It's the same with people knowing absolutely everything there is to know about an actor. I actually think the more personal information you have about an actor, the more you have to carve out for yourself when you go to a movie and see them in it.

I've never worked as much as I would've wanted to, and that's why I end up doing a lot of stage as well, because stage is a full course meal.

I would love to work more - I really would - but there is not a lot of stuff around and the stuff that is around is not very complicated; it tends to lie a little flat.

I get cold really quickly, but I don't care. I like weather. I never understand why people move someplace so that they can avoid weather.

The rhythm of my career has always been very static, staccato and then silent, and then a lot of work, and then none.

I act probably a lot more than you see. I happen to choose movies that don't have much of a life, or I choose movies that are shown on cable instead of as features.

I think it's really odd, too, that the public is so privy to how much money the actors make and what movies cost. It seems to me to be beside the point. When I go to a movie I really don't want to think about the money. I want to see the story.

I've never directed, but it must be humbling.

It's the same with people knowing absolutely everything there is to know about an actor. I actually think the more personal information you have about an actor, the more you have to carve out for yourself when you go to a movie and see them in it.

More and more movies have been pressured to allow reporters and TV cameras to come onto the set while you're working, and I find that a real violation.

I've never had a career of that kind of box office power. I've always learned the hard way.

Mothers and daughters can stay very connected during teenage years. In the middle of your life, you can become very alone. Even though you're connected deeply to other family members, lovers, husbands, friends.

I really admire people who are extraordinarily tolerant and patient.

Privacy is paradise.

The unknown makes people uncomfortable.

My favorite actor is Wallace Beery.

I've been a very lucky actor.

I don't think I could be happy as an actor if there was a tyrant on the set.

When I was starting to get noticed as an actor in the 1970s for something other than the third cowboy on the right who ended up dying in every movie or episode, Burt Reynolds was the biggest star in the world.

Most parts that can be played by one actor can equally well be played by another, but not this.

I think, frankly, that I'm a better director than I was an actor.

I knew an actor's career goes up and down and back up again. Your standing in this business can't be your whole identity; otherwise, you're doomed.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.

I never dreamed about being an actor, because that was out of reach. Coming from a small town that was big in farming, and also big in clothing factories, you don't dream about being a professional football player or an actor.

My goal was always to be recognized as a good actor but no one was interested in that, simply because society just wants to warm towards your appearance. This is the great blemish of society.

If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable.

To be honest with you, when I got into this I never thought about reviews. I never thought about what people would say about me. I was just a young guy who was excited to become a comedian and an actor and I just wanted to get to do what I got to do.

It was very natural for me to want to disappear into dark theater, I am really very shy. That is something that people never seem to fully grasp because, when you are an actor, you are meant to be an exhibitionist.

I think that I've still not been successful at playing the role of the retired actor, and I'd like to work on that.

And once you cease to be a real person, you stop being a good actor.

When I decided I wanted to be an actor, I said I wanted to work with quality actors and directors.

There are roles I want that my agency might not want me to do because of the subject matter or whatever. Or there are roles that people won't bring to me because they don't think I'll do it. And that is a big strain because an actor wants to act.

Reality is, I'm an actor and an entertainer, and I really wouldn't know what to do with another profession.

I still feel like I'm trying to make it. It's hard to shed the struggling actor thing.

Only a great actor finds the difficulties of the actor's art infinite.

Follow the wisdom of the great actor, James Cagney, you hit your mark, you look the other guy in the eye, and you tell the truth.

I was always a character actor. I just looked like Little Red Riding Hood.

In other words, I wouldn't like to be an actor if I could only be real. I like to get wild, behaviorally wild, and it's crazy to think of any form where it's just one way.

An actor entering through the door, you've got nothing. But if he enters through the window, you've got a situation.

Oh, well, in Los Angeles everybody is an actor, or a producer, or a writer, or a director, or an agent, or... So everybody understands the hours.

I didn't want to be an actor.

I'm always looking, as an actor, for activities. I think it's far more interesting to watch what people do than what they say. You always want to watch behavior, because the dialogue as written by our illustrious leaders is great. Eminently playable.

That's always something that's really important for an actor - to find an opportunity to do a scene where there is a moment like that, where you manage to connect with everyone.

In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth.

And, you know, when you are a kid, everybody wants to be an actor. I think that everybody wants to be in show business, frankly.

An actor is at most a poet and at least an entertainer.

To wait, for an actor, is not like someone who's waiting to see the doctor. It's not the kind of wait where you get bored.

Every actor wants to direct.