Aaron Copland was a man that had a very specific point of view about what music should be which was that, he felt that new music should have the composer should show a personality in his music.

Yes, I get a report from BMI about the frequency of performances, and it is very surprising. They played one of my most advanced pieces, and one of my most unusual ones on the radio.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My entire life has really revolved around music that was written about the time that I was born, 1908, to just before the First World War and shortly after it. This music I've always known, and it is that music that's most important to me.

Silences between movements are employed only in order to bring the opposing duo to the fore.

Right at the end of the war I wrote a piano sonata, which was written at a time when Sam Barber used to come down here and we used to have lunch together in a very nice old hotel that's now not there.

That was one of the big problems when I was at Harvard studying music. We had to write choral pieces in the style of Brahms or Mendelssohn, which was distressing because in the end you realized how good Brahms is, and how bad you are.

Almost every one of my various zero numbered birthdays has had a big concert in London and often in Paris.

I've known those pieces ever since I was about 16 or 17; I also at that time was taken to meet Charles Ives whom I got to know fairly well. He was the one who wrote a recommendation for me to get into college.

It was only later on that I became more interested in older music.

When I was in Paris, all of the German refugees began to flow in and it was a very sad time.

Talking about a materialistic thing, I get about 13 times more royalties from Europe than I do from America.

These wealthy people were very interested in contemporary music. They wanted to help diffuse it and get it to be known to other people.

The Quartets have been a major part of my work.

I mean the public likes it more in Europe than they do here because the state supported organizations have felt that playing contemporary music was part of the education of the public.

Then, when the Depression came, all of this changed completely. Since that time, the entire public is of a very different sort and there was not so much support for contemporary music in a direct way.

Well I tried to, but I could never write anything that I liked or was worthwhile. I threw it all out and realized that I had to make a serious study- that my tastes were far more advanced than my abilities.

In any case, Ives encouraged me to go into music even though he himself had such a hard time being a composer.

An auditory scenario for the players to act out with their instruments.

Why write for the orchestra? For one thing it's a very challenging problem.

Aaron Copland was a man that had a very specific point of view about what music should be which was that, he felt that new music should have the composer should show a personality in his music.

Well when I was young, when I was very young, when I was a little boy I don't remember the music I heard, but there was an article in the Brooklyn Daily written by my Aunt about how I could choose phonograph records.

The Third Quartet I made the instruments in pairs - Two different pairs - Violin and viola, and violin and cello. They played very different things from each other all through the whole piece.

Roosevelt's magic lay in one facet of his personality: He knew how to take the risk. No other man in public life I knew could so readily take the challenge of the new.

Man was born free, and he is everywhere in chains.

Photography is a major force in explaining man to man.

The world is... the natural setting of, and field for, all my thoughts and all my explicit perceptions. Truth does not inhabit only the inner man, or more accurately, there is no inner man, man is in the world, and only in the world does he know himself.

I am neither a child, a young man, nor an ancient; nor am I of any caste.

I want the municipality to be a helping hand to the man with a desire of sympathy, to help the fallen when it is not in their power to help themselves.

I always looked for a man to rescue me and bring me happiness. I bought into that myth, of course, and looked for my own Prince Charming.

A desire to be observed, considered, esteemed, praised, beloved, and admired by his fellows is one of the earliest as well as the keenest dispositions discovered in the heart of man.

Nonviolence is a powerful and just weapon. which cuts without wounding and ennobles the man who wields it. It is a sword that heals.

Let me first state that I believe that marriage is a sacred union between one man and one woman.

A man must be strong in that profession, he must have vigor of body and mind, yet I am all out of breath if I walk up a hill; I have not the heart to crush even a fly.

An intelligent man is sometimes forced to be drunk to spend time with his fools.

I believe that if a man does a job as well as a woman, he should be paid as much.

For a man to strike any women is most brutal, and I, as well as everyone else, think this far worse than any attempt to shoot, which, wicked as it is, is at least more comprehensible and more courageous.

There is always a type of man who says he loves his fellow men, and expects to make a living at it.

A man may be in as just possession of truth as of a city, and yet be forced to surrender.

The bravest sight in the world is to see a great man struggling against adversity.

If a man is dumb, someone is going to get the best of him, so why not you? If you don't, you're as dumb as he is.

Happy the man who has been able to learn the causes of things.

Work is not man's punishment. It is his reward and his strength and his pleasure.

'Thou shalt not get found out' is not one of God's commandments; and no man can be saved by trying to keep it.

Sex is the most beautiful thing that can take place between a happily married man and his secretary.

Man has done a lot to make himself dangerous and animals get the worst of all of it. But then, man too is an animal.

A writer may tell me that he thinks man will ultimately become an ostrich. I cannot properly contradict him.

I think I had a more European outlook about the body and sex. The body is in no way dirty, and sex is something beautiful to give to and share with a lover. It has nothing to do with promiscuity, because I only believe in being in love with one man at a time.

A woman who thinks she is intelligent demands the same rights as man. An intelligent woman gives up.