I find that the majority of the actors I've worked with are extremely sensitive people and very spontaneous people. That's why I always say I'll never date an actor, because they're in love with you one day and the next day they're not.

I'd hope to reach any kid who feels apart from the group - those who seem to be outsiders, who feel different. Kids who want to reach their parents often don't know how to do so.

Oh, she just happened to be a friend of the producer's. Or, oh, they've been trying to get her from the beginning and she just had a spot open up. There are always little loopholes, so I don't take anything personally anymore.

I'm playing George quite a bit differently this season, and I'm glad you picked up on the fact that she kind of made peace with her situation at the end of last season.

It was something she didn't want me to do because she thought the rejection would ruin my self-esteem. My father was, like, 'If she wants to try it, let her try it.'

Things that go on at Happy Times are very funny this year, and if you were watching last year, some of the people you saw then as basically extras emerge as real characters in their own right this season, at least to some degree.

'What do you really think happens after you die?' That's the question that everyone, everyone, everyone asks. And I'm so sick of it. But my true answer is, I don't know. And there's no way I'm going to find out 'til it happens.

There were times when there were parts that I was sure I got and then I didn't, and I did get upset. But at this point, it doesn't affect me in the least because I know how the business works.

Early in last season, George was very worried about other people's emotions, especially how they saw her, and felt she was outside looking in. This year, she still hopes people will accept her for who she is, but if they don't, she's OK with that.

This season is a lot funnier, not as dark, mainly because, well, she has accepted the fact that she is dead. She knows she cannot go back to where she was when she was alive.

Oh, she didn't schlep me. I schlepped her, actually. I was the one who wanted to be an actress.

If I did anything 'next,' I would do writing.

I hope the film will help mothers and fathers to be aware that 15 is a very vulnerable age.

I find that the majority of the actors I've worked with are extremely sensitive people and very spontaneous people. That's why I always say I'll never date an actor, because they're in love with you one day and the next day they're not.

Ever since I was a little kid, whenever my parents would have company over, I would put on shows, whether they would be magic shows, singing shows, dancing shows, little skits.

Oddly, because she has that confidence, the people around her like her more. She becomes more a part of the Reaper family, and she also is able to get along with people more outside of their circle as well.

First, I used some of my own experiences and observations from attending a public high school. Secondly, I joined in some Internet chat rooms for gays and lesbians.

If I did anything 'next', I would do writing.

My favorite actor is Wallace Beery.

I've been a very lucky actor.

I don't think I could be happy as an actor if there was a tyrant on the set.

When I was starting to get noticed as an actor in the 1970s for something other than the third cowboy on the right who ended up dying in every movie or episode, Burt Reynolds was the biggest star in the world.

Most parts that can be played by one actor can equally well be played by another, but not this.

I think, frankly, that I'm a better director than I was an actor.

I knew an actor's career goes up and down and back up again. Your standing in this business can't be your whole identity; otherwise, you're doomed.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.

I never dreamed about being an actor, because that was out of reach. Coming from a small town that was big in farming, and also big in clothing factories, you don't dream about being a professional football player or an actor.

My goal was always to be recognized as a good actor but no one was interested in that, simply because society just wants to warm towards your appearance. This is the great blemish of society.

If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable.

To be honest with you, when I got into this I never thought about reviews. I never thought about what people would say about me. I was just a young guy who was excited to become a comedian and an actor and I just wanted to get to do what I got to do.

It was very natural for me to want to disappear into dark theater, I am really very shy. That is something that people never seem to fully grasp because, when you are an actor, you are meant to be an exhibitionist.

I think that I've still not been successful at playing the role of the retired actor, and I'd like to work on that.

And once you cease to be a real person, you stop being a good actor.

When I decided I wanted to be an actor, I said I wanted to work with quality actors and directors.

There are roles I want that my agency might not want me to do because of the subject matter or whatever. Or there are roles that people won't bring to me because they don't think I'll do it. And that is a big strain because an actor wants to act.

Reality is, I'm an actor and an entertainer, and I really wouldn't know what to do with another profession.

I still feel like I'm trying to make it. It's hard to shed the struggling actor thing.

Only a great actor finds the difficulties of the actor's art infinite.

Follow the wisdom of the great actor, James Cagney, you hit your mark, you look the other guy in the eye, and you tell the truth.

I was always a character actor. I just looked like Little Red Riding Hood.

In other words, I wouldn't like to be an actor if I could only be real. I like to get wild, behaviorally wild, and it's crazy to think of any form where it's just one way.

An actor entering through the door, you've got nothing. But if he enters through the window, you've got a situation.

Oh, well, in Los Angeles everybody is an actor, or a producer, or a writer, or a director, or an agent, or... So everybody understands the hours.

I didn't want to be an actor.

I'm always looking, as an actor, for activities. I think it's far more interesting to watch what people do than what they say. You always want to watch behavior, because the dialogue as written by our illustrious leaders is great. Eminently playable.

That's always something that's really important for an actor - to find an opportunity to do a scene where there is a moment like that, where you manage to connect with everyone.

In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth.

And, you know, when you are a kid, everybody wants to be an actor. I think that everybody wants to be in show business, frankly.