I frequently hear our present period described as uncertain, confused, chaotic.

One very important aspect of our contemporary musical culture - some might say the supremely important aspect - is its extension in the historical and geographical senses to a degree unknown in the past.

Writing seems to be more difficult as you move through the years.

The future will be the child of the past and the present, even if a rebellious child.

I frequently hear our present period described as uncertain, confused, chaotic.

Although technical discussions are interesting to composers, I suspect that the truly magical and spiritual powers of music arise from deeper levels of our psyche.

Most of my influences are turn-of-the-century.

The development of new instrumental and vocal idioms has been one of the remarkable phenomena of recent music.

Perhaps two million years ago the creatures of a planet in some remote galaxy faced a musical crisis similar to that which we earthly composers face today.

It is easy to write unthinking music.

I am certain that most composers today would consider today's music to be rich, not to say confusing, in its enormous diversity of styles, technical procedures, and systems of esthetics.

I pick up the New York Times or Time and it's talking about the latest rock group, which I'm sure is exciting to some people, but it neglects a huge area of music.

Nonetheless, I sense that it will be the task of the future to somehow synthesize the sheer diversity of our present resources into a more organic and well-ordered procedure.

I have observed, too, that the people of the many countries that I have visited are showing an ever increasing interest in the classical and traditional music of their own cultures.

If we look at music history closely, it is not difficult to isolate certain elements of great potency which were to nourish the art of music for decades, if not centuries.

I think we're in a very low point of music right now.

In a broader sense, the rhythms of nature, large and small - the sounds of wind and water, the sounds of birds and insects - must inevitably find their analogues in music.

The retrospective glance is a relatively easy gesture for us to make.

The advent of electronically synthesized sound after World War II has unquestionably had enormous influence on music in general.

I must confess, my Spanish is not so good - except I read a little, so I started with the English but then determined that it would have to be in Spanish.

As interesting as that music can occasionally be, I don't think it really replaces the other.

This is not a happy time for this kind of music in this country.

I am optimistic about the future of music.

Unquestionably, our contemporary world of music is far richer, in a sense, than earlier periods, due to the historical and geographical extensions of culture to which I have referred.

Perhaps of all the most basic elements of music, rhythm most directly affects our central nervous system.

Perhaps many of the perplexing problems of the new music could be put into a new light if we were to reintroduce the ancient idea of music being a reflection of nature.

The rhythms of nature - the sounds of wind and water, the sounds of birds and insects - must inevitably find their analogues in music.

The present contains nothing more than the past, and what is found in the effect was already in the cause.

Philosophy finds it an easy matter to vanquish past and future evils, but the present are commonly too hard for it.

Historians tell the story of the past, novelists the story of the present.

Crying over what's gone won't find the present.

The French are the wittiest, the most charming, and up to the present, at all events, the least musical race on Earth.

America is false to the past, false to the present, and solemnly binds herself to be false to the future.

The present condition of fame is merely fashion.

Do not dwell in the past, do not dream of the future, concentrate the mind on the present moment.

It is certain, indeed, that the sacred writers were apt to make great allowances for people with empty stomachs, and though I am well aware that the present profane ones think this very reprehensible, I venture to agree with the sacred writers.

It also allows you to look as though you're not particularly from the present, future or past, either.

And for myself, I think for the present He is calling me to another land; but how long shall be my abode, or what employment He has for me there, I know not, for I cannot think He is taking me there to live and lurk only.

It is my intention to present - through the medium of photography - intuitive observations of the natural world which may have meaning to the spectators.

I see Canada as a country torn between a very northern, rather extraordinary, mystical spirit which it fears and its desire to present itself to the world as a Scotch banker.

The present government is very insistent that business sponsorship should replace government sponsorship of the arts. Business sponsorship won't happen unless you make tax concessions, which they won't.

All this happens without him knowing - they actually install cameras in his apartment and hire this girl to get him to fall in love with her so that she can be in the apartment and present him products without him knowing.

The past, the present and the future are really one: they are today.

I think it's bad to talk about one's present work, for it spoils something at the root of the creative act. It discharges the tension.

My future is in my past and my past is my present. I must now make the present my future.

I just wait for something to present itself, and then I consider it.

Creation is all space, all time - all things past, present, and future.

Crazy Horse saw history as integrated in the present, incorporated into daily life.

The present letter is a very long one, simply because I had no leisure to make it shorter.