I am 55 years old now. It takes three years to write one book. I don't know how many books I will be able to write before I die. It is like a countdown. So with each book I am praying - please let me live until I am finished.

Most young people were getting jobs in big companies, becoming company men. I wanted to be individual.

In Japan they prefer the realistic style. They like answers and conclusions, but my stories have none. I want to leave them wide open to every possibility. I think my readers understand that openness.

Everything passes. Nobody gets anything for keeps. And that's how we've got to live.

When I write about a 15-year old, I jump, I return to the days when I was that age. It's like a time machine. I can remember everything. I can feel the wind. I can smell the air. Very actually. Very vividly.

I lost some of my friends because I got so famous, people who just assumed that I would be different now. I felt like everyone hated me. That is the most unhappy time of my life.

You are 27 or 28 right? It is very tough to live at that age. When nothing is sure. I have sympathy with you.

It is hard to be an individual in Japan.

I didn't want to be a writer, but I became one. And now I have many readers, in many countries. I think that's a miracle. So I think I have to be humble regarding this ability. I'm proud of it and I enjoy it, and it is strange to say it this way, but I respect it.

There's no such thing as perfect writing, just like there's no such thing as perfect despair.

I am 55 years old now. It takes three years to write one book. I don't know how many books I will be able to write before I die. It is like a countdown. So with each book I am praying - please let me live until I am finished.

A fortunate author can write maybe twelve novels in his lifetime.

Among the many values in life, I appreciate freedom most.

As a novelist, you could say that I am dreaming while I am awake, and every day I can continue with yesterday's dream. Because it is a dream, there are so many contradictions and I have to adjust them to make the story work. But, in principle, the original dream does not change.

As long as possible, I would really like to complete one marathon per year. Though my time has been slowing down as I get older, it has become a very important part of my life.

Before I became a writer, I was running a jazz bar in the center of Tokyo, which means that I worked in filthy air all the time late into the night. I was very excited when I started making a living out of my writing, and I decided, 'I will live in nothing but an absolutely healthy way.'

Concentration is one of the happiest things in my life.

Confidence, as a teenager? Because I knew what I loved. I loved to read; I loved to listen to music; and I loved cats. Those three things. So, even though I was an only kid, I could be happy because I knew what I loved.

Every day I go to my study and sit at my desk and put the computer on. At that moment, I have to open the door. It's a big, heavy door. You have to go into the Other Room. Metaphorically, of course. And you have to come back to this side of the room. And you have to shut the door.

Every writer has his writing technique - what he can and can't do to describe something like war or history. I'm not good at writing about those things, but I try because I feel it is necessary to write that kind of thing.

For me, writing a novel is like having a dream. Writing a novel lets me intentionally dream while I'm still awake. I can continue yesterday's dream today, something you can't normally do in everyday life.

For novelists or musicians, if they really want to create something, they need to go downstairs and find a passage to get into the second basement. What I want to do is go down there, but still stay sane.

George Orwell is half journalist, half fiction writer. I'm 100 percent fiction writer... I don't want to write messages. I want to write good stories. I think of myself as a political person, but I don't state my political messages to anybody.

I began running on an everyday basis after I became a writer. As being a writer requires sitting at a desk for hours a day, without getting some exercise you'd quickly get out of shape and gain weight, I figured.

I collect records. And cats. I don't have any cats right now. But if I'm taking a walk and I see a cat, I'm happy.

I could have been a cult writer if I'd kept writing surrealistic novels. But I wanted to break into the mainstream, so I had to prove that I could write a realistic book.

I didn't read so much Japanese literature. Because my father was a teacher of Japanese literature, I just wanted to do something else.

I don't get bored.

I don't know how many good books I still have in me; I hope there are another four or five.

I don't think of myself as an artist. I'm just a guy who can write.

I don't want to express my opinion about actual politics, because if I do, I have to be responsible for my decision.

I get up early in the morning, 4 o'clock, and I sit at my desk and what I do is just dream. After three or four hours, that's enough. In the afternoon, I run.

I had my jazz club and I had enough money. So I didn't have to write for my living.

I had no ambition to be a writer because the books I read were too good, my standards were too high.

I have always liked running, so it wasn't particularly difficult to make it a habit. All you need is a pair of running shoes and you can do it anywhere. It does not require anybody to do it with, and so I found the sport perfectly fits me as a person who tends to be independent and individualistic.

I have no models in Japanese literature. I created my own style, my own way.

I just wanted to write something about running, but I realized that to write about my running is to write about my writing. It's a parallel thing in me.

I know how fiction matters to me, because if I want to express myself, I have to make up a story. Some people call it imagination. To me, it's not imagination. It's just a way of watching.

I like to read books. I like to listen to music.

I think history is collective memories. In writing, I'm using my own memory, and I'm using my collective memory.

I try not to think about anything special while running. As a matter of fact, I usually run with my mind empty. However, when I run empty-minded, something naturally and abruptly crawls in sometime. That might become an idea that can help me with my writing.

I used to run a full marathon in three hours and 25 or 26 minutes. Not any more.

I was enjoying myself writing, because I don't know what's going to happen when I take a ride around that corner. You don't know at all what you're going to find there. That can be thrilling when you read a book, especially when you're a kid and you're reading stories.

I'm a writer. I don't support any war. That's my principle.

I'm kind of a big kettle. It takes time to get boiled, but then I'm always hot.

I'm not a fast thinker, but once I am interested in something, I am doing it for many years.

I'm not intelligent. I'm not arrogant. I'm just like the people who read my books. I used to have a jazz club, and I made the cocktails and I made the sandwiches. I didn't want to become a writer - it just happened.

I've been running a full marathon every year for more than 20 years, and my record is getting worse. Getting older, getting worse. It's natural.

I've run the Boston Marathon 6 times before. I think the best aspects of the marathon are the beautiful changes of the scenery along the route and the warmth of the people's support. I feel happier every time I enter this marathon.