But I also wanted to give them an intelligent emotional journey, without having to suspend reality - to be able to look at those characters and see reasons for the relationships and why what happens happens.

No one was creating and I always wanted to be created on.

Mostly, I'm in the very enviable position that no one dictates what I do.

And dance is wonderful because dance is so immediate.

I'm interested in people who can take the movement somewhere.

If the year 2000 can help us move into the future, that's fine, but I am afraid that people see it as a full stop and that one can take a big breath afterwards - you can't.

We moved, and there was a golden era in the '40s when we were so conscious of who we were as Australians.

I look at the dancers and I get the inspiration for the work from them.

Dance is so joyous.

We also tour nationally and internationally.

It's not a company of exponents of my style.

I think the Olympics could help us reach more people.

There's a line of dancers waiting to get into Sydney Dance Company.

Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater.

It's the emotional trigger points that are important to me because I know if I could believe in the characters and try and imagine how they felt then I'd be able to do something quite honest.

For me it was really important to get the essence out of the music for the story and not, sort of, press the music into the service of the whimsical telling of it.

But I also wanted to give them an intelligent emotional journey, without having to suspend reality - to be able to look at those characters and see reasons for the relationships and why what happens happens.

I wanted to give people - which is fairly bizarre considering my whole life is contemporary dance really - I wanted to give people a really fulfilling sense that they had seen a white classical ballet - in a very pure form.

And currently, there are four to five new works in the pipeline for upcoming celebrations such as the Sydney 2000 Olympics, Australian Federation, my 50th Birthday, and Sydney Dance Company's 25th Anniversary.

I think it requires a bit of honesty, Swan Lake.

I don't think people we'll miss the fact that SDC is way up there and that our profile is high.

I'm thrilled at the moment because our audiences, you know, they... the demographic is 50% male.

Yes, Carl Vine stuck around. He's now number one composer for choreography.

SDC has a great reputation for putting live music on stage.

I always figure I have this tree and there's always some green fruit that's not ready to pick or blossoms that are ready to flower; there are always some ready to drop off too.

Sydney is a very good market for us - we have a very strong following here.

I'm in the position to pick the cream of the crop.

We can't afford big symphonies but we commission works that sound rich and symphonic because of the nature of the instrumentation and the people we work with.

I actually build my dreams around the dancers I've got in my company.

I mean, I think in the early days we were pretty... pretty British in our entertainment leads.

I suppose, in a way, this has become part of my soul. It is a symbol of my life. Whatever I have done that really matters, I've done wearing it. When the time comes, it will be in this that I journey forth. What greater honor could come to an American, and a soldier?

The feeling remains that God is on the journey, too.

Every book is a new journey. I never felt I was an expert on a subject as I embarked on a project.

I've been pleased to work with so many wonderful stars through the years. This has been an amazing journey. I hope it continues.

In my subconscious, my books were part of a single emotional journey.

But even if I'm left high and dry at the end of this wild journey, just taking it is a great feeling.

Never make your home in a place. Make a home for yourself inside your own head. You'll find what you need to furnish it - memory, friends you can trust, love of learning, and other such things. That way it will go with you wherever you journey.

These matters having been arranged, I had a temporary awning erected near the river, and was for three or four days busily employed writing an account of our journey for the Governor's information.

My music is about the journey, about love and the human experience.

The only journey is the one within.

People who can pull you in and take you on a journey, as opposed to simply adding flash. Again, that feels very clinical, and I don't respond to that the way I used to.

One approaches the journey's end. But the end is a goal, not a catastrophe.

An illness is like a journey into a far country; it sifts all one's experience and removes it to a point so remote that it appears like a vision.

When I became a director, I wanted to convince a very reluctant Sidney into allowing me to go on the journey of his life. Sidney had gone ahead of every other African American actor.

When life takes me on a new journey, I simply remember the smile my first ballet recital put on my face and I move forward.

All through school, I was losing hundreds of pounds in school, so that's a journey - that's an old journey. I'm tired of that. I know that road.

Science and art, or by the same token, poetry and prose differ from one another like a journey and an excursion. The purpose of the journey is its goal, the purpose of an excursion is the process.

And it was from Boston that one in every six American families began their journey into the land of the free.

I like someone who embraces life; who wants to be on a long journey but has no particular plan or destination in mind. An adventurous man, open to the concept of living life in the moment.