I write bars, for the musicians, because they have to be together.

For the past ten years I have had no financial problems.

Once, in London, the BBC asked me what was my favorite English book. I said Alice in Wonderland.

I only want to give a metaphysic for my music.

New York is the dream world, the center of jazz and rock.

But if you go from Moscow to Budapest you think you are in Paris.

But I do not want to use Hungarian verses for British people.

I know already the music I will write. But the words? I have not yet decided.

I like to stay home and listen to recordings.

First of all I listen to music. I like music.

I write bars, for the musicians, because they have to be together.

In my piano concerto I developed this polyphony to much higher complexity.

I lived under the Nazis and under the Communists.

Yes, fractals are what I want to find in my music.

I listen to all kinds of music - new music, old music, music of my colleagues, everything.

My grandfather was not a musician but he was an artist - a painter, a decorative painter.

There is a wonderful Hungarian literature, especially in lyric poetry.

If you come from Paris to Budapest you think you are in Moscow.

Stravinsky used Mother Goose. He was influenced by Mother Goose, indirectly, but very beautifully.

Steinberg is great. I should like to meet him.

I don't use old music.

People often thought Leopold Auer was Russian because he lived in St. Petersburg so long, almost fifty years.

Then, after the war it was impossible to travel, after so many years of Hitler and Stalin.

Gesualdo was very important to me, I wanted to do something which corresponded to him.

Perhaps the better word is emotional yes, I am an emotional man.

I don't read such boring things. Life is too short.

When I was younger I was completely without money - when I was studying in Budapest, when I was a refugee.

That's Tommy, this great producer who comes in contact with people and must have a mental library of personnel who are great for this and great for that, and he brought this whole group of musicians to the project that I'd never worked with before.

Every musical movement that is big enough has to produce some good musicians who wouldn't have had the incentive to start playing without it.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

We were brash young fellows'. I was always hanging with the older crowd anyway. The musicians were the Hip Cats, and I was hanging with them anyway. I Just started out real early.

You can have all sorts of relationships, but there's something with musicians working together where you can have relationship that can just continue to grow in a beautiful way.

Most musicians count at the beginning, and never count and talk to their musicians after that. They only talk to them at the end of the song. But I would count with them and talk.

It's my fault in many cases because I don't initiate the contact to talk with a lot of other musicians.

Musician jokes are a kind of joke that usually have to do with how much money someone makes. Musicians are always starving, so they're really mean to each other about who makes what.

What 'jazz' means to me is the worst kind of working conditions, the worst in cultural prejudice. The term 'jazz' has come to mean the abuse and exploitation of black musicians.

We wanted to guide the musicians, so we could create our own sound. We would never let the band just go in and play the chord sheets. We were very focused on what we had in mind for these productions.

I don't take compliments very easily. I think most musicians suffer from low self-esteem to some extent.

I'm always going to get more of a charge playing Chicago than I will Duluth or some place like that. Just because of the history and the people there are way more knowledgeable than a lot of other cities. It's an amazing music scene with some great bands and great musicians.

Watch MTV and you can see what the music scene is like in England. The Spice Girls? Not a lot of creativity in the commercial area. There are still great musicians in England, but not a lot being heard that much.

Success breeds volume, and it's just amazing how many young writers, artists, and musicians there are in town.

At the art college in Edinburgh someone arranged for some London groups to come up and play. I was in a supporting band, with Bernie Green I think. Derek Bailey was one of the visiting musicians. He seemed to like my playing and asked me to come down to London.

Out of doing all that experimentation with sound I decided I wanted to do it with live musicians. To take repetition, take music fragments and make it live. Musicians would be able to play it and create this kind of abstract fabric of sound.

But, I would be naive not to recognize the number of musicians who tell me they have been influenced by me and sight me - as well as Alex and Neil - as a musician who has been a positive influence on their playing.

We're not spokespeople, we're musicians.

I was afraid the other musicians might want to present themselves too much, though I see in the coverage I've received of the album that the musicians got wonderful reviews for their contributions and abilities. I think the four musicians played freely within my limits.

I only choose musicians who I think will emerge, can emerge, with their own character, while still going along with the tune in question.