I am an actor through and through.

In terms of jumping into a character's skin, I try to immerse myself in the role as much as possible to bring me closer to them. All I do is what's required to achieve what I want to achieve.

Method acting is a label I don't really understand, because there's a method to everybody's acting.

Fairfax was incredibly important to the shaping of the country.

I just love jumping into someone else's life. It is a relatively cheap way to experience things you would be too scared to contemplate in your own life.

People go to see a film because it's a great story and it's visually exciting to watch.

Sometimes you just can't walk away from films you're offered, like the Dylan Thomas thing.

Being a salesman and an actor were not that dissimilar: It is a good lesson in covering up your feelings. No one wants to buy from someone who looks depressed.

I'm doing a Dylan Thomas film, Map of Love, with Mick Jagger producing again. It's a wonderful script.

I don't like acting things; I like feeling things.

I got involved in script development from the beginning. It was nice to see how a film gets made right from the beginning. It was quite hands-on for me.

You're making a movie, not a documentary. If you made a film like the historians would like you to make, you're not going to go and see it. I'd rather see paint dry.

It's difficult to get films made, especially films about poets.

Sometimes people say to you that you should try to be in a bigger film, but it's the way it pans out.

I am an actor through and through.

You should be careful what you wish for, as the reasons for war get confused. One person can be very clear in their motives, but others can have different agendas.

Sometimes it is easier to play someone who is far away from you.

What was the reason for invading Iraq' Was it a humanitarian crusade or an economic one' I would be inclined to say the latter. It was the same with the Civil War, because the landed gentry's money was being stolen by the king.

The point is to be involved in the moment.

My focus never wavered; I never accepted the film was not going to be finished.

It quite often happens that they attach a name to a project and it doesn't get all the financing it needs.

The success of the film is down to the crew.

When you do bigger films, the financiers take more risks.

With the situation now, people might be intrigued to see how a country coped with war all those years ago.

I try and do films I know I'm going to enjoy watching as well as being in.

You'd have to have one hell of an imagination to completely make up a story, but historians are very anal about what they think should be portrayed on screen. Thankfully they don't make movies; we do.

You couldn't take football away from me, you couldn't take acting away from me.

You grow up a lot in terms of your understanding of the industry and how to deal with the corporate things.

When I'm playing a character like Jonathan in Ripley's Game I want to be in the moment when he's feeling pain; this very ordinary person who finds himself in extraordinary circumstances.

It's nice to be asked to do good projects.

I tend to do golf charity things because it's much safer and you don't get much chance of a broken arm or leg.

My favorite actor is Wallace Beery.

I've been a very lucky actor.

I don't think I could be happy as an actor if there was a tyrant on the set.

When I was starting to get noticed as an actor in the 1970s for something other than the third cowboy on the right who ended up dying in every movie or episode, Burt Reynolds was the biggest star in the world.

Most parts that can be played by one actor can equally well be played by another, but not this.

I think, frankly, that I'm a better director than I was an actor.

I knew an actor's career goes up and down and back up again. Your standing in this business can't be your whole identity; otherwise, you're doomed.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.

I never dreamed about being an actor, because that was out of reach. Coming from a small town that was big in farming, and also big in clothing factories, you don't dream about being a professional football player or an actor.

My goal was always to be recognized as a good actor but no one was interested in that, simply because society just wants to warm towards your appearance. This is the great blemish of society.

If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable.

To be honest with you, when I got into this I never thought about reviews. I never thought about what people would say about me. I was just a young guy who was excited to become a comedian and an actor and I just wanted to get to do what I got to do.

It was very natural for me to want to disappear into dark theater, I am really very shy. That is something that people never seem to fully grasp because, when you are an actor, you are meant to be an exhibitionist.

I think that I've still not been successful at playing the role of the retired actor, and I'd like to work on that.

And once you cease to be a real person, you stop being a good actor.

When I decided I wanted to be an actor, I said I wanted to work with quality actors and directors.

There are roles I want that my agency might not want me to do because of the subject matter or whatever. Or there are roles that people won't bring to me because they don't think I'll do it. And that is a big strain because an actor wants to act.