We gotta stop fighting amongst each other. I think the only rift should be when take it the stage and try to out perform each other.

Do not let any record company disturb your creative flow. You are not writing for the record company. You're writing for the public.

I had to go into a studio and compose and write and press up 12 songs in 14 hours. When you're recording a song from scratch it takes you 14 hours to do just one song.

We can come from our own particular point of view and lay it down. We should not be throwing verbal rocks at each other. We're all responsible to continue the growth of Hip Hop.

We can even sing off key, but if it's produced properly it can be a hit.

I had love for Breakout; I had love for Bambaataa. I had love for Kool Herc.

The type of mixing that was out then was blending from one record to the next or waiting for the record to go off and wait for the jock to put the needle back on.

As an individual I was known as the DJ or the mixer.

Normal kids in their teens want to go and date girls and do mischievous things, your hormones are jumping around, but I stayed in my bedroom in search of something.

We gotta stop fighting amongst each other. I think the only rift should be when take it the stage and try to out perform each other.

So what I'm trying to say is from a musical aspect for anybody to say that whatever they're doing in Florida is not Hip Hop or whatever they're doing in LA is not Hip Hop, who are these people to say that?

Hip Hop has become real constrained. The creative juices and creative flows have been diminished.

Disco B still rolls with me now. He's still doing his thing. He does clubs in different places. He was very instrumental in helping me perfect my craft.

But I had two very special people who helped to take my style to the next level. Thank God for my first MC Cowboy and my first student Grand Wizard Theodore, and to go out after creating this art form and finding everyone jamming to it - that too was pretty scary.

For us to keep claiming this isn't Hip Hop and that isn't Hip Hop doesn't make sense to me.

All you have to know is mathematically how many times to scratch it and when to let it go - when certain things will enhance the record you're listening to.

I think what's happening here is, there's a group or maybe one person who is saying this is gonna be the definition and this is what we want to get the kids to do now.

For instance, if you're playing a record with drums - horns would sound nice to enhance it so you get a record with horns and slip it in at certain times.

Disco was brand new then and there were a few jocks that had monstrous sound systems but they wouldn't dare play this kind of music. They would never play a record where only two minutes of the song was all it was worth. They wouldn't buy those types of records.

What has happened is that to some degree they have taken an attitude where they don't listen to demos of diverse subject matters. They're looking for demos like the record the guy on the left just did.

For anybody to say well this is not Hip Hop and that's not Hip Hop, that is not the way the formula was laid down. It was for the people who were going to continue take anything musically and string it along.

Conquer your neighbourhood, conquer your city, conquer your country, and then go after the rest of the world. That's my mantra.

I don't want to be classified as an old-skool DJ or new-skool DJ. I want to be classified as an all-skool DJ who plays it all. I also want to learn to DJ house music in my own fashion.

I knew there was a way to blend records together, but I didn't know how to. This was haunting me when I was in my teens. In my frustration, I decided to start experimenting with electronics. I tested the torque factor on different turntables. I had to figure needles out. See, there are two kinds, elliptical and conical.

I named myself Flash many years ago, as I loved the cartoon. Then my own fans said that I should call myself 'Grandmaster,' because of the way I operate turntables. I put the two together and that was it.

I want to go to - what's that hot country with a lot of money? - Dubai.

I was a quiet, nerdy kid living in the Bronx. I spent most of my teens in my room, taking apart electrical items to figure out how they worked before putting them back together, and listening to the music my four older sisters and parents played.

I went to junkyards, abandoned car lots. I asked supermarkets for the big jugs they put pig guts in, to make cabinets for my bass speakers.

I'm not big on snacks, but I if do, I like a few M&M's.

My father was my first inspiration. He had an incredible stereo and a turntable, and I was told not to touch it. But I'd go back and touch it anyway. I gained a respect for the turntables when I was a kid. When I was a teenager, I came up with a 'cueing system' to work the turntables because they didn't have it at that time.

Disco was brand new then and there were a few jocks that had monstrous sound systems but they wouldnt dare play this kind of music. They would never play a record where only two minutes of the song was all it was worth. They wouldnt buy those types of records.

Athletes as role models and heroes is a hoax, a sick hoax. The men and women who are fighting in Iraq, they are the true heroes.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

About the only time losing is more fun than winning is when you're fighting temptation.

There are not fifty ways of fighting, there's only one, and that's to win. Neither revolution nor war consists in doing what one pleases.

I have been, and will go on, fighting that damnable, dirty, rotten business with all the power at my command.

I had a bonding problem when I went off and boxed for five years. I was over in Europe and Asia fighting because I wanted to do something different; I was tired of acting. But the thing is, when I was done doing that, I couldn't get a job.

My back to the goal, physically fighting off defenders, trying to bang my goals in, every week I have to do the business for this club. That's the life of a striker.

A political prisoner is someone who is out fighting for his or her people's rights and freedom and is imprisoned for that alone.

Sir, you have tasted two whole worms; you have hissed all my mystery lectures and been caught fighting a liar in the quad; you will leave by the next town drain.

I don't see it in terms of changing things, but rather using language and music as weapons for fighting a mainstream media which is predominately right wing, and loyal to the political framework and its corporate interests.

I'm fighting for small businesses. I'm not fighting for big oil. Don't be confused. And there are thousands of businesses in this state that are at great risk. Meanwhile, the country keeps guzzling the oil, but we're out of work down here. We need to get back to work to build this region, and we intend to do so.

Until fighting ends and there are conditions, which allow the free expression of will by the people, there can be no elections and elections are not held in these circumstances anywhere in the world.

We need to stop fighting Christian against Christian. I have no time for anything but trying to love other people. That is a full-time job.

Many of America's and New York's sons and daughters are around the world fighting for the freedoms that the Statue of Liberty stands for.

Relativism is neither a method of fighting, nor a method of creating, for both of these are uncompromising and at times even ruthless; rather, it is a method of cognition.

You become a champion by fighting one more round. When things are tough, you fight one more round.

Real answers need to be found in dialogue and interaction and, yes, our shared human condition. This means being open to one another instead of simply fighting to maintain a prescribed position.

I was a little girl fighting as a partisan against Nazi-Fascism.