My idea at this time, which was slowly developing, was to create a comedie humaine with little people, average people - samples from every period in American life.

Rock Hudson was not an educated man, but that very beautiful body of his was putty in my hands.

So slowly in my mind formed the idea of melodrama, a form I found to perfection in American pictures. They were naive, they were that something completely different. They were completely Art-less.

The war was the end of an era, in art as well. And we were trying to create a new philosophy.

And it really began with Einstein. We attended his lectures. Now the theory of relativity remained - and still remains - only a theory. It has not been proven. But it suggested a completely different picture of the physical world.

I worked for UFA as a set designer, you know.

Ross Hunter was my assistant on Take Me to Town, He was a young man, an actor before that, and learned a lot on the picture. During shooting, Goldstein left, and Ross was most pleasant. He never interfered.

Throughout my pictures I employ a lighting which is not naturalistic.

At the same time, of course, Marxism arose - Rosa Luxembourg, Leninism, anarchism - and art became political.

There arose a belief in style - and in banality. Banality encompassed politics, too, because it was a common belief that politics were not worthy of art.

A director in Hollywood in my time couldn't do what he wanted to do.

If I can say one thing for my pictures, it is a certain craftsmanship. A thought which has gone into every angle. There is nothing there without an optical reason.

At the time I belonged to the socialist party, and Hitler came to power.

Yes, I was hired by Universal because they needed a comedy director. They had seen Scandal and liked it. I saw an opportunity even in those comedies to begin my project of American films.

These happy endings all express the weak and sly promise that the world is not rotten and out of joint but meaningful and ultimately in excellent condition.

I never regarded my pictures as very much to be proud of, except in this, the craft, the style.

I considered that the homes that people live in exactly describe their lives.

Your camera is the best critic there is. Critics never see as much as the camera does. It is more perceptive than the human eye.

I think the great artists, especially in literature, have always thought with the heart.

Your characters have to remain innocent of what your picture is after.

Intellectualism came very late to America. That's why Americans are so proud of it. I found very few real intellectuals in America. But there are so many pseudo-intellectuals.

And in movies you must be a gambler. To produce films is to gamble.

But I always wanted my characters to be more than cyphers for the failings of their world. And I never had to look too hard to find a part of myself in them.

My idea at this time, which was slowly developing, was to create a comedie humaine with little people, average people - samples from every period in American life.

You have to think with the heart.

In the 19th century, you had bourgeois art without politics - an almost frozen idea of what beauty is.

If I couldn't read, I couldn't live.

I was making films about American society, and it is true that I never felt at home there, except perhaps when my wife and I lived on a farm in the San Fernando Valley.

For a house, somewhere near Los Angeles I found an old church. Very old, no longer used. So we moved the church to the land, and I took off the steeple, and I got my hands dirty.

This is the dialectic - there is a very short distance between high art and trash, and trash that contains an element of craziness is by this very quality nearer to art.

There is no executive order; there is no law that can require the American people to form a national community. This we must do as individuals and if we do it as individuals, there is no President of the United States who can veto that decision.

Every American deserves to live in freedom, to have his or her privacy respected and a chance to go as far as their ability and effort will take them - regardless of race, gender, ethnicity or economic circumstances.

Under current law volunteers who are not working with an official nonprofit organization are not covered by the Volunteer Protection Act. Therefore, there are absolutely no legal protections for the average American who wishes to volunteer.

There are those, I know, who will reply that the liberation of humanity, the freedom of man and mind, is nothing but a dream. They are right. It is. It is the American Dream.

The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.

On the road to equality there is no better place for blacks to detour around American values than in forgoing its example in the treatment of its women and the organization of its family.

The generic Canadian style of illustration is different from the generic American style.

But the deep desire for peace remained with the American people.

And while the U.S. can never be 100 percent safe from a future strike, our government is working around the clock on measures to protect the American people.

All we're getting from the Democratic majority in Congress and from this White House is more bailouts, more spending, more planned stimulus, more deficits and debt, and the American people have had it.

Who cares about that stuff? This is America, not Jerusalem. I'm an American. Let Harry be a Jew.

The greatest public health threat for many American women is the men they live with.

The belief that the good in American society will finally win out... I don't believe any more.

I suppose, in a way, this has become part of my soul. It is a symbol of my life. Whatever I have done that really matters, I've done wearing it. When the time comes, it will be in this that I journey forth. What greater honor could come to an American, and a soldier?

But the Congress has made the determination that certain kinds of information can be protected even though the American people may want to have access to information.

No one will burn out doing aerobic running. It is too much anaerobic running, which the American scholastic athletic system tends to put young athletes through, that burns them out.

I was on TV for almost sixteen weeks during American Idol. It's at the point now where it's old.

What I think we need to do to engage the American people in a conversation about entitlement reform is to have a bipartisan group of people who come together and put every solution on the table, every alternative on the table. And then we ought to engage in a long conversation with the American people so they understand the choices.

I'm not a Democrat, I'm not a Republican-I'm an American, I'm a human.