Beautiful Evidence is about the theory and practice of analytical design.

Public discussions are part of what it takes to make changes in the trillions of graphics published each year.

The commonality between science and art is in trying to see profoundly - to develop strategies of seeing and showing.

I was writing a chapter of Beautiful Evidence on the subject of the sculptural pedestal, which led to my thinking about what's up on the pedestal - the great leader.

It is straightforward for me to be ethical, responsible, and kind-hearted because I have the resources to support that.

My father worked for governments all his life as an engineer and public works director.

I think it is important for software to avoiding imposing a cognitive style on workers and their work.

What gets left out is the narrative between the bullets, which would tell us who's going to do what and how we're going to achieve the generic goals on the list.

A curious consequence is that I have become a minor celebrity.

Beautiful Evidence is about the theory and practice of analytical design.

The leading edge in evidence presentation is in science; the leading edge in beauty is in high art.

I hope that I am generous and tolerant, but certainly on the intellectual side I think that there are discoverable truths, and some things that are closer approximations to the truth than others.

There are many true statements about complex topics that are too long to fit on a PowerPoint slide.

The speculative part of my work is that these particular cognitive tasks - ways of thinking analytically - are tied to nature's laws.

That is to say, nature's laws are causal; they reveal themselves by comparison and difference, and they operate at every multivariate space/time point.

The idea of trying to create things that last - forever knowledge - has guided my work for a long time now.

If you like overheads, you'll love PowerPoint.

The minimum we should hope for with any display technology is that it should do no harm.

What this means is that we shouldn't abbreviate the truth but rather get a new method of presentation.

I do believe that there are some universal cognitive tasks that are deep and profound - indeed, so deep and profound that it is worthwhile to understand them in order to design our displays in accord with those tasks.

The goal is to provide analytical tools that will last students a lifetime.

My idea here is that, inasmuch as certain cognitive tasks and principles are tied to nature's laws, these tasks and principles are indifferent to language, culture, gender, or the particular mode of information that is provided.

A practical part of my teaching is to provide demonstrative, hands-on experiences.

The point of the essay is to change things.

I am certainly not an intellectual relativist, nor a moral relativist.

Clutter is not a property of information. Clutter is a failure of design.

Clutter and confusion are failures of design not attributes of information.

Clutter is not an attribute of information clutter is a failure of design fix the design rather than stripping all the detail out of the map.

Good design is a lot like clear thinking made visual.

Design isnt crafting a beautiful textured button with breathtaking animation. Its figuring out if theres a way to get rid of the button altogether.

Great design is not democratic it comes from great designers. If the standard is lousy then develop another standard.

The leading edge in evidence presentation is in science the leading edge in beauty is in high art.

An open mind but not an empty head.

It would have been difficult to design a path out of communism worse than the one that has been followed.

One of the best animated films I've seen come out of Disney was the Tarzan movie. I wasn't crazy about the story or the design on Tarzan's face, but the traditional animation was spectacular.

We thought it would be fun to try to design a show that would work well internationally and so that' s what we're intending to do with Fraggle Rock, and we are indeed now selling it around the world.

At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design.

It was by design that we mostly used pictures that you could not necessarily see what was going on, and that didn't really focus in on the band, but instead focused in on a theme.

It's about the power of design and the power of the human spirit. It's above paying anybody to do something stupid for money like reality television does - like ambushing people.

A purpose, an intention, a design, strikes everywhere even the careless, the most stupid thinker.

Clearly, programming courses should teach methods of design and construction, and the selected examples should be such that a gradual development can be nicely demonstrated.

We want people to realize you are at a design school, not a land grant college. The way we look says a great deal about who we are.

In any case, his judgment and set of values, acting alone or through his assistants, determine not only what is gold and what is dross but the design of the history which he creates out of the metal. The historian decides what is significant, and what is not.

Once the product's task is known, design the interface first; then implement to the interface design.

I think there is a new awareness in this 21st century that design is as important to where and how we live as it is for museums, concert halls and civic buildings.

Good design is good business.

It would be nice to design a real briefcase - you open it up and it's your computer but it also stores your books.

If we don't have accurate information, if we are not able to tell difficult truth one to another, we will never be able to effectively design a policy for Iraq.

Art has to move you and design does not, unless it's a good design for a bus.