So to answer your question, I'm not entirely sure how I ended up where I am today, in the sense that nobody in my family is an actor. It just happened by mistake.

In reality, for me every role is completely different.

Ireland. Great for the spirit - very bad for the body.

Well, fluffy shirts are, by definition, very comfortable.

The little song and dance number at the end - that's me, my voice, howling out. It was a new experience for me. I've never sung before and I've certainly never sung on screen. I think I sung on stage when I was 13 and for some reason nobody's asked me to try it again since.

Because I don't really think of myself as a hunk, to be honest.

As always, there's a couple of things in the pipeline - but that pipeline is a strange and ambiguous place.

I think becoming an actor because it's a ridiculously insecure profession to go into. I feel very comfortable but very lucky. I think any time that you imagine that it's plain sailing for hereon in, then you're kidding yourself.

I think for anybody reading the book they're going to get an idea in their heads of all those characters, and I think that once that gets fixed, it's quite hard to shake.

I think I can lead a pretty anonymous life, yeah.

I knew I wanted to be an actor when I was growing up, really. So when I decided to go to university instead of drama school, it was with the intention of becoming an actor afterwards.

No, I'm not a lager lout either. I think you have to be a massive football fan to be a lager lout.

You can still have chemistry on screen without getting on with the person. But it just makes your job a lot easier if you don't have to gird your loins, if that's not quite the right phrase, every time you're going to do a scene with that person.

There's no one actor in particular that I want to model my career after, except for the people who have been able to keep their career varied and who choose things that interest them. That opportunity is all I really want.

But one of the most fantastic things about Ireland and Dublin is that the pubs are like Paris and the cafe culture. And Dublin, in many ways, is a pub culture.

Specifically, we talked about making the character of the prince not so charming, at least in the beginning, and I'm playing around with the preconceptions attached to a character. That's really what intrigued me as well because I thought it would be fun to do it.

Besides, most of the books I like involve people I could never play in a million years.

In my experience it's not essential to get on with the person that you're acting opposite.

So to answer your question, I'm not entirely sure how I ended up where I am today, in the sense that nobody in my family is an actor. It just happened by mistake.

I've not as yet found one hobby that would absorb me completely when I'm not working, but I have just bought a new apartment and didn't quite bargain for the amount of effort and time and money that that absorbs.

But no, I don't think I'm particularly drawn to the period roles or the medieval roles.

When I got back I found myself being very emotional about the time spent in Rwanda in a way that I hadn't been able to or allowed myself to be when we were there.

When something is iconic, if you're very careful and delicate, you can add onto that iconography. It can expand. People have attached so much to it themselves, and connected to it, so the risks are big, but the potential is enormous, at the same time.

My favorite actor is Wallace Beery.

I've been a very lucky actor.

I don't think I could be happy as an actor if there was a tyrant on the set.

When I was starting to get noticed as an actor in the 1970s for something other than the third cowboy on the right who ended up dying in every movie or episode, Burt Reynolds was the biggest star in the world.

Most parts that can be played by one actor can equally well be played by another, but not this.

I think, frankly, that I'm a better director than I was an actor.

I knew an actor's career goes up and down and back up again. Your standing in this business can't be your whole identity; otherwise, you're doomed.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.

I never dreamed about being an actor, because that was out of reach. Coming from a small town that was big in farming, and also big in clothing factories, you don't dream about being a professional football player or an actor.

My goal was always to be recognized as a good actor but no one was interested in that, simply because society just wants to warm towards your appearance. This is the great blemish of society.

If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable.

To be honest with you, when I got into this I never thought about reviews. I never thought about what people would say about me. I was just a young guy who was excited to become a comedian and an actor and I just wanted to get to do what I got to do.

It was very natural for me to want to disappear into dark theater, I am really very shy. That is something that people never seem to fully grasp because, when you are an actor, you are meant to be an exhibitionist.

I think that I've still not been successful at playing the role of the retired actor, and I'd like to work on that.

And once you cease to be a real person, you stop being a good actor.

When I decided I wanted to be an actor, I said I wanted to work with quality actors and directors.

There are roles I want that my agency might not want me to do because of the subject matter or whatever. Or there are roles that people won't bring to me because they don't think I'll do it. And that is a big strain because an actor wants to act.

Reality is, I'm an actor and an entertainer, and I really wouldn't know what to do with another profession.

I still feel like I'm trying to make it. It's hard to shed the struggling actor thing.

Only a great actor finds the difficulties of the actor's art infinite.

Follow the wisdom of the great actor, James Cagney, you hit your mark, you look the other guy in the eye, and you tell the truth.

I was always a character actor. I just looked like Little Red Riding Hood.

In other words, I wouldn't like to be an actor if I could only be real. I like to get wild, behaviorally wild, and it's crazy to think of any form where it's just one way.

An actor entering through the door, you've got nothing. But if he enters through the window, you've got a situation.

Oh, well, in Los Angeles everybody is an actor, or a producer, or a writer, or a director, or an agent, or... So everybody understands the hours.