The trumpet was not a lyrical singing instrument.

I confess that I listen to my own music for my own pleasure.

Mexican Shuffle was a turning point of the Brass.

The trumpet was not a lyrical singing instrument.

When I finish an album and I find myself listening to it in the car, because it makes me feel a certain way, that's the time to try to let other people know about it.

I'm an old-timer in the business from the sense that when you do something that you feel good about there might be another person out there who feels the same way, or a hundred or a couple million.

I like to listen to classical music... I like mainline jazz.

He has a method that likens the musician to an athlete, so I do physical exercises designed to keep a musician in shape in order to perform the function, which is to play music.

I like to listed to the adventurous guys - the Coltranes, Miles Davis, the guys who just let it loose.

You know, the record business is much different than being artist on stage.

I was taken in by the bravado and the sounds of Mexico... not so much the music, but the spirit.

It's - as opposed to tape where you have a magnetic tape that's excited by frequencies that you hit, digital was a process where musical sounds are transferred to numbers and stored as numbers.

I practice every day. I've been doing it since I was eight.

I find that it's nice to work with somebody and spin off on someone else's feelings. You get a little jaded by yourself.

I'm sure I'll go back again and record in the digital process.

Although there was a point with the Tijuana Brass where we were playing for such huge crowds that I kind of lost contact. At one point, the only connection I had with the audience was with people out there lighting cigarettes.

It's very clean. With tape, you get noise.

The reaction to this album has just been fabulous around the world... and I've had offers to perform from around the world and I'm tempted to do it. I've got itchy lips.

If you look at a record under a microscope, the high frequencies are short jagged edges... and the low frequencies are long swinging ones are deep bass sounds. When it cut it at half speed, you're getting more of those on the record.

The Japanese seem to be a loyal audience.

There's something interesting about playing live; you're in the moment, and I think it would be beneficial.

We finally got our big break when Ed Sullivan put us on his show.

We always felt that if you do something with quality and integrity, then it's going to come back to you.

Clifford Brown was in the jazz circles considered to be probably the greatest trumpet player who ever lived.

Instrumental music can spread the international language.

Selfishly, I make music for me. I like to make music. I like looking for songs. I like working with interesting musicians. I like producing records. It's something I will always do.

I don't think radio is selling records like they used to. They'd hawk the song and hawk the artist and you'd get so excited, you'd stop your car and go into the nearest record store.

This was during a period when I was producing Brazil '66 records and got infected by Brazilian music.

I wake up in the morning, I do a little stretching exercises, pick up the horn and play.

When Frank the Pug is singing I Will Survive, the only reason it's funny is that Will is in that shot trying not to get angry. A shot of a dog singing I Will Survive on its own will not get a laugh.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

You're gonna have to learn to get out there in front of those cameras and hold your head up. Take charge when you're singing.

I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.

But enough joking. I am singing. This is all my life.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

Again, I say I will be glad to tell what songs I have ever sung, because singing is my business.

It was he who impressed, time and again, the necessity of singing as nature intended, and - I remember - he constantly warned, don't let the public know that you work. So I went slowly. I never forced the voice.

In so many interviews, they bring up the sexual aspect of the record. I've had some journalists say it sounds like I'm lying down in bed singing with a microphone. It gets so old!

I love songwriting. It's second to my love for singing in how I express myself.

I hated singing. I wanted to be an actress. But I don't think I'd have made it any other way.

A lot of people are singing about how screwed up the world is, and I don't think that everybody wants to hear about that all the time.

My father started me singing in church.

I worked on my voice for Sweet Dreams, but only to match my speaking voice to Patsy's actual singing voice. That was my way into that character.

I looked in the audience. There were no strangers. Everybody was singing and cheering and hugging. That was a beautiful picture to look at.

I have always been intrigued with singing and I actually started my career in musical comedies.

I studied German at school. I lived in Berlin for two years and had a German girlfriend for five years, so I don't find speaking German particularly difficult. Singing was slightly more difficult.

When I started really singing I was 17, 18 years old. I used to go around trying to be a singer in the Bronx. My knees would shake but I learned by doing.

You didn't hear the angels singing. It was brought down to Mother Earth, which is where it should be. And that led me to a lot of other reading.

Singing is my life. It has always been my life. It will always be my life.