We also tour nationally and internationally.

No one was creating and I always wanted to be created on.

Mostly, I'm in the very enviable position that no one dictates what I do.

And dance is wonderful because dance is so immediate.

I'm interested in people who can take the movement somewhere.

If the year 2000 can help us move into the future, that's fine, but I am afraid that people see it as a full stop and that one can take a big breath afterwards - you can't.

We moved, and there was a golden era in the '40s when we were so conscious of who we were as Australians.

I look at the dancers and I get the inspiration for the work from them.

Dance is so joyous.

We also tour nationally and internationally.

It's not a company of exponents of my style.

I think the Olympics could help us reach more people.

There's a line of dancers waiting to get into Sydney Dance Company.

Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater.

It's the emotional trigger points that are important to me because I know if I could believe in the characters and try and imagine how they felt then I'd be able to do something quite honest.

For me it was really important to get the essence out of the music for the story and not, sort of, press the music into the service of the whimsical telling of it.

But I also wanted to give them an intelligent emotional journey, without having to suspend reality - to be able to look at those characters and see reasons for the relationships and why what happens happens.

I wanted to give people - which is fairly bizarre considering my whole life is contemporary dance really - I wanted to give people a really fulfilling sense that they had seen a white classical ballet - in a very pure form.

And currently, there are four to five new works in the pipeline for upcoming celebrations such as the Sydney 2000 Olympics, Australian Federation, my 50th Birthday, and Sydney Dance Company's 25th Anniversary.

I think it requires a bit of honesty, Swan Lake.

I don't think people we'll miss the fact that SDC is way up there and that our profile is high.

I'm thrilled at the moment because our audiences, you know, they... the demographic is 50% male.

Yes, Carl Vine stuck around. He's now number one composer for choreography.

SDC has a great reputation for putting live music on stage.

I always figure I have this tree and there's always some green fruit that's not ready to pick or blossoms that are ready to flower; there are always some ready to drop off too.

Sydney is a very good market for us - we have a very strong following here.

I'm in the position to pick the cream of the crop.

We can't afford big symphonies but we commission works that sound rich and symphonic because of the nature of the instrumentation and the people we work with.

I actually build my dreams around the dancers I've got in my company.

I mean, I think in the early days we were pretty... pretty British in our entertainment leads.

Once I've decided to do something, I do usually try to carry it through to fruition.

Taking a risk is always frightening, but I gave myself a set period of time and had enough money to see me through. I operated from the belief that things would be okay, that if I wasn't successful I would find myself a job, but either way, I would be fine.

If Communism goes, I've still got the U.S. House of Representatives.

Humans are a social species more than any other, and in order to build a community, which for some reason humans have to do in order to live, we have to solve the communication problem. Language is the tool that was invented to solve that problem.

The really cool thing about when you're playing a comic book character is that no one knows what he sounds like.

I always find myself very distrustful of intense crowd phenomena, and I think those are things that we should always try to question, especially critically.

Teenage crush is like flu. If you find a remedy for it it lasts for a couple of days. If you dont it still lasts for a couple of days.

I think the media makes it tough to play in New York. There are so many papers and TV channels covering the Knicks and the expectations for the Knicks are so high.

I was once a graduate student in Victorian literature, and I believe as the Victorian novelists did, that a novel isn't simply a vehicle for private expression, but that it also exists for social examination. I firmly believe this.

The Federal Government is exploiting public fear to redefine the relationship between the rulers and the American people.

I love to watch good actors who surprise and amuse me.

Self-realization is great.

You've got your hands full if you have three children under 2 years old.

My top priority will be to secure maximum value for money in aid through greater transparency, rigorous independent evaluation and an unremitting focus on results.

Acting is way of making yourself exist.

I think of House as a deeply moral character, though some would no doubt argue with me. He does not judge. Beyond his normal tetchiness, there were no more than a half-dozen moments of actual condemnation from him. He understood lies and also why you lied, and there was an absolution there that is very, very appealing.

I am putting every effort toward creating my works from morning till night on every single day.

Hard work and dedication is important to success, and I have those qualities.

Whenever there was chaos in my house, whether it was arguing, being in a cramped space with all of us kids and screaming, I found an empty space where I could just put music on and move.