For eight years I did effects for other movies until I got my movie made.

Well, the first thing is that I love monsters, I identify with monsters.

For Devil's Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.

I think that The Eye is a particularly Americanized take on horror.

I'd grab the camera and tell people what to do, and when I was 14, someone told me that it was called directing.

I'm a lapsed altar boy.

I think there are movies that are so gigantic that you need a second unit.

When I was a teenager there was no video in my country. Betamax came to Mexico very slowly.

I think there is a very quiet power in things that are not on screen.

The other thing that I started doing for myself was, I went through my diary of ideas that I keep and made sure that the translation of the comic to the movie was good.

I was directing before I knew it was called that.

I started when I was eight, doing super 8 films.

There are two levels of vampirism: one is the regular vampire, which is just like it has always been; and then there's the super vampires, which are a new breed we've created.

What happens to me is that I am first and foremost a film geek.

It's only in modern times that we have come to glorify vampirism.

I like John Carpenter. I like some of his films more than others.

They're getting more and more experience on what to expect, and the Hellboy audience is such a faithful and fanatic audience as I am, and you have to really be very open about what you do.

Hellboy is the first movie where both ends of the spectrum are combined.

I was part of a group that had a cinema club so every week we would project two or three movies on 16 or 35mm.

But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil's Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.

In that, Blade 2 is very much like a rock concert... if it's too loud, you're too old.

Well I think effects are tools.

For eight years I did effects for other movies until I got my movie made.

I like actors that are good with pantomime and that can transmit a lot by their presence and attitude more than through their dialogue.

I see horror as part of legitimate film. I don't see it as an independent genre that has nothing to do with the rest of cinema.

There is beauty and humility in imperfection.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.

My mom took me to see Carnal Knowledge and The Wild Bunch and all these kind of movies when I was a kid.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

I enjoy about 1 out of 100 movies, it's about the same proportion to books published that I care to read.

Sure, 'Twilight' is really huge right now and everybody's freaking out over it, but it will go away soon and I will be back to doing what I'm used to doing: weird little movies that nobody sees.

There are many kinds of movies in Hong Kong. Some are commercial and others are more artistic.

Making movies is eating candy. It's a very expensive candy, so you value when you can do it. So when you can do it twice at once, it's like, you know, a kid in a candy store!

It just proves good movies don't need 100 million dollars to be good.

In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

When I go to movies I generally want to be taken to another world.

There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific.

You can make movies for a select audience, but you have to market it to them.You can make movies for a select audience, but you have to market it to them.

Well, it was actually - I brought the idea of doing a documentary to HBO back in 2000, when there were some press reports sort of were bandied about that there were going to TV movies based on some of the books that were out.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

Racing Stripes was so much fun to do. It's one of the funniest movies I've seen in a couple years.

I think the audience would like to see movies that are stunning to watch. I really think they'd like to see spectacles.

I feel like I'm a fighter. I've fought my whole life to get to where I'm at. I like fight movies. When someone gets knocked down, I like to root for him to succeed.

After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.

Star Wars, the original movie, was all the various old genre of pictures: the swashbucklers, the war movies, all those things were put n there in a different look.