Giorgio Moroder

I listen to the group Disclosure; they have great sounds. Maybe not as adventurous as Skrillex. I think the key thing is to have those beautiful sounds... the amazing sounds of Skrillex are almost phenomenal.

I would not be happy to do what I do unless I felt that the large audience wanted it.

It is at least 10 times more difficult to get a good synthesiser sound than on an acoustic instrument.

I am not so complicated or intelligent a composer, nor am I very interested in becoming so. I am much more happy doing what I know I can do than what I am not sure I could do.

I like the sounds of EDM; the guys create new sounds, beautiful sounds. The melodies, it's a little less. I like the kind of melodies I did with Donna Summer, or 'Flashdance,' where you have a verse, a chorus - a song setup.

The disco sound, you must see, is not art or anything so serious.

I am reluctant to judge things without being informed.

Dance music doesn't care where you live. It doesn't care who your friends are. It doesn't care how much money you make. It doesn't care if you're 74 or if you are 24 because... 74 is the new 24!

In pop or rock you can make a fast song or a slow one but in disco there is really just the one rhythm.

I have to admit, I do not listen to much rock music.

My favorite would be 'Love to Love You' because from zero, I went to Number One. I don't think it's the best song - the best one is probably between 'Flashdance' and 'Take My Breath Away.'

Too many of these writers in the music papers they are misunderstanding everything. The disco sound is not art or anything so serious.

Too many of these writers in the music papers, they are misunderstanding everything. The disco sound is not art or anything so serious.

In pop or rock you can make a fast song or a slow one, but in disco there is really just the one rhythm.

Disco does work better with black artists or players. They just feel it more.

I don't think there is too much art involved in what I do.

I think it would be stupid for us to try and tell people who are dancing in a discotheque about the problems of the world. That is the very thing they have come away to avoid.

I am certainly not racist; I even like the British.

Nowadays you need so much money to be able to launch a new artist, notably in America; you would hardly believe the sums involved.

Phil Ramone is very special. Barbra Streisand or Diana Ross... they are the best.

I am much more happy doing what I know I can do than what I am not sure I could do.

When I'm dead, somebody can write my biography. I wrote a national hymn, an anthem, which I don't want to present to that country. But I have a deal with my wife - when I'm dead, she should offer it, because then I'm safe.

Now, the DJ becomes a star in itself because of the way he programs the songs with lows and then highs and then slowing it down. The big DJs, like Tiesto and Deadmau5 and all those guys, they are very, very creative.

I achieved something specially different with Love To Love You Baby and I Feel Love. These songs will endure.

Disco is music for dancing and people will always want to dance.

Every business is there to make money, and making a record is business. This tends to be forgotten by many.

In both pop and disco, the meaning of the lyrics is not too important. I have nothing I feel I particularly want to say.

Disco is music for dancing, and people will always want to dance.

My music was typically continental - nothing like, say, The Beatles.

I love Lady Gaga, Rihanna - all the pop girls like Katy Perry. I think Miley Cyrus is very talented, too. Apart from the visuals, which you may like or not like, but her music is quite good, actually. 'Wrecking Ball' is quite a good song, and she sang it really nicely.