Emmy Rossum

Music is also a part of who I am so I'm thinking about recording an album.

I had classical training but I don't consider myself an opera singer though.

I've never had siblings, I didn't grow up in a big family; it was just me and my single mom. And hectic family dysfunction was actually something that I craved.

I've never had my brows done - I tweeze them myself. I used to watch my mom pluck her brows, that's how I learned.

It is very grand and sumptuous and awesome to look at but it was really about the characters for me.

It's the best feeling when you wake up and it's warm and cozy, and you don't have to go to work.

If I can't find a project that I'm really interested in, I'll just go back to college where I've been studying art history and French. I'm also going to study English and philosophy - the whole curriculum!

She's lonely and wounded and very vulnerable and it really is a story about people at the heart of it all.

I hope that I'm sexy in a different kind of way than I think that a lot of girls are right now. I think a lot of girls in the public eye, especially musical artists, are just kind of objectified a little bit and wearing super-skimpy outfits and leaving nothing to the imagination.

I don't really live my life in the media spotlight. People don't know that much really about me or what I think.

I think we're all a lot more like our parents than we want to admit.

Being yourself is one of the hardest things because it's scary. You always wonder whether you'll be accepted for who you really are. I decided to call my record 'Inside Out' because that's my motto about life. I don't think you ever succeed at trying to be anyone else but who you truly are.

Guys usually like a very natural look. I think it's bad idea to wear a strong lip on a first date - or for the first few dates. I'm always too nervous he'll kiss it off - if I'm lucky enough to get a kiss! I also think soft, sexy hair is important.

I feel like I've come out of this grown up, maybe because I live through the character vicariously and she grows up so much during the course of this story.

Too many times you come across lyrics that sound like you've heard them before or you can't really relate to them. And I think that I write songs that sound fresh and sensual in kind of a layered, lush way. But I also think that they are real, and that's why I wanted to call the record 'Inside Out.'

It wasn't my intention in going after this part but I suppose now I do. The adult roles are a lot meatier - you're not always just the daughter or the girlfriend or whatever.

Everyone messes up in relationships and has peaks and valleys in their personal lives. When I realized it wasn't the end of the world and I would keep on standing, I knew it was going to be OK.

I never walk into the studio and say, I'm going to write a song called... 'X' or called 'Slow Me Down.' I write a ton of lyrics, often the title is somewhere in those 10 pages of... I call it brain vomit. It's kind of like whatever comes out of my head and I'm unabashedly just writing it down.

I just really gravitate towards a nostalgia for a time when things were simpler. When beauty was more classical and glamorous.

Here we spent so much time together - eight months of our lives almost - and it was so great because we all got so close and that really made us not afraid to improve with each other.

I'd say that my musical influences are anywhere from pop-rock electronica, new age and classical. But I think that specifically, bands - I love Jem, I love Sigur Ross, I love David Gray, I love Elliot Smith... a lot of different people. But I don't find lyrical inspiration from anybody.