Mournful and yet grand is the destiny of the artist.

As the mother teaches her children how to express themselves in their language, so one Gypsy musician teaches the other. They have never shown any need for notation.

It is impossible to imagine a more complete fusion with nature than that of the Gypsy.

I find little in the works of Beethoven, Berlioz, Wagner and others when they are led by a conductor who functions like a windmill.

Beware of missing chances; otherwise it may be altogether too late some day.

Brahms' Variations are better than mine, but mine were written before his.

The public is always good.

Truth is a great flirt.

Supreme serenity still remains the Ideal of great Art. The shapes and transitory forms of life are but stages toward this Ideal, which Christ's religion illuminates with His divine light.

The character of instrumental music... lets the emotions radiate and shine in their own character without presuming to display them as real or imaginary representations.

In Hungary all native music, in its origin, is divided naturally into melody destined for song or melody for the dance.

Without any assistance whatever, I founded a school in Weimar in 10 years. Only I could perform certain works with the scanty means that I dared not ask anyone else to work with.

Real men are sadly lacking in this world, for when they are put to the test they prove worthless.

I conclude that the Wagnerian operas which are already in the repertoire, and other masterworks as well, stand in no further need of my services.

Mournful and yet grand is the destiny of the artist.

A person of any mental quality has ideas of his own. This is common sense.

Life is only a long and bitter suicide, and faith alone can transform this suicide into a sacrifice.

We need improvement in the style of performance. There is no more advantage in a musician who plays and conducts than in one who is only a beater of rhythm.

It is my fervent wish and my greatest ambition to leave a work with a few useful instructions for the pianists after me.

Sorrowful and great is the artist's destiny.

I did not compose my work as one might put on a church vestment... rather it sprung from the truly fervent faith of my heart, such as I have felt it since my childhood.

I foster a sorrowful conception of affection. Make no sacrifices.

Inspiration is enough to give expression to the tone in singing, especially when the song is without words.

Broad paths are open to every endeavour, and a sympathetic recognition is assured to every one who consecrates his art to the divine services of a conviction of a consciousness.

The music of the Gypsies belongs in the sphere of improvisation rather than in any other, without which it would have no power to exist.

Companions, in misery and worse, that is what we all are, and to try to change this substantially avails us nothing.

A theatre receives recognition through its initiative, which is indispensable for first-rate performances.

Music embodies feeling without forcing it to contend and combine with thought, as it is forced in most arts and especially in the art of words.

The principal task of a conductor is not to put himself in evidence but to disappear behind his functions as much as possible. We are pilots, not servants.

Beware of missing chances otherwise it may be altogether too late some day.

Companions in misery and worse that is what we all are and to try to change this substantially avails us nothing.

You cannot imagine how it spoils one to have been a child prodigy.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

I'm inspired by nature. Other artist's work is important for developing my perception.

There is only one position for an artist anywhere; and that is upright.

The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

What do you say when someone has truly inspired you? How do you express to an artist how deeply their work has affected you?

An original artist is unable to copy. So he has only to copy in order to be original.

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.

You have to find what makes you stable in the storm. Then, no matter what's happening round you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.

The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.

I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade.

Art is a private thing, the artist makes it for himself; a comprehensible work is the product of a journalist. We need works that are strong, straight, precise, and forever beyond understanding.

The most colorful section of a bookstore is the display of SF books, with art by people like Wayne Barlow, who is a terrific artist.

Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.