The secrets of success are a good wife and a steady job. My wife told me.

I have a plot, but not much happens.

Obvious enough that generalities work to protect the mind from the great outdoors; is it possible that this was in fact their first purpose?

Language cares.

For a Jewish Puritan of the middle class, the novel is serious, the novel is work, the novel is conscientious application why, the novel is practically the retail business all over again.

I do insist on making what I hope is sense so there's always a coherent narrative or argument that the reader can follow.

Occasionally a student writer comes up with something really beautiful and moving, and you won't know for years if it was an accident or the first burst of something wonderful.

The historian is terribly responsible to what he can discern are the facts of the case, but he's nothing if he doesn't make out a case.

History is one of those marvelous and necessary illusions we have to deal with. It's one of the ways of dealing with our world with impossible generalities which we couldn't live without.

I sometimes talk about the making of a poem within the poem.

I've never read a political poem that's accomplished anything. Poetry makes things happen, but rarely what the poet wants.

When Robert Frost was alive, I was known as the other new England poet, which is to be barely known at all.

When you write it doesn't occur to you that somebody could think different from what you do.

It may be said that poems are in one way like icebergs: only about a third of their bulk appears above the surface of the page.

Nothing in the universe can travel at the speed of light, they say, forgetful of the shadow's speed.

I am not at all clear what free verse is anymore. That's one of the things you learn not to know.

I liked the kid who wrote me that he had to do a term paper on a modern poet and he was doing me because, though they say you have to read poems twice, he found he could handle mine in one try.

A lot happens by accident in poetry.

A chronicle is very different from history proper.

A teacher is a person who never says anything once.

I never abandoned either forms or freedom. I imagine that most of what could be called free verse is in my first book. I got through that fairly early.

Mostly the thought and the verse come inseparably. In my poem Poetics, it's as close as I come to telling how I do it.

We're not in love with Literature all the time - especially when you have to teach it every day.

Language is remarkable, except under the extreme constraints of mathematics and logic, it never can talk only about what it's supposed to talk about but is always spreading around.

Write what you know. That should leave you with a lot of free time.

Once in awhile you have a thought, and you rhyme it.

When I was starting to write, the great influence was T.S. Eliot and after that William Butler Yeats.

I think there was a revolution in poetry, associated chiefly with Eliot and Pound; but maybe it is of the nature of revolutions or of the nature of history that their innovations should later come to look trivial or indistinguishable from technical tricks.

I like all my children, even the squat and ugly ones.

Robert Frost had always said you mustn't think of the last line first, or it's only a fake poem, not a real one. I'm inclined to agree.

The nice thing about the Bible is it doesn't give you too many facts. Two an a half lines and it tells you the whole story and that leaves you a great deal of freedom to elaborate on how it might have happened.

Shakespeare tells the same stories over and over in so many guises that it takes a long time before you notice.

I think there's one thing which distinguishes our art - we don't consider. We don't think. We write a little verse because it comes to us.

I would talk in iambic pentameter if it were easier.

I've thought of the last line of some poems for years and tried them out, It wouldn't work because the last line was much too beautiful for the poem.

The spirit world doesn't admit to communicating with me, so it's fairly even.

When modern writers gave up telling stories, they gave up the greatest thing we had.

The secrets of success are a good wife and a steady job. My wife told me.

I have done things politically, and I've been running a business at the same time, but I sort of joke that to some extent I do more than most legislators have done in their whole careers, and I've been doing it as a part-time job.

I believe that if a man does a job as well as a woman, he should be paid as much.

Don't let ambition get so far ahead that it loses sight of the job at hand.

You really should not do this job unless you're willing to put in that enormous amount of effort. You should not do the job unless you're willing to take risks. And you shouldn't do the job unless you're willing to lose the job, too.

In 1975 I decided that there was no future in flying (airline jobs were impossible to get, and who wants a job where you are judged only by seniority?) and headed off to grad school.

If we wait for the U.S. to do something, we will be waiting for a very long time. It's Europe, it's Australia, it's the other developed and middle developing countries that have got to do the job.

Even if I don't have a job, I work on plays and scenes.

In the middle of a recession no tax increase is justified because it kills jobs, and any tax increase is a job-killing measure and should be defeated.

It's just a job. Grass grows, birds fly, waves pound the sand. I beat people up.

Well, I think that those of us in public life that are trying to do a good job, and that are faced with this popular new game that the media has of being critical of everything that anybody in public office does probably are thin-skinned.

People may take a job for more money, but they often leave it for more recognition.