I mean, at the end of the day when I'm making a record, what I want to do is what I do.

My first two records were more energetic; Phantom Moon is subtle, quiet; so these various reactions are just something I expected.

Because of my Buddhist practice, I'm never lacking for inspiration.

If I were to do this over I'd play a lot more shows before I made a record.

The difficult thing about a pop record is that you're given guidelines: it has to have 3 choruses, and then it must be between 3 minutes fifteen seconds and three minutes forty-five seconds.

I certainly wouldn't say that my life is a disaster, but there have been moments where I've felt like that.

I mean, at the end of the day when I'm making a record, what I want to do is what I do.

I also wanted to make a record that was about other things than romance, yeah, after two years on the road singing all the songs from the first album, I got kind of tired of that.

I actually am always a music first person.

But really important, perhaps most important is the craft; how you make your record, the creation of these sonic worlds you want your listener to hear.

I'm fortunate I have this coterie of musicians around me to help take music to next level. Being surrounded by so much creative energy, so many creative people really feeds that creativity in me.

My second record was all about big ideas - I was trying to make big statements about the culture, about life. I think in a certain way, I was a 27 year old kid with a guitar.

Simon Hale, the British arranger, does all string and wood arrangements on my records.

I try to make sure that the Buddhism is more or less implicit in the music rather than explicit.

Lately I've been a workaholic. I'm in the studio all the time and I've helped to produce a couple of artists.

Things come to me pretty regularly. There is never a shortage or a backlog.

And frankly, when I made that record, hit songs were not what I was trying to achieve.

I got a publishing deal with BMG, they were supportive, and some money to record demos.

The experiences of promoting my first album were really something; there is so much illusion in my environment (touring and pop music) that I wanted to clear away.

But I can't really say there is too much modern music that I'm blown away by at this moment.

So, once I've written a song, you know, I'm pretty happy with what the song is on its own terms.

It's inevitable your environment will influence what you do.

I wouldn't say that I've had a tough life by any stretch of the imagination.

I actually think sadness and darkness can be very beautiful and healing.

Ultimately, if I'm really moved by something, it's going to go on the record and that's that.

I make the kind of music I like.

I think my Buddhist practice has a profound influence on my life and encompasses my creative projects.

I'm a pretty big P.J. Harvey record fan and you can really hear New York in his record.

Happy music doesn't tend to move me much.

I'd have these weird experiences where I'd just be walking down the street with this chord progression in my head, this happened more than a few times, and I'd walk home and find a fax in my machine and it would match the music in my head.

I think in a way I was probably completely naive about what it takes to make something become a hit.

I started playing music at a pretty young age.

I feel fortunate about being able to make the music I want to make and getting away with it.

For my second record I had gotten ProTools (program) and started to familiar myself with hard disc recording.

So I started chanting when I was nineteen, which was about twelve years ago, and it really had a huge impact on my outlook, happiness, and general creativity.

I privilege the music over the lyrics.

A real foolproof way to do it is play your stuff by hook or by crook and build up a grass roots following.

Its inevitable your environment will influence what you do.

I did work out every day. I needed it to have the endurance to do what needed to be done and not get hurt. I have such a new respect for action stars now.

I mean the only thing that is hopefully good about us is after the arguments we can actually still face each other the next day or the day after and talk about something else and sort of get over it.

My favorite singer to this day is Nat King Cole. I've tried to emulate his phrasing. It is so absolutely beautiful to listen to his lovely voice.

I want to have babies one day but not right now. When I do it I want to do it really well. I want it to be my best project in life.

I think I've become a much better singer and a much better player. Years and years of playing a couple of hours every day will do that.

I am tomorrow, or some future day, what I establish today. I am today what I established yesterday or some previous day.

I just wrote one song at a time. Kinda like an alcoholic. One day at a time.

Working mothers do an hour more per day than working fathers do and working mothers do on average an hour more per day with the kids than working fathers do.

When it is time to get to work, I go away completely and don't do anything except the work. And that can be 16 hours a day.

George Pal had total control, and he was there on the set every day. You never met a more charming man in your entire lifetime - what a lovely gentleman.

I'll tell you what I did need to learn was tolerance, and I think I've been actually given a daily opportunity to practice that, and it's - it's - and I know that that sounds almost like a backhanded slap, and it is in a way because I haven't been successful at it every day.