We had been working. We had a bunch of songs written and it came time to make the record, so we had our lawyer make the call to Elektra and ask for our advance. Then, we got dropped. It was actually exciting.

We had been working. We had a bunch of songs written and it came time to make the record, so we had our lawyer make the call to Elektra and ask for our advance. Then, we got dropped. It was actually exciting.

We love doing commercial and TV show work.

We sold a certain, steady amount of product for them and they could count on it. When it came time to ask for the money for this new record, they dropped us. It was fine with us. It was a dead fish.

Most of our fans seem to be very intelligent people who don't stand out too much, but they're still total freaks. I like that - they're smart and sadistic, which I think is a reflection at us.

I wrote most of these songs right before the end. A lot of these songs are about that. Even if it's not direct, you can feel the beginning of the end of the breakup in these songs.

A few years ago, one of our singles got beaten out by Better Than Ezra. The label could only have one band at a time being taken to the right people at radio, and they opted for Better Than Ezra instead of us. Who knows.

I want to sound like Christopher Cross in another ten years, and be totally proud of it.

I was never into smart college boy music.

Now in a way, money is money, and if it's going to increase our audience, that's fine.

Not after the big bust in '92, there's no big drug lifestyle anymore. I can't talk about it. Pretty ugly.

I'm a very big Notorious B.I.G. fan and I do an imitation of him that always cracks everybody up.

You know, it's absolutely connected to The Mollusk in that, it's what we're writing after The Mollusk. A lot of this stuff reminds me of things on The Mollusk.

Basically, Pizza Hut just backed out on the ad agency at the last minute. They got fired and we got fired. It was a simple as that. We do stuff like that on and off.

When it comes to the recording and writing, it's still mostly Mickey and I. But now there's this whole live entity that's a whole different thing, and it seems to be where we're gaining the most popularity.

A lot of those songs are actually about Sarah, who I was recently divorced from about five or six months ago. I'd been seeing her off and on since I was about nineteen, so a lot of those songs are about her.

We are going to put out a boxed set thing, but I don't want to do it yet. I want to wait until we're 45 and we're bitter and broke. Then, we'll put out the comprehensive Ween boxed set.

Forty minutes in front of Beck isn't really where it's at.

I can't take any more white boys noodling around on their guitars.

Ninety-nine per cent of opening bands stink.

In life sometimes, in the universe, you have to close some doors to have others open.

Know that I am extremely proud of all that is 'Ween.'

My decision to leave 'Ween', however interpreted, was absolutely not made in haste.

I started recording because I was always complaining about the records that I was getting of my songs. At least if I did them and messed them up, I wouldn't have anyone else to blame.

Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.

The things in my songs are the edited highlights of my life. I don't go seeking out strange sexual experiences every day of the week.

The way you look for songs, you find yourself looking for little signals and clues about life and how things are.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

It's part of the calling to at least do a few songs in the show that give people some hope. There's so much hurt in this world and... music is such a great healing balm and a great way to forget your troubles.

Again, I say I will be glad to tell what songs I have ever sung, because singing is my business.

My vocal ability is very limited, but I'm fortunate in that I can write the songs around my vocal limitations.

I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.

When I heard his first songs, Dylan was answering certain questions that I had all my life been asking myself.

The bands that wrote the big, heroic rock songs - I really wanted to make a record like that.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.

All my songs are where I am.

That's what I like to do, I like to make songs.

We would turn everything into songs in those days.

Sometimes, but the year I lived in France I started to write songs.

Writing songs has a therapeutic effect, and it either kills off love or wins the heart of the lover.

I had deeper, more reflective songs on the first album.

I don't think you need a record deal to write songs. You don't need any other reason than you want to do it. It's a far cry from why some people do music today. They make it to order, which is pretty horrible.

The process depends on the situation, and I don't think there are any two songs that have gone exactly the same way... well, actually, that's not true.

I didn't want my last chapter to be the guy who sits at the piano and sings love songs.

We had been working. We had a bunch of songs written and it came time to make the record, so we had our lawyer make the call to Elektra and ask for our advance. Then, we got dropped. It was actually exciting.

People assume that the meaning of a song is vested in the lyrics. To me, that has never been the case. There are very few songs that I can think of where I remember the words.

If you only do little clusters - three or four songs by one, and another, and then yet another - you lose the opportunity to think your way into the composer's mind, since, after all, most of these pieces are quite brief.

I remembered their songs but I had never owned a Beatles album.