I use a retouching varnish which is made in France, Libert, and that's all the varnish I use.

I use a retouching varnish which is made in France, Libert, and that's all the varnish I use.

There is a sort of elation about sunlight on the upper part of a house.

Maybe I am not very human - what I wanted to do was to paint sunlight on the side of a house.

In its most limited sense, modern, art would seem to concern itself only with the technical innovations of the period.

The trend in some of the contemporary movements in art, but by no means all, seems to deny this ideal and to me appears to lead to a purely decorative conception of painting.

No amount of skillful invention can replace the essential element of imagination.

My aim in painting has always been the most exact transcription possible of my most intimate impression of nature.

After all, we are not French and never can be, and any attempt to be so is to deny our inheritance and to try to impose upon ourselves a character that can be nothing but a veneer upon the surface.

If the technical innovations of the Impressionists led merely to a more accurate representation of nature, it was perhaps of not much value in enlarging their powers of expression.

The question of the value of nationality in art is perhaps unsolvable.

What I wanted to do was to paint sunlight on the side of a house.

If you could say it in words there would be no reason to paint.

If I had the energy, I would have done it all over the county.

Well, I have a very simple method of painting.

More of me comes out when I improvise.

I have tried to present my sensations in what is the most congenial and impressive form possible to me.

I trust Winsor and Newton and I paint directly upon it.

Painting will have to deal more fully and less obliquely with life and nature's phenomena before it can again become great.

I believe that the great painters with their intellect as master have attempted to force this unwilling medium of paint and canvas into a record of their emotions.

Well, I've always been interested in approaching a big city in a train, and I can't exactly describe the sensations, but they're entirely human and perhaps have nothing to do with aesthetics.

Great art is the outward expression of an inner life in the artist, and this inner life will result in his personal vision of the world.

In general it can be said that a nation's art is greatest when it most reflects the character of its people.

I find linseed oil and white lead the most satisfactory mediums.

I find in working always the disturbing intrusion of elements not a part of my most interested vision, and the inevitable obliteration and replacement of this vision by the work itself as it proceeds.

I think that zinc white has a property of scaling and cracking.

It's to paint directly on the canvas without any funny business, as it were, and I use almost pure turpentine to start with, adding oil as I go along until the medium becomes pure oil. I use as little oil as I can possibly help, and that's my method.

The only real influence I've ever had was myself.

If the picture needs varnishing later, I allow a restorer to do that, if there's any restoring necessary.

There will be, I think, an attempt to grasp again the surprise and accidents of nature and a more intimate and sympathetic study of its moods, together with a renewed wonder and humility on the part of such as are still capable of these basic reactions.

Great art is the outward expression of an inner life in the artist and this inner life will result in his personal vision of the world.

It is crystal clear to me that if Arabs put down a draft resolution blaming Israel for the recent earthquake in Iran it would probably have a majority, the U.S. would veto it and Britain and France would abstain.

I use a retouching varnish which is made in France, Libert, and that's all the varnish I use.

No player can become accustomed to New York's climate in August in a few days. The playing conditions, the courts in New York and France are very different.

There is a neurologist, a woman over at Harvard who wanted me to come talk to them, and in France I have a lot of readers in the sciences. I can't tell you why.

Potentially he could be. He scored the goal four years ago in France against Argentina that was extraordinary.

Sometimes, but the year I lived in France I started to write songs.

The liberation movement which I led in Algeria, the organization that I created to fight the French army, was at first a small movement of nothing at all. We were but some tens of people throughout Algeria, a territory that is five times the size of France.

It is not what France gave you but what it did not take from you that was important.

When our boys come home from France, we will have the hags flung out.

Do you know that charming part of our country which has been called the garden of France - that spot where, amid verdant plains watered by wide streams, one inhales the purest air of heaven?

Far less envy in America than in France, and far less wit.

My son loves the Hotel du Cap, in the south of France.

So, thanks God, our films, our first films were suddenly being appreciated by the Western media; especially France was very good, and Switzerland was very good.

Altogether apart from that, it would be a disgrace to us to make this bargain with Germany at the expense of France, a disgrace from which the good name of this country would never recover.

The phenomenon of university creative writing programs doesn't exist in France. The whole idea is regarded as a novelty, or an oddity.

On landing at New York I caught the yellow fever. The kind man who commanded the ship that brought me from France took charge of me and placed me under the care of two Quaker ladies. To their skillful and untiring care I may safely say I owe my life.

Ours is a country built more on people than on territory. The Jews will come from everywhere: from France, from Russia, from America, from Yemen... Their faith is their passport.

The recent riots in France demonstrate the problem European countries face where second and third generation immigrants still do not consider themselves French, German, or English.