What gives the artist real prestige is his imitators.

Lesser artists borrow, great artists steal.

I am in the present. I cannot know what tomorrow will bring forth. I can know only what the truth is for me today. That is what I am called upon to serve, and I serve it in all lucidity.

What force is more potent than love?

The principle of the endless melody is the perpetual becoming of a music that never had any reason for starting, any more than it has any reason for ending.

Too many pieces of music finish too long after the end.

I haven't understood a bar of music in my life, but I have felt it.

What gives the artist real prestige is his imitators.

A good composer does not imitate; he steals.

Money may kindle, but it cannot by itself, and for very long, burn.

I have learned throughout my life as a composer chiefly through my mistakes and pursuits of false assumptions, not by my exposure to founts of wisdom and knowledge.

Conductors' careers are made for the most part with 'Romantic' music. 'Classic' music eliminates the conductor; we do not remember him in it.

My music is best understood by children and animals.

I was born out of due time in the sense that by temperament and talent I should have been more suited for the life of a small Bach, living in anonymity and composing regularly for an established service and for God.

Why is it that whenever I hear a piece of music I don't like, it's always by Villa-Lobos?

The real composer thinks about his work the whole time; he is not always conscious of this, but he is aware of it later when he suddenly knows what he will do.

Sins cannot be undone, only forgiven.

The trouble with music appreciation in general is that people are taught to have too much respect for music they should be taught to love it instead.

Harpists spend 90 percent of their lives tuning their harps and 10 percent playing out of tune.

I know that the twelve notes in each octave and the variety of rhythm offer me opportunities that all of human genius will never exhaust.

I am an inventor of music.

The more constraints one imposes, the more one frees one's self. And the arbitrariness of the constraint serves only to obtain precision of execution.

Is it not by love alone that we succeed in penetrating to the very essence of being?

Just as appetite comes by eating, so work brings inspiration, if inspiration is not discernible at the beginning.

Music is given to us with the sole purpose of establishing an order in things, including, and particularly, the coordination between man and time.

To listen is an effort, and just to hear is no merit. A duck hears also.

The Church knew what the psalmist knew: Music praises God. Music is well or better able to praise him than the building of the church and all its decoration; it is the Church's greatest ornament.

A plague on eminence! I hardly dare cross the street anymore without a convoy, and I am stared at wherever I go like an idiot member of a royal family or an animal in a zoo; and zoo animals have been known to die from stares.

Film music should have the same relationship to the film drama that somebody's piano playing in my living room has on the book I am reading.

In order to create there must be a dynamic force, and what force is more potent than love?

We can neither put back the clock nor slow down our forward speed and as we are already flying pilotless on instrument controls it is even too late to ask where we are going.

A composer is not only an architect but also an inventor and he should not build houses in which he cannot live.

A good composer does not imitate he steals.

The real composer thinks about his work the whole time he is not always conscious of this but he is aware of it later when he suddenly knows what he will do.

Invention presupposes imagination but should not be confused with it.

A cultural snob is someone who claims to be familiar with the incomprehensible.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

I'm inspired by nature. Other artist's work is important for developing my perception.

There is only one position for an artist anywhere; and that is upright.

The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

What do you say when someone has truly inspired you? How do you express to an artist how deeply their work has affected you?

An original artist is unable to copy. So he has only to copy in order to be original.

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.

You have to find what makes you stable in the storm. Then, no matter what's happening round you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.

The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.