So many roles for women demand that you make the audience fall in love with you or sympathise with you.

Success breeds success, and failure leads to a sort of fallow period.

I'm sure people in the business have said: She's too old for that part. I don't hear about it because your agent protects you from those negative things.

As we have more women in power, so the plays and the TV dramas are reflecting what's happening.

The girl-next-door image is a sort of joke; for years, I couldn't get any roles other than as somebody dark.

When I was much younger, I sometimes felt rejected by feminists because of an image that I sold because it paid the bills. Any fool could tell my hair is dyed.

Every woman feels she is too old and has missed the boat.

I think you have to relax about aging. What else can you do?

I hope to start enjoying flirting again when I'm 70, like my mother did.

I do still get the odd fan letter about The Good Life, clearly written by somebody aged 18, who says: Will you send a photograph? And I think: Maybe it's kinder not to. I'm deeply into my 50s now.

When I was little I always thought I was marked out, special, on the verge of something momentous. I used to tingle with anticipation.

For me, compatibility is a sense of humour, being able to laugh together; that is very important.

So many roles for women demand that you make the audience fall in love with you or sympathise with you.

A lot of my close friends are nothing to do with show business. But the people I've had relationships with, invariably, I've worked with. I think that's probably because I grew up in a family where we all worked together, so it's something I feel comfortable with.

I did try fillers once. Don't ever have fillers because when your cheekbones are high, it's chipmunk time.

I don't think I've ever not had a dark side. But one of the wonderful reasons why you go into this business is that half your life you live in a fantasy, which is somebody else's life. It's actually a great release because you're not having to deal with the itty-bitty bits of life.

I haven't done fillers or Botox for ages. There comes a point where you have to match bits of you with the other bits; otherwise, you get a terribly random situation.

I love a mask. It's why I've got a thing about good writing. When you're acting, you're going into someone else's work. You're behind his words; it's not you.

I love gentle, gorgeous classical music such as Mozart.

I really do believe there are things passed down. Behaviour, not just DNA. Psychological make-up. You can see it in dogs. If you want to breed a calm dog, don't get two fighters.

I think in the acting world you either manage that transition to older roles, or you stick with what you've always done and then discover nobody can bear you doing it as an older person.

I think very few people do find a relationship where, every moment of every day, everything they do comes together. That's why, in a nutshell, everyone loved Barbara in 'The Good Life.' She was the perfect partner. It was a formula. She wasn't glamorous. She wasn't clever. But she was a good partner. That's too easy, too perfect.

I wouldn't trade anything for family time. To me, it is more important than everything else, and I have a very deep-rooted belief in it, which is influenced by my Jewish faith. That's a very great source of who I am and what I believe in.

It's difficult to say what attracts one person to another. It's always a combination, isn't it? I've always found people interesting because of the way they think, and a sense of humour is irresistible.

It's nice not to have lines when you frown, especially on TV. I don't know why people make such a fuss about it. No one is interested if a woman has her teeth capped or her hair dyed.

The gym is where I get my chill-out time. I try to go six days a week, but when I'm working, that goes down to about three.

We take ourselves so seriously moment by moment, but India shows you a sense of eternity. You're one little ant on a hill. You're part of life, but you're not the whole thing.

I don't think, until you've actually lost somebody you really love, that you can go through that door that allows you to be grown-up.

We assume that celebrities have it easy and so love to watch them having to endure a bit of hardship.

I love Nautilus and stretching. The results are immediate, and that gives me the motivation to continue.

I am a ordinary teenager. I fall in love like everyone else.

I don't call you handsome, sir, though I love you most dearly: far too dearly to flatter you. Don't flatter me.

The essential elements of giving are power and love - activity and affection - and the consciousness of the race testifies that in the high and appropriate exercise of these is a blessedness greater than any other.

My mother keeps things in perspective for me. She makes me realize that the acting I do and love is no more important than what one of my brothers does-he works in a shoe repair shop. If my career ever tapers off, I'll go to college.

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.

My goal is, of course, for this show to do well, and I would love it if people liked it.

I love living on that stage. Without that, I'd die.

I love my DSL, but I love my WiFi more. And I probably get on the Internet 40 percent to 50 percent more because of the combination of those technologies.

But I love New York. I used to set my alarm clock when I was there, and get up at 4am and get a coffee, just because I could.

I love children and I love men, but I can't commit to either for the rest of my life.

Sitting at home the way I do, I'd just love the hear from people. It'd be a great help in passing the time.

The wise are wise only because they love. The fool are fools only because they think they can understand love.

We can recognize the dawn and the decline of love by the uneasiness we feel when alone together.

Love is a mutual self-giving which ends in self-recovery.

People react to fear, not love; they don't teach that in Sunday School, but it's true.

I sort of understood that when I first started: that you shouldn't repeat a success. Very often you're going to, and maybe the first time you do, it works. And you love it. But then you're trapped.

There is love there. And then there's times when I can't even stomach Simon. You don't have to sit next to him. That's all I have to say.

When I see children, I see the face of God. That's why I love them so much. That's what I see.

One can love a child, perhaps, more deeply than one can love another adult, but it is rash to assume that the child feels any love in return.