You can't just trust to luck; you have to really listen to what that character is telling you.

There is some sadness for me now about acting because it used to be that there was a reverence for actors.

All of the generations go to what is chic for them, and theater seems to be an older generation's art form.

Getting work in theater has always been sort of cyclical.

I mean, there are times when you aren't working, but still believe that work will come.

People who call themselves actors and can't ever get work; they do need to get another profession.

Don't forget the prices are so high in theater; it isn't really where a young person can go on a date and buy two tickets and take someone out anymore.

In theater, the wellspring of the character comes from the doing of it, like a trial by fire, but in front of an audience.

The staff, stage managers, ushers all behaved as if they respected the actors.

I have never been interested in specific roles.

For anyone with half a brain they can see that this play is about the human condition.

Acting is very start and stop.

When I see what I want, I do it.

We all need to go to good theater; that is what I believe will save it.

You can't just trust to luck; you have to really listen to what that character is telling you.

I know people like spectacle, but I'm interested in moving people.

I believe in things that move people, if the audience isn't deeply caught up and moved to either laughter or tears then I don't think it is theater.

At this point the theater America is in such a precarious place.

It is so important to get respect for what you do and at the same time give it.

I think in small towns like this one, whether you're a man or a woman, you basically do what there is to do.

I like time off because I also have a life outside of theater.

But today I felt different, today I forgot how long it takes to get into the skin of a character and I remembered it, because today I actually got into that skin and it felt so different.

I talked with Brian Stokes Mitchell, who agreed with me that if you have a gift there is always stuff to do.

I find that there are few reviews that extol women as wonderful artists.

All of the generations go to what is chic for them and theater seems to be an older generations art form.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

Character is power; it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.

In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

And what's interesting about him as a comic character is that the custard pie hardly ever ends up on his face.