Ginger Rogers

I don't disagree with seeing a Rubens of a nude body, but I don't believe in a nude body in action. With Rubens, thank goodness, they aren't in action.

At the age of ten, I thought if a boy kissed you on the lips, you would have a baby, and I surely wasn't the only youngster who believed that!

I won't go to movies with permissiveness, four-letter words, or violence. Show me 'E.T.' and 'Chariots of Fire' instead. That's entertainment, not exploitation of the human body.

Only I know my life.

Perhaps I am old-fashioned, but black and white films still hold an affectionate place in my heart; they have an incomparable mystique and mood.

My mother told me I was dancing before I was born. She could feel my toes tapping wildly inside her for months.

When two people love each other, they don't look at each other, they look in the same direction.

I try to feed my hunger rather than my appetite.

Over the years, myths were built up about my relationship with Fred Astaire. The general public thought he was a Svengali, who snapped his fingers for his little Trilby to obey; in their eyes, my career was his creation.

Part of the joy of dancing is conversation. Trouble is some men cant talk and dance at the same time.

My faith in humanity leads me to believe that people are looking for something more elevating than the sordid details of the intimate aspects of one's personal life.

My mother was a journalist, so writing is not unnatural to me.

You know, there's nothing damnable about being a strong woman. The world needs strong women. There are a lot of strong women you do not see who are guiding, helping, mothering strong men. They want to remain unseen. It's kind of nice to be able to play a strong woman who is seen.

I enjoy sports, and love being involved in any outdoor sport from volleyball to softball. I'm not being immodest when I say I'm a natural athlete.

While I was making my solo films, RKO was busily trying to get me and Fred Astaire back together. The studio wanted to capitalize on the success of 'Flying Down to Rio' and realized that the pairing of Rogers and Astaire had moneymaking potential.

The fun joy and humor dry up in a relationship when one of the partners is swimming in gin. To my way of thinking it is selfishness personified to see life through the bottom of a liquor bottle.

The most important thing in anyone's life is to be giving something. The quality I can give is fun and joy and happiness. This is my gift.

My love for ice cream emerged at an early age - and has never left!

Looking back at my life's voyage, I can only say that it has been a golden trip.

I yearned for a long, happy marriage with one person.

I believe in dressing for the occasion. There's a time for sweater, sneakers and Levis and a time for the full-dress jazz.

Part of the joy of dancing is conversation. Trouble is, some men can't talk and dance at the same time.

The only way to enjoy anything in this life is to earn it first.

I traveled with my mother, Lela, and there was never enough money. I always had to roll down my silk stockings and carry a doll when we bought train tickets so I could go half-fare. If we had $3, we always figured how to tip for the trunks and still eat.

You bring out a lot of your own thoughts and attitudes when acting. I think a great deal of it has to do with the inner you.

I made my last motion picture in March 1965 for Magna Pictures. 'Harlow,' based on the life of actress Jean Harlow... I didn't know at the time that 'Harlow' would be my last motion picture.

'Flying Down to Rio' established RKO as a leader in musical film production throughout the 1930s. The film helped to rescue the studio from its financial straits and it gave a real boost to my movie career.

I had been making films for almost ten years, and the head men at RKO thought of me only in terms of musicals. I found no fault with that, except I just couldn't stand being typed or pigeonholed as only a singing and dancing girl. I wanted to extend my range.