The only thing I can do is type. I learned that when I was 13.

It's not that we use technology, we live technology.

Having been an educator for so many years I know that all a good teacher can do is set a context, raise questions or enter into a kind of a dialogic relationship with their students.

In terms of the feeling of the piece, I cant think about what people are gonna think about it, what are the critics gonna say, I'm trying to bring some resolution, and realize that myself. It's a struggle; it's a process that gets us this.

Technology has become as ubiquitous as the air we breathe, so we are no longer conscious of its presence.

But in fact if you look at film as a metaphor, only through the negative can you have the positive print. What I'm trying to get to is the positive value of negation.

I think it's the tragedy of our time that we're not aware of the affect of the manner in which we've adopted tools. Those tools have become who we are.

Now having said that, I realize that releasing a film in the real world is like trying to get General Motors to release a handmade car.

In the order I was in, each brother takes five vows, one of which is teaching the poor gratuitously. As a young person I was seized by this idea of social justice and I wanted very much to follow my vow of teaching the poor gratuitously.

In effect, I feel like a blind, deaf, and illiterate person working through the sensibilities and multiple, real talents of other people. Everything I do is collaborative.

All tools have intrinsic politics and technology is the tool of now.

These films however, have ambiguity built into them, because it's too easy in film to make a strident work of propaganda or advertising, which are really the same thing anyway, meaning the message is unmistakable.

So to hope to be able to have peace, to be able to have justice and environmental balance, are consequences of our behavior, not just our intentions.

So, not for lack of love of language, but because I feel our language is in an enormous state of humiliation, I decided to make films without words.

I think it's naive to pray for world peace if we're not going to change the form in which we live.

It is very easy to make clear what you want a film to say, but I did not wish to engage in overt propaganda, even for the right cause. I wanted to create an experience through the films, something where people could have the freedom of their own response to them.

What I'm trying to do is to at least raise a flag to the blinding light of technology.

It's not just the effect of technology on the environment, on religion, on the economic structure, on society, on politics, etc. It's that everything now exists in technology to the point where technology is the new and comprehensive host of nature of life.

History has been the history of warfare.

The language of the moment or, as it were, the language of the order in which we live, is the image. I felt that if I wanted to commune with the public, I should best do so through the language of image. It's a conscious embrace of a contradiction.

Mystery is gone to the certainty of technological principles. So the real terror, the real aggression against life comes in the form of the pursuit of our technological happiness.

Technology is not neutral.

The only thing I can do is type. I learned that when I was 13.

I think there's an enormous value to being negative. The world we live in today, negativity is not permitted.

Whatever their defects, Christian fundamentalists have lived peacefully among us in America for several hundred years.

When I was young, my family didn't go on outings to the circus or trips to Disneyland. We couldn't afford them. Instead, we stayed in our small rural West Texas town, and my parents took us to cemeteries.

I'm a black American, and I'm proud to represent who and where I'm from - unapologetically. There's no shame in my game.

I very rarely think in words at all. A thought comes, and I may try to express it in words afterwards.

You can run in behind someone - one v. one, you're better - so I'm always trying to work on my speed. That's probably one aspect I've worked on the hardest as a player. I want to always improve on everything in my game, but that's one area I really work on.

Life's to short for chess.

Live well. Sing out, sing loud, and sing often. And God bless the child that's got a song.

I knew I was going to be a sportsman.

I can imagine few things more trying to the patience than the long wasted days of waiting.

I think Pebble Beach is kind of a unique place on the planet.

I've gone through the village of my songwriting and my artistry, and I've gone through lots of different phases, including one where it has been very quiet and abandoned me for a few years.

It wasn't all frustration. I've had a lot of good times with Ferrari as well.

The key is, if you're not monkeying around with the script, then everything usually goes pretty well.

Grow old with me, the best is yet to be.

Being on the road with rock, it's pretty much 90 percent guys.

The Viennese wash everything. Where else in the world does the government hire public servants to wash public telephone booths and the glass over traffic lights? Every time I see someone doing these things, I smile like a child.

There's a loss of autonomy that comes from not being able to own the wealth you've earned.

No one knows exactly when or where the redwood entered the history of life on earth, though it is an ancient kind of tree and has come down to our world as an inheritance out of deep time.

I sit here as the first African-American attorney general, serving the first African-American President of the United States. And that has to show that we have made a great deal of progress. But there's still more we have to travel along this road so we get to the place that is consistent with our founding ideals.

Prayer is an august avowal of ignorance.

I was an only child who had every advantage, every blessing, absolutely.

I was never attracted to the pop world. I listen to music that is pop sometimes. But I've never thought, 'Oh, I need to work with Ne-Yo now.' It's never really been my thing.

I try to avoid describing one interpretation of my books. Of course I have an opinion. I have things I want to say, but I don't ever want to limit anybody, to have them say, 'Oh, he said this, so that's what it's about.' I'm happy people bring their own stuff to it.

A lioness has got a lot more power than the lion likes to think she has.