A rhyme doesn't make a song.

My father assigned me to keep his scrapbooks. At first I was interested in reading only his rave notices, but I got interested in reading what the critics were saying about whether the play was good or not.

A song must move the story ahead. A song must take the place of dialogue. If a song halts the show, pushes it back, stalls it, the audience won't buy it; they'll be unhappy.

Write what you feel. Write because of that need for expression.

The songwriter mustn't fall in love with his own song. If it doesn't belong, he can't push it into a show. Let him save it; maybe it'll fit in another show.

A songwriter should have friends who are similarly interested; should move about in the milieu of work he has chosen for himself.

A rhyme doesn't make a song.

Love is the reason you were born.

No thesaurus can give you those words, no rhyming dictionary. They must happen out of you.

I do not think men have more talent. There are a great many women in the arts; novelists, painters, sculptors, poets-but the proportion is far lower in the field of song writing.

A song just doesn't come on. I've always had to tease it out, squeeze it out.

There aren't more lady songwriters for the same reason that there aren't more lady doctors or lady accountants or lady lawyers; not enough women have the time for careers.

We've accumulated a lot of things over the years and many things from our grandmother. Hopefully it'll be all right. I really don't want to cry, but I can't help it.

I began to be impressed by what made a good book-how you needed to have a sensible story, a plot that developed, with a beginning, a middle, and an end that would tie everything together.

In a show or a movie, one must work with many people. Many women just don't have the time for it.

The man in our society is the breadwinner; the woman has enough to do as the homemaker, wife and mother.

If you don't have a story that will hold the audience, you won't have a successful show.

I don't care how good a song is - if it holds back the storyline, stalls the plot, your audience will reject it.

Elizabeth Barrett Browning could write a poem two pages long. Could she have brought it to a music publisher?

Keep it in tune with the times, but don't write with the specific purpose of trying to create a hit. If you're doing it strictly to make money, you're crazy. There are easier ways to make money.

I'm in the mood for love, simply because you're near me. Funny, but when you're near me I'm in the mood for love.

I just wrote one song at a time. Kinda like an alcoholic. One day at a time.

Then, in that hour of deliverance, my heart spoke. Does not such a country, and such defenders of their country, deserve a song?

If you give it good concentration, good energy, good heart and good performance, the song will play you.

But in the finished art of the song the use of words has no connection with the use of words in poetry.

I guess a good song is a good song is a good song, ya know.

In the past 3-4 years I've developed a habit of keeping numerous small cassette recorders in my house and in a bag with me so that I'm able to commit to tape memory song ideas on a constant basis.

I don't ask for the meaning of the song of a bird or the rising of the sun on a misty morning. There they are, and they are beautiful.

The band set up in January and just started rehearsing. If there was a song, we'd just rehearse it as a band, and it would get arranged as a band, and it got changed around a lot.

Peace Train is a song I wrote, the message of which continues to breeze thunderously through the hearts of millions of human beings.

I love listening to Radio Head's 'Everything in its Right Place' because it's all major chords, it makes you feel really good. It's soothing, it's got a beautiful voice, crazy textures. When I'm down I listen to that song and it really makes me feel good.

I've always wanted to sing, just as I've always known that one day I would have my own niche in the annals of song. It was a feeling I had.

I have eighteen titles in the German language. I had a number one song in 1965.

Listen kid, take my advice, never hate a song that has sold half a million copies.

There's a lot of rage... you have to express it somehow. If I didn't express it in song, I'd become incredibly violent.

I do not mind having written the song at all. I just wish that I had written it in a different key, as the high d is hard to play. I am glad that I wrote something that brought joy to millions of people.

It's like, it's up to the people to fall in love with the song. The record company can only do so much.

People assume that the meaning of a song is vested in the lyrics. To me, that has never been the case. There are very few songs that I can think of where I remember the words.

I guess you could write a good song if your heart hadn't been broken, but I don't know of anyone whose heart hasn't been broken.

A song has to become as much a part of you as a tailored suit.

A so-called happy marriage corresponds to love as a correct poem to an improvised song.

Most musicians count at the beginning, and never count and talk to their musicians after that. They only talk to them at the end of the song. But I would count with them and talk.

In an age of incompetence, I've been able to last in this crazy business. I actually know how to play my ax and write a song. That's my job.

The only thing that's a little tricky about it is sometimes people assume that if it's a new song, it's a reflection of what you're feeling or going through now.

When I write a song, it's all about the riff - the riff first, then the words come later.

There's not one Tin Pan Alley song on my record.

Song Sung Blue took a lot of compressing and refining, and it has one of my favorite lyrics.

The Siren waits thee, singing song for song.

Each member does whatever they want with the song and it totally changes it from whatever idea I hear around it. It turns it into a Sonic Youth song and completely away from it being a solo song.