Once you develop your own style, you know when you're able to give your best. Feeling at home is part of it, and I don't think that's an L.A. thing. It's a matter of the environment and of what affects you.

Regardless of whether you speak the language or are familiar with a culture, the picture should hold up.

When you start out, you're not really aware. I didn't have a sense of photographic history.

I always enjoyed art history because, growing up in California, my exposure was limited, and it was a new experience. To learn the history of art opened up certain things to me, made me see. It intrigued me.

What I particularly liked was that, coming from California and not being involved in the New York scene, I developed my personal way, in my own way, at my own pace.

I'd go down to the end of my street, to a garage that had a certain feeling about it, or a particular light; I'd take a picture of a friend who needed a head shot. That's how I learned, instead of having school assignments and learning camera techniques.

Generally, the French highly promote culture and the arts, and photography is in their blood.

The education, the cultural awareness, is different in Europe, especially in France, from that in the United States. So I think the public will be much more appreciative of many images.

I like form and shape and strength in pictures.

Actually, when I first started dabbling in photography, I was still working for my parents as a salesman.

I think a lot of the time these days people are so concerned about having the right camera and the right film and the right lenses and all the special effects that go along with it, even the computer, that they're missing the key element.

I'm pretty selective. I generally edit the contact sheets and then do work prints. Because I have my own lab and printers, I can afford the luxury of going through the contact sheets for black-and-white, making up work prints, seeing them big, and honing them down.

For me, the most important thing I learned was just honing my eye. I think I had a good eye.

Within two hours of where I live, you have mountains and desert as location. I like the natural elements that abstract into light, texture, shape and shadow.

Once you develop your own style, you know when you're able to give your best. Feeling at home is part of it, and I don't think that's an L.A. thing. It's a matter of the environment and of what affects you.

Even though I didn't get a business degree, I enjoyed learning about economics.

I did grow up next door to Steve McQueen, who was a very famous movie star at the time, but as a kid it didn't impress me. We always had great fun with him. He would take us out on Sundays on his motorcycles, riding around in the desert; he was like a second father.

That's why I felt so at home when I went to Africa. It didn't matter that I was halfway around the world in a foreign country, because all those elements are universal. And I think that's one thing about my work: It's universal.

I think knowing people by first names, not by what they do sexually, is really what it's about. Not being afraid. Fear is the enemy. I've always been comfortable with being gay.

Well, I liked it - that was the main thing. I liked it, but I didn't think of it in terms of a career. I didn't really know; I didn't really think about it. One thing just led to another until finally I quit my job as a salesman and found myself working as a photographer.

Many people who excel are self-taught.

I was an economics major, which I enjoyed because I had a good business sense.

What we've proven is that you can protect the environment, use it wisely and grow the economy and that there is no conflict between the two.

I think the human body is beautiful, and I don't really have a huge problem in dealing with it, but it's the context, the environment and what I feel about it that that makes the difference for me.

Organized Christianity has always represented immortality as a sort of common heritage; but I never could see why spiritual life should not be conditioned on the same terms as all life, i. e., correspondence with environment.

If you're going to be at a job environment, you should love it. You shouldn't do it just for money. You should do it because you love it. And the money comes naturally.

When on the set of a film, you have to play natural for entire scenes in a very unnatural environment. You have to express emotions and interact with other actors and also use your voice.

An organization's reason for being, like that of any organism, is to help the parts that are in relationship to each other, to be able to deal with change in the environment.

The only way to save a rhinoceros is to save the environment in which it lives, because there's a mutual dependency between it and millions of other species of both animals and plants.

In fact, because of their connection to the land, farmers do more to protect and preserve our environment than almost anyone else. They are some of the best environmentalists around.

We don't have to sacrifice a strong economy for a healthy environment.

You get elected, often, if you're a woman, on the strength of the women's vote; then you get into office, and you have to adapt to an overwhelmingly male environment.

But the idea of a man making his living by writing seemed, in that hardy environment, so fantastic that even today I am sometimes myself assailed by a feeling of unreality.

Be careful the environment you choose for it will shape you; be careful the friends you choose for you will become like them.

Well, you know I have an office, my film offices. So I know that syndrome. I fancy offices, so there must be something wrong with me. Even the window cleaner intrigues me. It's a very sexy environment.

Small businesses are the number one job creators in America. Therefore, it is important that the federal government creates an environment that helps them succeed, not one that sets them up to fail.

History in its broadest aspect is a record of man's migrations from one environment to another.

When asked if I consider myself Buddhist, the answer is, Not really. But it's more my religion than any other because I was brought up with it in an intellectual and spiritual environment. I don't practice or preach it, however.

One of the best kept secrets in America is that people are aching to make a commitment, if they only had the freedom and environment in which to do so.

I certainly don't live in a kosher home although I was raised in a kosher environment.

Nature favors those organisms which leave the environment in better shape for their progeny to survive.

I want to do very useful buildings and I would like to find a method of producing these buildings through our technology because I think that this is the only way that we will gain wonderful environment easily in the future.

Well they do have a use, but we should never believe that any international conference is going to suddenly solve problems like the condition of the global environment.

This is a tough environment, and it's tough for everybody.

The nature of the task needs to be renewed so people just don't feel that all the hard work is in the same groove all the time, under the same circumstances and in the same environment.

We're failing our children with education, we're failing our environment.

The spoken word was the first technology by which man was able to let go of his environment in order to grasp it in a new way.

I mean, there was a portion, of course, that I think, when I look back now, that there was a portion of what attracted me must have been the awe of him being a powerful man in this environment, not to take away from who he is as a real person.

The business of art is to reveal the relation between man and his environment.