Oil-painting is a developed technique. Why go backwards?

No longer shall I paint interiors with men reading and women knitting. I will paint living people who breathe and feel and suffer and love.

Oil-painting is a developed technique. Why go backwards?

Youth must go ahead and prosper. These young painters are all very talented people, but they all paint frescoes.

Some colors reconcile themselves to one another, others just clash.

For as long as I can remember I have suffered from a deep feeling of anxiety which I have tried to express in my art.

One can easily tell that the creator of the paintings in the Sistine Chapel was above all a sculptor.

I learned early about the misery and dangers of life, and about the afterlife, about the external punishment which awaited the children of sin in Hell.

Disease, insanity, and death were the angels that attended my cradle, and since then have followed me throughout my life.

I find it difficult to imagine an afterlife, such as Christians, or at any rate many religious people, conceive it, believing that the conversations with relatives and friends interrupted here on earth will be continued in the hereafter.

By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.

The colors live a remarkable life of their own after they have been applied to the canvas.

I should have considered it wrong to have finished the Frieze before the room for its accommodation and the funds for its completion were available.

When I paint a person, his enemies always find the portrait a good likeness.

Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the paintings, their emptiness.

Death is pitch-dark, but colors are light. To be a painter, one must work with rays of light.

I have no fear of photography as long as it cannot be used in heaven and in hell.

This kind of painting with its large frames is a bourgeois drawing-room art. It is an art dealer's art-and that came in after the civil wars following the French Revolution.

A person himself believes that all the other portraits are good likenesses except the one of himself.

In my childhood I always felt that I was treated unjustly, without a mother, sick, and with the threat of punishment in Hell hanging over my head.

I painted the picture, and in the colors the rhythm of the music quivers. I painted the colors I saw.

To die is as if one's eyes had been put out and one cannot see anything any more. Perhaps it is like being shut in a cellar. One is abandoned by all. They have slammed the door and are gone. One does not see anything and notices only the damp smell of putrefaction.

From my rotting body, flowers shall grow and I am in them and that is eternity.

Sickness, insanity and death were the angels that surrounded my cradle and they have followed me throughout my life.

I build a kind of wall between myself and t he model so that I can paint in peace behind it. Otherwise, she might say something that confuses and distracts me.

Nature is not only all that is visible to the eye... it also includes the inner pictures of the soul.

It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it.

In common with Michelangelo and Rembrandt I am more interested in the line, its rise and fall, than in color.

Without anxiety and illness I should have been like a ship without a rudder.

The notes I have made are not a diary in the ordinary sense, but partly lengthy records of my spiritual experiences, and partly poems in prose.

The rich man who gives, steals twice over. First he steals the money and then the hearts of men.

A work of art comes only from inside a human being.

My breakthrough came very late in life really only starting when I was 50...I had the strength for new deeds and ideas.

Colors live a remarkable life of their own after they have been applied to the canvas.

Photography is an art which touches and grips one's own heart's blood.

The oil companies regard nuclear power as their rival, who will reduce their profits, so they put out a lot of disinformation about nuclear power.

My formula for success is rise early, work late, and strike oil.

In addition, each barrel of oil we save through conservation further decreases our dangerous reliance on unstable Middle East oil.

The Arab-Israeli conflict is also in many ways a conflict about status: it's a war between two peoples who feel deeply humiliated by the other, who want the other to respect them. Battles over status can be even more intractable than those over land or water or oil.

If a war started, the oil price probably would go up, as you said, maybe $5, $6 a barrel until you saw other oil from the extra supplies that are available elsewhere coming into the world, into the market.

In 1979 I teamed up with my friend and business partner, Bill DeWitt, and together we formed an oil and gas company that invested through limited partnerships in oil and gas exploration.

What is the first thing we did when we took control of Iraq? Protect the oil fields. Remember the administration quote about how the oil would pay for the war.

The President's announcement sounded less like a national energy plan than like a page from an election-year play book. This Administration's plan to reduce obscene oil company profits is to regulate them less.

I'm fighting for small businesses. I'm not fighting for big oil. Don't be confused. And there are thousands of businesses in this state that are at great risk. Meanwhile, the country keeps guzzling the oil, but we're out of work down here. We need to get back to work to build this region, and we intend to do so.

The confusing thing, I thought, was that most of America already knew that we were overly reliant on oil, especially on foreign oil. But it was news that this administration had begun to at least acknowledge that problem.

If you don't have a refinery operating, it's hard to use oil that's available.

If the United States is to protect itself from the economic and the political threats created by this excessive dependence, we must reduce our reliance on foreign energy sources and on foreign oil as quickly and as efficiently as possible.

No one really wants to send their kids off to die for oil.

The star of oil and vinegar and the oil and vinegar of the stars.