race, etc.

Sometimes the archaism of the language when it's spoken is why we are all in love with the Irish today.

So, I've never been politically correct, even before that term was available to us, and I have really identified with other people who don't want to be read as just a black poet, or just a woman poet, or just someone who represents a cause, an anti-Vietnam war poet.

But I don't think that poetry is a good, to use a contemporary word, venue, for current events.

I think that great poetry is the most interesting and complex use of the poet's language at that point in history, and so it's even more exciting when you read a poet like Yeats, almost 100 years old now, and you think that perhaps no one can really top that.

My mother is Irish, my father is black and Venezuelan, and me - I'm tan, I guess.

It has to do with the fact that Ford, for all his greatness, is an Irish egomaniac, as anyone who knows him will say.

The best thanks we could offer those who went before and raised the Irish working class from their knees was to press forward with determination and enthusiasm towards the ultimate goal of their efforts, a Co-operative Commonwealth for Ireland.

I'm Irish. I think about death all the time.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.

We have always found the Irish a bit odd. They refuse to be English.

Our fifty principal cities contain 39.3 per cent of our entire German population, and 45.8 per cent of the Irish. Our ten larger cities only nine per cent of the entire population, but 23 per cent of the foreign.

Irish people are educated not only about artistry but local history.

I think the Irish woman was freed from slavery by bingo. They can go out now, dressed up, with their handbags and have a drink and play bingo. And they deserve it.

There is no language like the Irish for soothing and quieting.

The basic policy of the British Government was that since the majority of people in Northern Ireland wished to remain in the United Kingdom, that was that. We asked what would happen if the majority wanted something else, if the majority wanted to see Irish unity.

Well I think that's probably one of a few, where I grew up in the City of New York, it's got a lot of energy, my parents are Irish-American so there was a bit of yelling going on in my house but it seemed normal.

The way I see it is that all the ol' guff about being Irish is a kind of nonsense. I mean, I couldn't be anything else no matter what I tried to be. I couldn't be Chinese or Japanese.

You think the Welsh are friendly, but the Irish are fabulous.

In 1953 there were two ways for an Irish Catholic boy to impress his parents: become a priest or attend Notre Dame.

The Irish gave the bagpipes to the Scotts as a joke, but the Scotts haven't seen the joke yet.

For a man to come right out and say he does not believe in the Old Testament, I think many Catholics across the nation as well as the world are offended by Bill O'Reilly claiming he's an Irish Catholic.

I suffer from Irish-Catholic guilt. Guilt is a good reality check. It keeps that 'do what makes you happy' thing in check.

To be honest I live among the English and have always found them to be very honest in their business dealings. They are noble, hard-working and anxious to do the right thing. But joy eludes them, they lack the joy that the Irish have.

You think that religion is a thing that is there to help you and to see you through life, and then you wake up one morning and find the entire Irish situation, the civil war that's based on religion.

I'm just a true Irish boy at heart.

I grew up in a big Irish, Catholic family. My dad was a pretty rough guy. So one of my brothers left home when he was 15 and found his way to the gym. It gave me the opportunity to go and spend some time with him and work out in the gym.