Age of Mobilization — The political order is no longer divinely instituted; rather, it is our task to construct political order in conformity to God’s law/design. Roughly 1800–1960.

Age of Authenticity

Ancien regime

Buffered self

Closed world structures

Cross-pressure

Excarnation

Exclusive humanism

Expressive individualism

Fragilization

Fullness

Immanent frame

Immanentization

Maximal demand

Modern moral order

Nova effect

Porous self

Reform

Secular 1

Secular 2

Secular 3

Secularism

Social imaginary

Spin

Subtraction stories

Take

Transformation perspective

Unthought

No one wanted to be my friend because of my lunchbox - because I never shared my lunchbox. One day the principal walked in and said, 'No one is friends with Karan Johar; who will be his friend?' My CEO today put his hand up there and said, he will.

I spent two years working on building sites, working on the railways as a guard and in a racing stable, exercising racehorses. I learnt to build relationships. The experience of not being stuck in some middle-class bubble taught me things that being at university hadn't.

You can make a film in a way that, when the audience leaves the theater, they leave with certain answers in their head. But when you leave them with answers, you interrupt the process of thinking. If, instead, you raise questions about the themes and the story, this means that the audience is on its way to start thinking.

I'm willing to give up a little control but not a lot. So I say I want the money, but when push comes to shove, I'm not sure I'll be able to compromise in order to make the big studio movie. Maybe something in between would be okay, like a low-budget studio film.

I try to motivate people and inspire them, to let them know that they're not alone.

I have encountered those who feel that libraries have served their purpose and are no longer needed. There are those who consider them a soft target when it comes to local authority budget cuts. In certain political quarters, there is a refusal to see that our public library service needs active protection.

I was studying International Relations at Columbia when 9/11 happened, and it made me want understand the security dynamics of the world. I had been more focused on soft power issues - understanding different cultures and such - but once 9/11 happened, I felt like I didn't know anything about security problems.

I'm no Lance Armstrong, but I do use a bike to get from place to place in Manhattan, a little bit of Brooklyn.

I definitely want to be a mum. Lots of my friends are having babies, but I don't know quite when to do it. My mum says, 'There's never a right time; you've just got to get on with it'.

There's a misunderstanding that I've always tried to address straight on when this question comes up, which is that a 'Half-Life' story can somehow exist outside of a game. It can't. The story is created through the process of trying to figure out how to best use the features of the engine within the interesting set of constraints it poses.

Like Cato, give his little senate laws, and sit attentive to his own applause.

Live your questions now, and perhaps even without knowing it, you will live along some distant day into your answers.

Working with Omarion is pretty amazing. That's like my brother. He's really cool.

Heartbreak was the impetus to me writing poems and music in the first place.

Sometimes I have problems where I get into a mode where even just looking at a page on a screen makes me panic. And getting past that is a really intense thing to do.

I really enjoy my philanthropic work, traveling around the world and helping people in need. That's a lot of fun for me. It's really rewarding. You're helping people, but it's helping you, too. It puts life in perspective when you come back and you say, 'Man, it's raining again in Minnesota.'

Hardly anyone liked R.E.M. who didn't like them way too much, so part of being an R.E.M. fan meant getting wildly overinvested and then feeling vaguely disappointed by whatever they did next.

I believe people think as a group more often than we might realize or care to admit. We like to believe that we act as individuals and nothing more, but time and again - in corporations and business, in politics and religion, in fashion and culture, and in friendships and social circles - we think and do as one.

One change always leaves the way open for the establishment of others.

'Love Letter' reminds me of 'Chocolate Factory' and 'Happy People.' It's a little bit of both of those, yeah. I just wanted it to be classy, man. And romantic. And maybe 10 percent sexy.

For 13 to be unlucky would require there to be some kind of cosmic intelligence that counts things that humans count and that also makes certain things happen on certain dates or in certain places according to whether the number 13 'is involved' or not (whatever 'is involved' might mean).