I think that one of the things that influences me most as a composer is to what extent I can deconstruct and reconstruct the material that I'm working with.

There's an awful lot of resources that can be drawn upon in an improvised music concert.

One of the things I particularly enjoyed doing was taking raw sound from locations during the film, like the candy machine, and writing pieces of music to go with them, which is totally unnecessary within the context of the film, because they have their own logic.

Chris Cutler was kind enough to offer his company as an umbrella, so now I can have all my back catalogue under one roof as it were, and it has the same feeling as with Daniel; this is a matter between friends rather than businessmen.

I think that one of the things that influences me most as a composer is to what extent I can deconstruct and reconstruct the material that I'm working with.

Not necessarily in one concert, but they're all there to be used if you want to use them.

Some things don't wind up sounding like you'd expect, which is just as well.

You could say that everything the musicians have learned and known over the years, all of their technical resources, are in a dialogue with the things they are discovering every time, as if it was the first time.

As an improviser I'm now pretty comfortable with trios, so I'm thinking of working up to quartets.

There are always things to examine. What's great is not feeling that I have to refuse any of them. Maybe no good from a PR perspective, but from the point of view of everyday life, it keeps things interesting.

We went through this business of me writing out all the parts for these old songs from Gravity and Speechless and we'd been performing that, but we don't do that any more.

The totality of a record is usually beyond ones ability to imagine when you start working on it, but the component parts are, usually, fairly clear one way or another.

We played some gigs in Switzerland a couple of weeks ago and it was the first time I really felt the group was really a band in the sense of something I could write for.

I don't know if I'm striving for anything that I can put into words.

Well, I think music for kids is never anything but experimental is it?

We play melodic music, we play songs, we play all kinds of things and when you improvise you don't just shut out different languages, you use all the languages that you have.

I write with a mouse, because it has no psychological associations or memories or habits associated with it.

And so many of the kinds of labels you get stuck with don't really tell the story; Progressive, Art Rock, Noise Music, Downtown - it ends up being a struggle to stay out of debates that other people are having around you.

If you write songs you have an idea how they're going to sound.

It's like learning a language; you can't speak a language fluently until you find out who you are in that language, and that has as much to do with your body as it does with vocabulary and grammar.

I remember playing football dressed in peculiar costumes with some friends in France and laughing so hard we couldn't even stand up, let alone kick the ball.

Improvised music involves a lot of intuition and I like developing intuition.

I think things changed as a result of a certain perception of our politics. When we went through our zealous, self-righteous period it didn't exactly win us any friends.

We may be in a tough time right now, but when we are in a tough time is when our movement gets really strong.

A Bond girl must be a strong and independent woman, but at the same time charming and sensual. Those opposite qualities combined together make her interesting. She must be strong but at the same time feminine.

Romantic comedies are particularly hard to make.

I don't think any country is perfect. It's our responsibility to do the best we can do to change the things we don't like. I think that's part of social responsibility, and everybody is going to do that in their own way.

Ben Roethlisberger is a proven winner in athletic competition. But the measure of a true leader is how they conduct themselves 24/7, not just during a winning touchdown drive or a goal-line stance. Leadership isn't something that gets switched off because the game clock expires.

We had a tiny budget for 'The Greatest,' which was the opposite of 'Wall Street.' We just kind of went in and did it. You've got four or five takes and then you've got to move on. We didn't even have trailers to stay in or anything.

The world is facing a new networked, digital lifestyle, and we will ensure that Canon remains ahead of the game.

I wanted to be in a punk band before I had even heard any punk music.

I think all religions can agree on certain definitions of God and concepts of God, like God being the god of love, the great 'I am' energy.

If you want to win, you have to beat the big teams in Europe, and Juventus are awesome.

Good wine needs no bush.

Kids aren't scared to pat my shoulder when I come down the aisle to the ring.

Go out of your way to make an outstanding first impression.

My goal is more to be remembered. They'll remember this thing and like it in the future. The trick is to stay remembered long enough for that to happen.

Be conscious of yourself as consciousness alone, watch all the thoughts come and go. Come to the conclusion, by direct experience, that you are really consciousness itself, not its ephemeral contents.

Simple genome engineering of bacteria and yeast is just the beginning of the rise of the true biohackers. This is a community of several thousand people, with skill sets ranging from self-taught software hackers to biology postdocs who are impatient with the structure of traditional institutional lab work.

There's never a surefire good career move except doing good work.

Women don't want an overly feminine vehicle - they want to feel secure.

I'm making music with my friends. It's fun. It should be fun. You shouldn't make music if it isn't fun.

The disgust with dirt can be so great that it keeps us from cleaning ourselves from justifying ourselves.

I taught writing classes at the University of Pennsylvania for a number of years and I realized that all you can do is encourage people and give them assignments and hope they will write them.

I'm not going for a soft sound. I ain't lookin' for a warm sound. My sound is warm, but I don't need tubes to do it. The Randall RG-100 is the best amp for what I do.

Writing is sort of putting a puzzle together halfway. Then, performing it has always been the completion of it. Once that happens, I'm feeling verbally communal with other people. It's out there and I feel so much better about it.

Only the insecure strive for security.