It's rare that I come across actors who are willing to work as hard on the material as I am.

I try to ground most of my characters in reality somehow. That's kind of what I bring to the table.

It's rare that I come across actors who are willing to work as hard on the material as I am.

A lot of kids do look up to us. But there are just as many elderly people to put us down.

In my freshman year in high school, I went to the only public high school in Boston with a theatre program.

We never really felt a real level of respect. The fame was fantastic, but that wasn't that important to me, because for every million people that loved me I focused on the one that hated me.

If you are succesfull for 20 years, you can't expect to stay on the same level all through that period. A career has its ups and downs and in-betweens.

For young filmmakers, Saw is a perfect film. It doesn't cost the GNP of almost every country of the world.

With the Internet, kids today learn things quicker than we do and they have everything there is to see, so you have to do more than just remake some old '70s film.

Look, we are a rock group. But you should see all those things in perspective. People tend to blow up everything into ridiculous proportions. And then the fun is gone real soon.

The food in Europe is pretty disappointing. I like fried chicken. But other than that Europe is great.

Ultimately in the end, it's the director's choice.

I'm a fan of good horror movies.

It doesn't matter to me if it has a surprise ending or not. I usually go for the material or the project.

What's important is self-appreciation.

I go wild on a stage. Some folks have measured us an image. They pretend us to be saints. And that image is much tougher to keep up with. Because that's not who we are.

There's a real danger in doing a sequel. There are some benefits, but that all hinges on how well you execute. Quite frankly, most sequels don't execute well.

I had to learn how to become a real actor, I had to suffer and be rejected and face that 100 times just like every actor. It wasn't like someone handed it to me.

It's not hard to keep up the image we chose. It's not hard to stay yourselves.

I didn't have big movie offers, or any big agents wanting to work with me. I had to go grassroots, start at the bottom and go on 150 auditions before someone finally gave me a shot.

We're entertainers, while people want us to be gods.

In the end I'm the only one who knows me.

For a Bostonian... we live in the shadow of New York, and to be acknowledged by New Yorkers is really the greatest feeling.

I can always see something of myself in the characters I play.

I love food shows: Anthony Bourdain, Iron Chef, Chopped, you name it.

I love the rush of being creative. I really think I live for it.

I wish I was a guy who could have pancakes and bacon and cheesy eggs, but I'd curl up and pass out. I gotta start healthy or I'll be off the rails all day.

I'm not a big fan of table reads or sitting around a table and reading a script. I'd rather do it on set and do it for real.

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.

What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

I've seen many actors go awry by making the wrong choices early on.

Actors are able to trick themselves into treating anything as if it's fantastic. It's a kind of madness really.

David Cronenberg knows what we actors do as artists.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

I'm not in the business of becoming famous. And that's the advice I give to younger aspiring actors. Work onstage and do the little roles. In the end it's not important to be seen. It's important to do. There's a lot of disappointment in this business, but my family keeps me grounded.

Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.

Comedians are not usually actors, but imitations of actors.

I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.

I've worked with a lot of really fine actors, both on stage and on screen. The level of their game lifts me up and brings the level of my game up to theirs. Always. It's like a constant upgrade.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

There's a constant flow of child actors. It's kind of funny to watch the new crew come through. I think, You poor little things. You're going to have to struggle for a long time.

I'll miss the relationships I have built with these actors. I'll miss the devotion we have to this work. Over this length of time, the tendency is to think it will never end.

After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.

An actors' tribute to me is in his work.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

This friend of mine said he was surprised to find that - I don't think it's quite a majority - a bigger percentage of actors are introverts than extroverts. It was a big surprise to him. Now, I know me, and I'll do anything if I'm playing a character. Or anything that's true to the character, anyway. But in real life I'm a little more withdrawn.

Plastic surgery and breast implants are fine for people who want that, if it makes them feel better about who they are. But, it makes these people, actors especially, fantasy figures for a fantasy world. Acting is about being real being honest.

When on the set of a film, you have to play natural for entire scenes in a very unnatural environment. You have to express emotions and interact with other actors and also use your voice.